This is how our world ends; with a whimper instead of a bang. New social structures and tribal connections spring up across America, as the previous social structures begin to dissolve. Locus Award finalist and John W. Campbell Memorial Award finalist Soft Apocalypse follows the journey across the Southeast of a tribe of formerly middle class Americans as they struggle to find a place for themselves and their children in a new, dangerous world that still carries the ghostly echoes of their previous lives.

    The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    Excavating the unsettling remains of a Norse society under attack, they also come to uncover some of their own demons, as it becomes apparent that a plague pandemic is sweeping across the planet and communication with the outside world is breaking down. Increasingly unsure whether their missives will ever reach their destination, each of the characters writes a letter to someone close to them, trying to make sense of their situation and expressing their fears and dwindling hope of ever getting back home...In fluid, witty prose, Moss weaves a rich tapestry of personal narratives, history, ghost stories, love stories, stories of grief and naked survival. Through these missives, the author explores themes that are at the very heart of our existence: What do people do in extremis? What do they think when faced with near-certain death? How do the group dynamics shift under such strain?

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    Not a good home, but at least there she can find food and shelter for her sisters, Lily and Tory.To the powerful Making Perfect corporation, however, the Slump is a gold mine, a source of unending test subjects. Once a month, squads of company officials invade the ruins to capture orphans for their facilities. What happens to the kids they take is unclear—none of them ever return.Then Summer herself is taken.Forced into a series of grueling experiments, she soon discovers that Making Perfect’s ultimate goal is far darker than anything she imagined. As she fights to get back to the Slump and her now-defenseless sisters, she begins to understand why once you enter Making Perfect, you never get out.

    In his new novel, he takes things one step further: the dollar has failed; the grid is wiped out. Van Dorn is eighteen and running solo, dodging the bloodthirsty hordes and militias that have emerged since the country went haywire. His dead father's voice rings in his head as Van Dorn sets his sights not just on survival but also on an old-fashioned sense of justice. Meanwhile, a leader has risen among the gangs-and around him swirls the cast of brawlers from Donnybrook, with their own brutal sense of right and wrong, of loyalty and justice through strength. So, this is not the distant postapocalyptic future-this is tomorrow, in a world Bill has already introduced us to. Now he raises the stakes and turns his shotgun prose on our addiction to technology, the values and skills we've lost in the process, and what happens when the last systems of morality and society collapse.The Savage presents a bone-chilling vision of America where power is the only currency and nothing guarantees survival. And it presents Bill at his most ambitious, most eloquent, most powerful.

    It was written in a hurry. It is riddled with inconsistencies. And it never quite arrives at whatever point it sought to make. But remember: The $25 you donated to charity in exchange for this steaming mess of prose will help our species shuffle along, and I hope you’ll feel warmed by your good deed as you read. Thank you for decreasing the overall worldwide level of suck, and as they say in my hometown: Don’t forget to be awesome.Best wishes!John Green* The book has been made available under creative commons license, so it can be acquired legally here: http://effyeahnerdfighters.com/post/2... :)

    William flees with his family to Magnolia, a farm in Tennessee, while America descends into madness, anarchy, and death. With the aid of elite Special Forces units, Magnolia emerges as beacon of hope and stability. But evil is hungry and relentless. A new threat stalks the Earth. To save his people, and perhaps all of humanity, William must be more than a lethal soldier; he must become a hero.Objects of Wrath is the first book in a saga spanning four generations. In a depleted and peeled land savaged by The Fall, William struggles to keep the faith and light burning within him.Sometimes, the only way to defeat darkness is to become it.

     God hates you. All of you. He closed the gates of Heaven & wants you to rot on Earth forever. Not only that, he is repossesing your souls & feeding them to a large vagina-like machine called the Walm-an interdimensional doorway that brings His New Children into the world. He loves these new children, but He doesn't love you. They are more interesting than you. They are beautiful, psychotic, magical, sex-crazed & deadly. They are turning your cities into apocalyptic chaos & there's nothing you can do about it. Featuring: a narrator who sees his body from a 3rd-person perspective, a man whose flesh is dead but his body parts are alive & running amok, an overweight messiah, the personal life of the Grim Reaper, lots of classy sex & violence, & a motley group of squatter punks that team up with the devil to find their place in a world that doesn t want them anymore.

    For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, rumors of war arrive. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    She never imagined it would go this far. It begins with a reality TV show. Twelve contestants are sent into the woods to face challenges that will test the limits of their endurance. While they are out there, something terrible happens—but how widespread is the destruction, and has it occurred naturally or is it human-made? Cut off from society, the contestants know nothing of it. When one of them—a young woman the show’s producers call Zoo—stumbles across the devastation, she can imagine only that it is part of the game. Alone and disoriented, Zoo is heavy with doubt regarding the life—and husband—she left behind, but she refuses to quit. Staggering countless miles across unfamiliar territory, Zoo must summon all her survival skills—and learn new ones as she goes. But as her emotional and physical reserves dwindle, she grasps that the real world might have been altered in terrifying ways—and her ability to parse the charade will be either her triumph or her undoing. Sophisticated and provocative, The Last One is a novel that forces us to confront the role that media plays in our perception of what is real: how readily we cast our judgments, how easily we are manipulated.

    So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

     He's been hunted like a rat for longer than he can remember. But now he's come into the light. And the darkness is waiting.