Now, in this riveting new novel by the author of The Other Alcott, we see the world through her eyes…In 1918, a fearless twenty-two-year old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon. By the early 1930s, as America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans. Learning to See is a gripping account of the ambitious woman behind the camera who risked everything for art, activism, and love. But her choices came at a steep price…

    He can identify every car in town from the sound of its engine, but his world is changing faster then he can fathom. His wife has become an artist, selling sea-glass sculptures to tourists. His daughter is bound for college, while his son has turned angry and lawless. Lucky's own heart is failing him, too. An operation has kept it ticking, but he can't run the boat alone any more. As the spring lobster season opens, the only deckhand Lucky can find to help load his traps is Ronette, the not-quite-divorced wife of the local lobster wholesaler. When the two make it out to the fishing grounds, someone else's buoys are bobbing in his ancestral waters. Before he knows it, Lucky is in a lobster war and has abandoned all the rules: family, health, finance, even the rules of the sea that have guided him throughout his life. As waves of trouble turn into a flood tide, Lucky's pride propels him into an epic confrontation with his enemies and a rogue whale -- a battle his unreliable heart may not survive. The Wooden Nickel is a classic story of a man raging against a changing world, full of pathos and comedy. It is a remarkable novel by a writer with a powerful, distinct, and original voice.

    Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel - and be right and wrong on both counts.

    Although fluent in the native language, she quickly finds herself on the outside of every experience. Things happen to her, events transpire, but it is as if the city itself, the performance of life there, eludes her. Setting out to uncover the source of the city’s erosion, she is beset by this other crisis—an ontological crisis—as she struggles to retain a sense of what is happening.Event Factory is the first in a series of novels (also available are the second, The Ravickians; the third, Ana Patova Crosses a Bridge; and the fourth, Houses of Ravicka) that Renee Gladman is writing about the invented city-state of Ravicka, a foreign “other” place fraught with the crises of American urban experience, not least the fundamental problem of how to move through the world at all.

    When renowned translator Hanne Schubert falls down a flight of stairs, her injury is an unusual but real condition--the loss of her native language. She is left speaking only Japanese, a language learned later in life. With her personal life at a crossroad, Hanne leaves for Japan. There, the Japanese novelist whose work she translated stunningly confronts her publicly for sabotaging his work. Reeling, Hanne struggles for meaning and seeks out the inspiration for the author's novel--a tortured, chimerical actor, once a master in the art of Noh theater. Through their passionate and intriguing relationship, Hanne begins to understand the masks she has worn in her life, just as the actor dons the masks that have made him a legend of Noh. The demons from her past and present begin to unfold and Hanne sets out to make amends in this searing and engrossing novel.

    It is told in the first-person by the narrator, Horse Badorties, a down-at-the-heels hippie living a life of drug-fueled befuddlement in New York City c. 1970. The book is written in a colorful, vernacular "hippie-speak" and tells the story of the main character's hapless attempts to put together a benefit concert featuring his own hand-picked choir of 15-year-old girls.Horse is a somewhat tragic, though historically humorous, character with echoes of other famous characters in popular culture such as Reverend Jim Ignatowski of Taxi fame. In his inability to follow anything through to completion he displays symptoms of attention-deficit disorder though this could equally be drug-induced. His defining characteristic is his joy in renting or commandeering apartments which he fills with street-scavenged junk articles until full to bursting he moves on to his next "pad". The name "fan man" is a reference to another of his traits; the collecting of fans of all shapes and sizes.

    There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    And yet the changes that are thrust upon them move them in directions they never dreamed possible - while their husbands and boyfriends are enduring their own transformations. In the decades that follow, the three friends lose their innocence, struggle to raise their children, and find meaning and love in unexpected places. And as they change, so does America - from a country in which people know their place in the social hierarchy to a world in which feminism, the Civil Rights movement, and technological innovations present new possibilities - and uncertainties. And yet Babe, Millie, and Grace remain bonded by their past, even as their children grow up and away and a new society rises from the ashes of the war. Beautifully crafted and unforgettable, Next to Love depicts the enduring power of love and friendship, and illuminates a transformational moment in American history.

    Through the poignant beauty of a child's voice, Buechner describes the joys and sorrows of the Schroeder family as they contend with personal calamity and the disastrous events of the Great Depression.

    But as she plans her escape to New York City, turmoil erupts and the demands of family stand between her and her suitcase. Darla must, for the first time in her life, cast an unflinching eye on the hard-to-accept truths regarding love, responsibility, and survival. The Bingo Queens of Paradise lyrically blends a powerful comic voice with a poignant tale of a woman who longs to pursue her dreams.

    "While the new sentence--the prose wing of Language writing--strips narrative down to pointed sets of shifting referents, Lu, in her debut, knowingly resuscitates it, creating a precise and humorous elegy to the self, and to its self-subversions. This quasi-bildungsroman charts the emergence of an 'I' (not 'P' and not 'Pamela, ' though the three characters do appear together) into a 20-something Bay Area, with memories of a suburban childhood close on her heels.... This is a book of extraordinary philosophical subtlety and clarity, one that manages to tell a beautiful story in spite of itself"--Publishers Weekly.

    She flees to Burlington, Vermont, home of Aunt May, her mother's only living relative. There she adopts Beulah, a Labrador puppy in training to become a companion dog for the blind. Not for a moment does Janey suspect that this "year of the dog" will change her life forever.Shelby Hearon is an acknowledged master at illuminating the nuances of relationships. In Year of the Dog, she explores the surprising ways that the heart heals after a betrayal. While Janey is training Beulah, Beulah leads Janey to a new love, James Maarten, a smart, "fidgety" teacher they meet at the dog park. As Janey soon discovers, James has suffered a betrayal of his own that makes it hard for him to open up and trust her with even the smallest details of his past. While Janey tries to help James, she also reaches out to her enigmatic Aunt May, a retired librarian reputed to be the friend, perhaps even the lover, of popular mystery writer Bert Greenwood. When Janey attempts to solve the twin mysteries of why her great aunt has distanced herself from the family—and what her true relationship is with Bert Greenwood—Beulah provides the clues that lead Janey to uncover the secrets of her aunt's life. By the time Beulah's stay with Janey comes to an end, the people whose lives she's linked will discover that healing and reconciliation can come in the most unexpected ways.

    Frances Ramos is a voluptuous prostitute who flaunts her wealth and is held in high esteem by the local street gangs. Gloria Hernandez is a dutiful young wife and mother--until her husband's act of betrayal sparks her growing estrangement and fury. Marta Ortega, a prophetic old woman connected viscerally with the forces/elements of nature, nods as past and present mingle and quietly charts the cross-pollenization of her turbulent neighborhood, and of human destiny.

    A force of nature. To know her is to love her, to love her is to hate her. Shes a woman who changes her name according to the ethnic flavor of the month, dabbles in Mormonism, and steals cleaning supplies from restaurant bathrooms. She is beautiful, excitable, contradiction as art form. Shes the kind of mom who reads her daughters diary, serves ketchup soup for dinner, and drags her girls from Utah to California to Wyoming in pursuit of one loser boyfriend after another. Her love for her daughters is fierce, smothering, neglectful. There is no other way than her. Does that sound extravagant? Or should I say there is no other place than her, observes Lucy, the endearing narrator of Nicole Stansburys very special debut novel, Places to Look for a Mother. In the tradition of Mona Simpsons Anywhere But Here and Larry McMurtrys Terms of Endearment, Places to Look for a Mother tells a tale of mostly maddening mother-daughter bonds. Forgiveness is always there, but its hard to find. And the Taylor family usually loses it. With lithe prose, pitch-perfect dialogue, and gloriously real characters, author Nicole Stansbury conjures a family that proves Tolstoy right once again: All happy families are alike; every unhappy family is unhappy in its own way. The Taylors are no exception, but Places to Look for a Mother is an exceptionally good novel.

    Lisa Takeuchi Cullen’s debut novel Pastors’ Wives follows three women whose lives converge and intertwine at a Southern evangelical megachurch. Ruthie follows her Wall Street husband from New York to Magnolia, a fictional suburb of Atlanta, when he hears a calling to serve at a megachurch called Greenleaf. Reeling from the death of her mother, Ruthie suffers a crisis of faith—in God, in her marriage, and in herself. Candace is Greenleaf’s “First Lady,” a force of nature who’ll stop at nothing to protect her church and her superstar husband. Ginger, married to Candace’s son, struggles to play dutiful wife and mother while burying her calamitous past. All their roads collide in one chaotic event that exposes their true selves. Inspired by Cullen’s reporting as a staff writer for Time magazine, Pastors’ Wives is a dramatic portrayal of the private lives of pastors’ wives, caught between the demands of faith, marriage, duty, and love.