Nick Antosca's THE GIRLFRIEND GAME is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable.In "Predator Bait," a decoy in a sex sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian." A young man plots the death of his girlfriend's killer in "Winter Was Hard."Antosca crafts surreal doomsday scenarios and otherworldly transformations alongside painfully articulate depictions of sexuality and animal impulse. The stories in THE GIRLFRIEND GAME are mesmerizing, leaving a haunting afterglow long after you close the book.

    After experiencing footsteps at night, opening doors, strange sounds and activity that centered around the library, they investigate, unearthing the mansion's tragic past and changing their beliefs about the supernatural world.

    Tragedy has dogged his life, and he sees the small friendly place as a second chance. But buried deep below the friendly smiles and quaint painted houses is an old abandoned mine that holds a legend of an ancient and terrible god.In the mine’s labyrinthine depths, something has been growing, something from a time of myth when ancient gods strode the Earth and mankind hadn’t even stood on two legs.But when the earth shakes and the groundwater rises, it reaches out and those it touches begin to deform and reshape into the image of their god. Their one goal—to feed their ancient master deep below the ground.Mitch Taylor soon finds himself fighting again, this time for the town, the ones he loves, and for his life.The Seed of Evil is a horrifying legend of an ancient god that turned out to be real.

    drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Playwright Gary Owen uses the Greek myth of Iphigenia to tell a modern story: exploring social deprivation, poverty and class in contemporary Wales.

    Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not only with the U.S. Radium Corporation, but also with her own family and friends, who fear that her campaign for justice will backfire.(Not to be confused with the one-act version of this story by the same title.)

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    His camera captures images that should not exist, things that cannot be explained. Soon, he'll realize that the people of Red River, New Jersey are in terrible danger. There's a darkness growing within the house which threatens them all. The House of Mirrors is open, and once you see yourself in, there's no way out... In the House of Mirrors is a 90,000-word supernatural thriller recommended for fans of Peter Straub and Robert McCammon.

    Book by Wendy MacLeod, MacLeod, Wendy

    

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    In his newest play, Celebration, he continues to examine the darker places of relationships. Celebration is an acerbic portrait of a sated culture choking on its own material success. Startling, full of black humor and wicked satire, Celebration displays a vivid zest for life. Also included in this volume is Pinter's classic play The Room. Both plays are invested with the elements that make Pinter's work unique: the disturbingly familiar dialogue, subtle characterization, and abrupt mood and power shifts among characters, which can be by turns terrifying, moving, and wildly funny.