Radclyffe's romance collections are eagerly anticipated each year because they keep getting better and better. Best Lesbian Romance 2010 revels in the seduction, love, and relationships that happen between women. All readers will enjoy these stories of romance by the best in the genre, including Sommer Marsden, Sacchi Green, Evan Mora, Andrea Dale, and the grand master Radclyffe herself. Whether readers are looking for young love, mature love, or lost love, these stories will more than fill the bill.Also featuring: G.L. Morrison, Patricia Smiley, Colette Moody, Hannah Quin, Jean Roberta, Nell Stark, Trinity Tam, Shannon Dargue, Erin O'Riordan, and Dalia Craig.

    Nate Schaper found his in high school. In the eight months since their cautious flirting became a real, honest, tell-the-parents relationship, Nate and Adam have been inseparable. Even when local kids take their homophobia to brutal levels, Nate is undaunted. He and Adam are rock solid. Two parts of a whole. Yin and yang.But when Adam graduates and takes an Off-Broadway job in New York—at Nate’s insistence—that certainty begins to flicker. Nate starts a blog to vent his frustrations and becomes the center of a school controversy, drawing ire and support in equal amounts. But it is the attention of a new boy who is looking for more than guidance that forces him to confront who and what he really wants.J.H. Trumble’s debut, DON’T LET ME GO, is a witty, beautifully written novel that is both a sweet story of love and long-distance relationships, and a timely discourse about bullying, bigotry, and hate in high schools.

    The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.

    As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.  For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. And everywhere there is the anguish of being black in a society that at times seems poised on the brink of total racial war. Overpowering in its vitality, extravagant in the intensity of its feeling, Tell Me How Long the Train's Been Gone is a major work of American literature.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary brain always wide awake on the pillow."

     Even the best job can slowly drain your battery. When Gillian Lindsay realizes it’s time for a recharge, she impetuously decides to visit Scotland. Knowing nothing about the country, she schedules a tour of Edinburgh Castle for the day she arrives, just to get the lay of the land. After spending the afternoon with Torie Gunn, her very able tour guide, Gillian proposes hiring her for a week-long trip across the country. Torie’s astonished. Gillian has done no research, and has no plans, placidly asking Torie to come up with an itinerary. That seems like the ideal way to create an unsatisfied customer. But Gillian certainly seems like a very easygoing person, and earning a week’s pay merely talking sounds like a dream. Torie jumps in, hoping she can satisfy Gillian’s desires. Over the course of their trip, other, more romantic desires spring to life. Will they be satisfied too?

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    As Phyre rehearses for the school play, she comes to realize that the unrequited feelings she has for Mia go deeper than she’s ever experienced. Especially with a teacher. Or a woman. All the while, Phyre’s best friend—addressed throughout the story in the second person, as "you"—stands by, ready to help Phyre make sense of her feelings. But just as Mia doesn’t understand what Phyre feels, Phyre can’t fathom the depth of her best friend’s feelings . . . until it’s almost too late for a happy ending. Characters come to life through the innovative screenplay format of this dazzling debut, and unanswered questions—is "you" male or female?—will have readers talking.

    Stoner and Peter A. Conway tell for the first time in full detail the twisted story of a pair of young, aspiring gay adult film producers whose quest for fame at any cost leads to the gruesome murder of the man who stands in their way, gay porn entrepreneur Bryan Kocis.News of the killing of the forty-four-year-old (stabbed twenty-eight times, his throat slashed to near decapitation) in his suburban home sends shock waves through the bucolic Pennsylvania town. Neighbors were horrified to hear about the murder but equally astonished to learn that Kocis ran a small but thriving online porn operation from his home.The murder investigation leads police and prosecutors to the far reaches of the country, from Virginia to New York City, to Las Vegas, and ultimately to a nude beach in San Diego, where investigators facilitate an incredible clandestine suspect surveillance. The manhunt nets Harlow Cuadra and his lover Joseph Kerekes, both former military men, turned male models, turned hustlers, turned porn producers, who finally land at the bottom of a deadly conspiracy.Cobra Killer takes readers into the sometimes alluring, sometimes dangerous and often surprising world of gay porn and the deceit, schemes, and ultimate betrayals lying underneath the fantasy.

    But after he came along...She changed. There's not one aspect of her life that he didn't steal from her. Now she thrives off control. Needs it, even. Why shouldn't she after all she's been through? Right when she's spiraling beyond the point of no return, a new Lieutenant gets hired to lead up the SVU unit across the hall. Will this woman be the one thing that can save Roma Raine from herself? Or will Roma be the thing that breaks her instead? Mature readers only. Book 1 of 3. An angsty HEA.

    His SAT scores bombed, the old man he delivers meals to died, and when he came out to his religious zealot mother, she had him kidnapped and shipped off to a secluded island. His final destination: Nightlight Ministries, a conversion therapy camp that will be his new home until he “changes.” But Connor’s troubles are only beginning. At Nightlight, everyone has something to hide from the campers to the “converted” staff and cagey camp director, and it quickly becomes clear that no one is safe. Connor plans to escape and bring the other kidnapped teens with him. But first, he’s exposing the camp’s horrible truths for what they are—and taking this place down.

    The writing straddles the shifting line between pure, unadorned storytelling and satire, exploring the sometimes hilarious and sometimes heartbreaking nature of survival in a decidedly cruel world.

    But when Nate learns that Cameron is the heir to a record label, the very one that destroyed his father's life, he runs away as fast as he can. The only evidence of their brief but intense connection is a blurry photo Cameron snaps of Nate's Sharpie-decorated Chuck Taylors as he flees. Considering that Cameron is a real life Prince Charming--he's handsome, famous, and rich--it's only fitting that he sets out to find the owner of the Sharpied shoes. Cameron's twin sister, a model and socialite, posts the picture of Nate's shoes on Instagram to her legions of fans with the caption, "Anyone know the gorgeous owner of these shoes? My hottie brother is looking for him." The internet just about breaks with the news of a modern fairy tale and the two become entwined in each other's lives in this sparkling story about the power of music, the demons that haunt us, and the flutterings of first real love.