When three western aidworkers are stranded here - a place where poets carry Kalashnikovs and rebel commanders wear pink dressing gowns- their presence brings hope and danger in equal measure. An ominous ode to Africa's violent beauty, Something is Going to Fall Like Rain is also a life-affirming reminder that love and happiness can co-exist with famine and conflict.

    Ranging from joyous to elegiac, verses touch on love’s delights and follies with elliptical eloquence. Lovely to read aloud or reflect on silently. Photos of African artwork accompany the text.My heart is single and cannot be dividedAnd it is fastened on a single hope;Oh, you, who might be the moon!--Somali love song

    This captivating novel intertwines the stories of several inhabitants on Saipan, America's least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on "trial separation" from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan ("America") to escape hunger. Their voices circle the enthralling element of Saipan-and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling.

    Short stories set in the South Africa of Alan Paton's "Cry The Beloved Country"Stories:Debbie Go Home; Ha'penny; The Divided House; Life for a Life;Death of a Tsotsi; The Worst Thing of his Life; The Waste Land; A Drink in the Passage; Sponono; The Elephant-Shooter

    British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.

    Their choices affect their families, the people they love, and the course of their lives. Their stories start before the events in Sudan touch them, following them through challenges and triumphs, as they rebuild their lives. What they have in common with the rest of us is that their journeys are about finding out what kind of people they are: Should they try to draw strength from their anger or should they let it go? Is it better to stick with what you know or find the courage to change?

    Yet Hannah is lucky. She can afford to go to school, has never had to skip a meal, and lives in a big house with her mum and their Shona housekeeper. Hannah is wealthy, she is healthy, and she is white. But money can’t always keep you safe.As the political situation becomes increasingly unstable and tensions within Hannah’s family escalate, her sheltered life is threatened. She is forced to question all that she’s taken for granted, including where she belongs.

    A portrayal of contemporary Ghanian urban society and working class lives.

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    Powerful testimony to an unspeakable historical reality, this story is told by an adolescent on death row in a prison in Kigali, the capital of Rwanda. Dispassionately, almost cynically, the teenager Faustin tells his tale, alternating between his days in jail, his adventures wandering the countryside after his parents and most of the people of his village have been massacred, and his escapades as a cheerful hoodlum in the streets of Kigali. Only slowly does the full horror of his parents’ death and his own experience return to Faustin. His realization strikes the reader with shattering force, for it carries in its wake the impossible but inescapable questions presented by such a murderous episode of history and such a crippling experience for a child, a people, and a nation.

    After eleven years in the remote Mahlangeni region they are transferred, first to Crocodile Bridge and then to Pretorius Kop. Fully at peace in the wild and lonely landscapes of the North, Kobie fears she will never adapt to the relatively people-populated southern area. It takes time, but eventually she is able to acknowlege that the move has shown her "other Edens" and has given her a store of the new and precious memories. Foremost among these memories is the unique experience of raising Leo, an abandoned lion cub. It is a facinating and emotional encounter with the king of the beasts, which brings her and her family equal measures of joy and sorrow.

    Long regarded Africa's preeminent Francophone novelist, Laye (1928-80) herein marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals of primeval origin. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.

    Hanover Park. The heart of the Cape Flats. It is 1986. Michael Jackson and Brenda Fassie rule every hi-fi. Princess Di and George Michael hairstyles are all the rage. There are plans to commemorate the tenth anniversary of the 1976 student uprising.Neville and Magda Fourie live in Magnolia Court with their three children. They are trying to ‘raise them decent’ in a township festering with gang wars and barricaded with burning tyres. Suzette, the eldest, is beautiful and determined to escape her family’s poverty. Nicky, the sensitive middle child, has ambitions to use her intellect as a way out. Anthony, the only son, attracted by power and wealth, is lured away from his family by a gangster. In What Will People Say? a rich variety of township characters – the preachers, the teachers, the gangsters and the defeated – come to life in vivid language as they eke out their lives in the shadows of grey concrete blocks of flats.Which members of the Fourie family will thrive, which ones will not survive?Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.

    The middle-class pair become victims of the same brutal violence that the poor and powerless suffer.