Her friend called with a job offer too curious to refuse: a cruisey-gig as a dementia carer for a rich old man in Kenya. All expenses-paid, plenty of free time to travel or do some freelance reporting. There seemed no good reason to say no... so she got on a plane.Only Kirsten's friend hadn't given her the full story. It was only on arrival in Nairobi that she discovered the rich old man's family was fighting a war around him, and that she would be on the frontline. Caught in the crossfire of all kinds of wild accusations, she also had to spy on his wife, keep his daughter placated, rebuff his marriage proposals, hide the car keys and clip his toenails all while trying to retain her own sanity in the colonial time warp of his home.Meanwhile, the Kenyan army was invading Somalia, Al-Shabaab was threatening terror attacks, the East African bodybuilding scene beckoned, and Kirsten discovered she had long-lost cousins running a bar on the other side of the city.I Built No Schools in Kenya is a travelogue-tragedy-farce about race, wealth, love, death, family, nationhood, sanity, benzodiazepines, monkeys and whisky.It is almost entirely true.

    The collection includes exquisitely written work by some of the great African writers of this century – K. Sello Duiker, Monica Arac de Nyeko, Beatrice Lamwaka and Richard de Nooy – as well as new voices that map out a haunting, intricate, complex Africa. Phrases like Wamuwi Mbao’s ‘She looks like you, when nobody’s watching her’ and Sello Duiker’s narrator’s ‘gentle sadness that doesn’t take you all at once’ share with us not only the aftermath of sex, but moments where the world opens itself.In these unafraid stories of intimacy, sweat, betrayal and restless confidences, we accompany characters into cafes, tattoo salons, the barest of bedrooms, the coldly glinting spaces into which the rich withdraw, unlit streets, and their own deepest interiors. We learn much in these gloriously achieved stories about love and sex, but perhaps more about why we hurt and need one another.

    Her father’s new companion—a strange, intolerant woman—has taken over the household. The political climate in the country grows more unsettled by the day and is approaching the boiling point. And looming over them all is the threat of the Mau Mau, a secret society intent on uniting the native Kenyans and overthrowing the whites.As Rachel struggles to find her place in her home and her country, she initiates a covert relationship, one that will demand from her a gross act of betrayal. One man knows her secret, and he has made it clear how she can buy his silence. But she knows something of her own, something she has never told anyone. And her knowledge brings her power.

    His ancestor Piet Retief, leader of the South African Great Trek, was killed by Zulu king Dingane in the 1838 massacre, along with a hundred men, women, and children. Afrikaner legend paints Retief as a homegrown Moses, bringing his people to the Promised Land. But Frank believes something rotten lies at the core of this family myth.Frank spends his days in his London home with his new partner and her son and the products of his wealth. But the return of his daughter, Lucinda, from rehab in California brings him intense guilt: having sided with him during his divorce from her mother, she crumbled under the weight of the bitter separation. Lucinda has brought home with her a mysterious boy, and they will join the family trip to Frank's beach house in South Africa--not far from the site of the 1838 massacre. In the lulls of their idyllic days, Frank unravels what really happened on that fateful day, and how it may connect to the violence of the apartheid years, and the violence encroaching on them even now.Up Against the Night is an enthralling tale of personal conflict and intrigue, set against the backdrop of South Africa's tangled past and troubled present, and told with tremendous color and insight. Absolutely original and gripping, it is destined to be as influential as JM Coetzee's Disgrace.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.

    He gained a unique gaze on life, death, sadness and humour. With a family tragically affected by World War Two, and a father who died early because of his injuries, James, his sister and mother were left to the mercy of a gold mine with little use for them. His upbringing was mainly by a tribal ayah and an elderly Swahili man with pretensions beyond his station, but the soul and heart of a lion, who feared nobody, except his wife in Nubian-gin-inspired fury. James learnt to fish with home-made line and hooks, to eat insects, and, to the amusement of the watu, to abuse the European hierarchy on the mine in Swahili they did not understand. At boarding school in Arusha James befriended boys of different nations who were, in their separate ways, also outcasts or non conformers. He presented a dilemma to the teachers - a white boy with a "black spirit." His gang got up to nefarious enterprises, bringing them into a state of permanent conflict with the system. James became imbued with the history of Tanganyika, back to its time as the German Colony of Deutsch Ost Africa, which ended in 1918. The unparalleled courage and brilliance of the massively outnumbered German leader Obestleutnant Paul von Lettow Vorbeck and his schutztruppe in the bush war against the British became a beacon to James of what can be accomplished, even in the most adverse of circumstances.

    Dusman Gonzaga lives in a squalid tenement building overrun with cockroaches and inhabited by strange characters. His is a world of poverty, fights, bar women and visits to a doctor who doesn't understand him.