Here she gives an account of her eventful first 23 years and tells a candid, unself-pitying story of triumph and endurance in the face of hardships relentlessly reinforced by the apartheid system.

    Against a backdrop of apartheid and racial violence, traumatized artist Yolanda Petersen returns from the Appalachian foothills to the land of her youth at the behest of her mother. While there Yolanda longs to reconnect with her estranged daughter, Ingrid, the product of an illegal mixed-race affair with a white man.But Ingrid is missing, and as Yolanda quickly discovers, she isn’t the only woman in Cape Town desperate to protect her own. Ingrid’s very existence is proof of a white man’s crime, and that man’s mother will do anything―even kill―to ensure the truth remains buried.An evocative debut novel set during a defining period in history, A Conspiracy of Mothers tells a gripping story of love and betrayal from multiple perspectives while deftly balancing the painful legacy of apartheid with the trials of motherhood.

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    For his first wife, this is a colossal slap in the face. For Matilda, it is an abrupt end to childhood. This tale is set in British West Africa, in the 1940s, during the ten years leading up to Independence.

    In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection.Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

    Here reside some of South Africa’s wealthiest individuals: all male, all Afrikaans – and all stinking rich. Johann Rupert, Jannie Mouton, Markus Jooste and Christo Weise, to name a few.Julius Malema refers to them scathingly as ‘The Stellenbosch Mafia’, the very worst example of white monopoly capital. But who really are these mega-wealthy individuals, and what influence do they exert not only on Stellenbosch but more broadly on South African society?Author Pieter du Toit begins by exploring the roots of Stellenbosch, one of the wealthiest towns in South Africa and arguably the cradle of Afrikanerdom. This is the birthplace of apartheid leaders, intellectuals, newspaper empires and more.He then closely examines this ‘club’ of billionaires. Who are they and, crucially, how are they connected? What network of boardroom membership, alliances and family connections exist? Who are the ‘old guard’ and who are the ‘inkommers’, and what about the youngsters desperate to make their mark? He looks at the collapse of Steinhoff: what went wrong, and whether there are other companies at risk of a similar fate. He examines the control these men have over cultural life, including pulling the strings in South Africa rugby.

    Katie and Tariro are worlds apart but their lives are linked by a terrible secret, gradually revealed in this compelling and dramatic story of two girls grappling with the complexities of adolescence, family and a painful colonial legacy.14-year-old Tariro loves her ancestral home, the baobab tree she was born beneath, her loving family - and brave, handsome Nhamo. She couldn't be happier. But then the white settlers arrive, and everything changes - suddenly, violently, and tragically.Thirty-five years later, 14-year-old Katie loves her doting father, her exclusive boarding school, and her farm with its baobab tree in rural Zimbabwe. Life is great. Until disaster strikes, and the family are forced to leave everything and escape to cold, rainy London.Atmospheric, gripping and epic in scope, Far from Home brings the turbulent history of Zimbabwe to vivid, tangible life.

    Powerful, intriguing and essentially non-Western, these stories will be welcome by an audience truly ready for multicultural voices.

    Johannesburg.Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata Mandela's death...So begins Johannesburg, Fiona Melrose's searing second novel. Responsive to Virginia Woolf's Mrs Dalloway, the story follows a polyphonic course across a single day, culminating in a party and traces the fractures and connections of the city.An irascible mother, a daughter trying to negotiate her birthplace and the people from her past, a homeless hunchback who takes his fight for justice to the doors of a mining company, a mining magnate, a man still haunted by his first love, the domestic workers who serve this cast and populate the neighbourhood, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

    "We children lived like the donkey," Mezlekia remembers, "careful not to wander off the beaten trail and end up in the hyena's belly." His memoir sheds light not only on the violence and disorder that beset his native country, but on the rich spiritual and cultural life of Ethiopia itself. Throughout, he portrays the careful divisions in dress, language, and culture between the Muslims and Christians of the Ethiopian landscape. Mezlekia also explores the struggle between western European interests and communist influences that caused the collapse of Ethiopia's social and political structure—and that forced him, at age 18, to join a guerrilla army. Through droughts, floods, imprisonment, and killing sprees at the hands of military juntas, Mezlekia survived, eventually emigrating to Canada. In Notes from the Hyena's Belly he bears witness to a time and place that few Westerners have understood.

    Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel. Nedjma is the central figure of this disorienting novel, but more than the unfortunate wife of a man she does not love, more than the unwilling cause of rivalry among many suitors, Nedjma is the symbol of Algeria. Kateb has crafted a novel that is the saga of the founding ancestors of Algeria through the conquest of Numidia by the Romans, the expansion of the Ottoman Empire, and French colonial conquest. Nedjma is symbolic of the rich and sometimes bloody past of Algeria, of its passions, of its tenderness; it is the epic story of a human quest for freedom and happiness.

    He's putting aside childish things, starting his first business serving food to the workers in Cape Town. His Pa is proud.At the same time, Mattie is pulled toward an altogether different version of masculinity, in which oiled and toned bodies cavort for him at the click of a mouse. His porn addiction threatens his relationship with his boyfriend, Jack, and imperils his inheritance.Pa’s days as a swaggering businessman are done, but even as cancer shrivels him, his ancient authority intensifies. While the family wrestles with his patrimony, around them a new South Africa moves forward, demanding they confront the challenges of the future as well as the past.

    

    These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Using a unique idiom rooted in hip-hop, graphic illustrations, Arabic calligraphy and folklore studded with Kiswahili and Somali slang, these stories mark the arrival of a singular new voice in contemporary fiction.