a lovely blend of humour, sexual comedy and pathos' Daily Express 'A rollicking tale of a Welsh sailor with a girl in every port, but only one true love at home...Thomas has a rare gift for words...This is his best book and a celebration of his robust talents, which combine flesh with imagination. He always had a narrative verve, and this saga develops it into a turn of the wheel of life. Revolving Jones comes back at last to his eternal miss, and hopefully, Leslie Thomas will achieve a revolution in his reputation' The Times 'This exciting adventure story is also one man's pilgrimage, a lifetime's odyssey, a ritually layered tale of the quest for humour and love' Daily Mail 'He inhabits that "bestseller author" territory that includes the likes of Jeffrey Archer, Jack Higgins and Ken Follett, but he is a far better writer than any of them' Marcel Berlins, Sunday Times

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.

    He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein's own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies.Deeply insightful and always moving, Saul Bellow's heartfelt novel is a journey through love and memory. It is brave, dark, and bleakly funny: an elegy to friendship and to lives well (or badly) lived.

    But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

    There is no mains water, no petrol and no news. Towns and cities are chaotic and dangerous. Who will survive the months ahead without electricity? But out in the country, Sandra is determined to keep going. Can she keep her family healthy through the long, wet winter? And can they all adapt to life without power?

    Englander’s wondrous and much-heralded collection of stories won the 2000 Pen/Malamud Award and was translated into more than a dozen languages. From its unforgettable opening scene in the darkness of a forgotten cemetery in Buenos Aires, The Ministry of Special Cases casts a powerful spell. In the heart of Argentina’s Dirty War, Kaddish Poznan struggles with a son who won’t accept him; strives for a wife who forever saves him; and spends his nights protecting the good name of a community that denies his existence--and denies a checkered history that only Kaddish holds dear. When the nightmare of the disappeared children brings the Poznan family to its knees, they are thrust into the unyielding corridors of the Ministry of Special Cases, the refuge of last resort. Nathan Englander’s first novel is a timeless story of fathers and sons. In a world turned upside down, where the past and the future, the nature of truth itself, all take shape according to a corrupt government’s whims, one man--one spectacularly hopeless man--fights to overcome his history and his name, and, if for only once in his life, to put things right. Here again are all the marvelous qualities for which Englander’s first book was immediately beloved: his exuberant wit and invention, his cosmic sense of the absurd, his genius for balancing joyfulness and despair. Through the devastation of a single family, Englander captures, indelibly, the grief of a nation. The Ministry of Special Cases, like Englander’s stories before it, is a celebration of our humanity, in all its weakness, and--despite that--hope.

    The sort of novel that comes along rarely to touch something personal in us. It's the story of a man and woman falling in love, and of the children and the memories of a perfect first wife that could keep them apart. "Excellent!" —Philadelphia Inquirer

    Second Hand Smoke is the story of Mila's sons, Issac and Duncan, the one secretly abandoned in Poland, and the other, American-born, raised as an avenging Nazi hunter, poisoned with rage.Told in bursts of fractured realism and dark comedy, Second Hand Smoke is a postmodern mystery of great lyrical power, deep insight, and emotional resonance.

    The tragedy sets in motion a dangerous quest for truth that pulls Tusker into a sinister plot spanning 75 years, from World War II Ceylon to modern day Sri Lanka. Along the way, he matches wits with a psychopathic mercenary, discovers a long lost ship with an explosive secret, and falls for a beautiful marine biologist who is at least as strong as he is. In the end, Tusker finds that the truth may lie at the bottom of the sea, with only one way back to the surface. Depth Charge is an old school thriller in the tradition of Fleming, Maclean, and Cussler, with an eye for detail, cunning villains, and narrow escapes. The story is full of wartime secrets, the intersection of religion and politics, and the arcane world of deep technical diving. It takes readers from the smoky halls of 1940s London to the volatile, seductive heat of Sri Lanka and sixty fathoms under the Indian Ocean.

    An American idealist defects to North Korea in the 1970's only to discover the true horrors of this Stalinist state. What happens next would shock even those familiar with authoritarian regimes. The author, an American Foreign Service worker in china, meets a man by the name of "David". David entrusts the author with his diary and makes the author promise him that the diary will be shown to the world as "evidence of what North Korea is really like". Following this encounter, the author never sees David again.The author discovers that within the pages of this diary lies an incredible story of defection, survival, and an eventual escape by the man he knows only as "David". After staying up and reading the entire diary, the author is convinced that David's story must be told to the world.The diary details David's life from his fairly comfortable upbringings, through his rebellious youth, and into his extraordinary decision to defect to North Korea. At first, David enjoys an elevated status in North Korea as a "hero" and a "patriot" of the socialist cause.During two decades as an English professor at the most prestigious North Korean University, David experiences love, seduction, betrayal, and violence.

    Throughout the land, a strange legend has long told of an ancient people dwelling deep within the jungle whose possessions include a precious set of stones with the potential to bring unlimited power to its owner. As well as wealth beyond their wildest dreams . . .1904: In an old graveyard in a remote part of the Isles of Scilly, a distinguished academic makes a surprising discovery. The inscriptions on the gravestones are unlike any he has ever seen, at least in that part of the world. The clues point to an astounding possibility. A forgotten Spanish legend. And a four-hundred-year-old cover-up!Present Day: History lecturer Dr Ben Maloney is sitting in his office when the phone rings. A call from his cousin is rarely anything out of the ordinary, but today what he has to say is anything but normal. Their great-great-grandfather's body has been discovered in a boat near a deserted island in the Isles of Scilly. With a bullet through his skull!Dropping everything, the cousins' decision to visit the site of their ancestor's demise soon proves to be one that will change their lives forever. With nothing but a hundred-year-old diary and legends from the past to guide them, Ben soon realises their quest to solve the riddle of their ancestor's death will require them to take on an altogether greater mystery that will lead them not only halfway across the world delving deep into humanity's bloodiest past but potentially to their own deaths. An unimaginable treasure remains undiscovered - one with the ability to change the world for better or worse. And some will stop at nothing to find it . . .

    It brought her marriage to a man who yearned for her sweet, denied love - and passion for a man who yearned only for danger. It gave her a son born of shame, and a daughter born to destiny. It tested her love in the shadow of the Depression and the hell of the Nazi fury...And then Leah's journey brought her home.

    When Itsik's poems get him into trouble in czarist Russia, he begins an odyssey -- with a picture of his beloved Sasha in his coat. Her image stays with him as he labors at a small print shop in Odessa and through a long, hazardous passage to America. And it keeps him company until he settles in New York's garment district. In fact, Sasha stays with Itsik until the eve of his first public appearance as a poet, when she appears in person, as if by magic. But their happiness together is short-lived -- Sasha leaves him before the birth of their first child.Years later, a young man in Boston who toils at preserving Yiddish books responds to an urgent call from New York, where he meets the elderly Malpesh, in need of a translator for his life story. In weaving together Itsik's tale of colorful characters, the two stumble upon an unlikely connection neither could have foreseen. A tale of love -- of homeland, a new country, a girl, and a culture -- Songs for the Butcher's Daughter is a novel about the way history is captured for the ages through the lives and words of seemingly "average" men.(Holiday 2008 Selection)

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."