A charming and mysterious man. And a life teeming with secrets. Nicole is a young divorcée who finds herself in a new relationship with a partner who is seemingly perfect in every way.Razi is well-educated, a wealthy and successful businessman, and a man of the world, who manages to deceive her and everyone else around him, thanks to his uncanny charisma.Six months into their relationship, Nicole discovers that Razi is married. She then finds out that his former business partner committed suicide under dubious circumstances.Despite everything, Nicole and Razi get married and raise a family, and life looks more promising than ever.However, over the years, Nicole’s inner voice repeatedly warns her that bigger things are happening behind her back. She decides to find out who her husband and the father of her children really is.Her search leads her to discover new and shocking information about Razi’s life. Now she must do whatever it takes to save herself and her children from a destructive relationship, and a life of deceit which defies the imagination.

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    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    David Charles and Alex Kupinsky are worried because, as the admirals of these fleets, they may be responsible for all-out nuclear war. They are also concerned because once, a long time ago, they were the best of friends…As Admirals Charles and Kupinsky face imminent disaster, forced to make their moves on the chessboard of modern warfare, we look back over their pasts as men of peace and men of war. David Charles learned the hard way in the tragic Bay of Pigs, on the treacherous rivers of Vietnam, and in the backrooms of embassies around the world. Alex Kupinsky was raised by the man who watched his father die in World War II–the same man who has since become Admiral of the Fleet of the Soviet Union.Moving from the real past to the possible future, from romantic memories of the women left behind to hard action on the high seas, SHOW OF FORCE is the story of men turned warriors, of a world turned battlefield. And as communications break down between Washington, Moscow, and the fleets themselves, it becomes the story of two men with the power to stop that ultimate folly of the mighty, World War III.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Being granted only a few months to live, he constructs an idea on how to care for his four children in the event of his death. He comes up with an idea he calls, "The Arrangement". The only problem is convincing his wife and the two mothers’ of his children of his idea. "The Arrangement", is all three women must agree to move into one house for six months with their kids in order to receive any money from his will. When Terrance’s wife, Tanya learns the details of "The Arrangement" she is disgusted. She has basically put her life on hold after becoming pregnant to take care of her husband. She finds herself emotionally drawn to her husband’s best friend for comfort, as her husband’s illness takes a toll on her. Eventually,she finds herself facing her own demise and loses everything she has come to love Portia Jackson is the mother of two of Terrance’s children. She owns her own hair salon, drinks like a fish, and stays in brand name clothing. She is a rude, no nonsense, type of woman who makes it her business to let everyone know what she feels, or thinks, no matter whose feelings get hurt in the process. After a secret she has held on to for years threatens her inclusion in "The Arrangement", her world begins to crumble around her. Afraid of losing the glamorous life she is accustomed to having, she will stop at nothing to keep it.Amber Sykowski is the mother of Terrance’s oldest son. She comes from a long line of money and has always been ridiculed by her racist mother for having a bi-racial child. She feels the only way to escape her mother's disapproval is to go against everything she was taught, and make her own rules. When it almost costs her life, Amber has to make a hard decision that could turn her entire world upside down.In several unexpected events all three women eventually come to depend on each other forming a unique and unexpected bond. Will "The Arrangement' help them all to learn the value of forgiveness, love, and friendship?

    The only thing getting her through the guilt of taking the trip against her father's wishes is the beautiful sunset in the hills and the echoes of her heartfelt conversations with Arjun. As she uncovers some secrets of her mother's life from the diary throughout the trip, she struggles against the fate decided for her and dares to hope for something more out of her life and with Arjun.But when her father's constant demands to come back home threaten to cut her trip short, Saanchi must make a choice. Will she go back to her restrictive life or take a chance at living life on her terms?***That Summer - Nivedita KarmaranAfter being forced to spend that summer at Bungalow No. 64, a thirteen-year-old recluse yet free-spirited Rashi Anand, who is bored of her parents’ monotonous lives forms an unexpected friendship with the maintenance man of her guarded society, Lalit. She should have nothing to do with him, yet they find themselves comforting and confiding in each other. But is such friendship considered forbidden? Would Rashi rebel to rescue her friendship and will their friendship stand the test of time?

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    

    The reason for the murder appears bizarre. As videos of the slaughter of several corrupt politicians go viral on social media, those who considered themselves untouchable are scurrying for cover. The vigilante’s next target is a war hero and top constitutional lawyer who took three bullets for the country. Why then is he a target? Jagan Jigyasi and his Special Crimes Division of the CBI have to race against time to stop the killings. The legendary lawman has never failed to solve a crime. The war hero is as brilliant in a courtroom as he is fearless in facing a speeding bullet. The vigilante is as devious as he is effective in instilling the fear of God into those who think they are above the law! Who will be the last man standing?

    Years later, when Catherine's ruthless father, Walter Shellard, reappears, he presumes she's malleable. But Catherine has never forgotten her mother, and never forgiven him for marrying someone else. One day she will have her revenge... A compelling family saga of loss and love perfect for fans of Sharon Maas and Dinah Jefferies