Reeling from the worst night of their lives, the three mothers plunge into a desperate investigation of the bizarre incident. How could something so horrible happen in their wealthy Southern California suburb? They soon discover that the accident was just the beginning, and troubling discoveries lead to chilling questions: Do they really know their children? Do they even know each other? As more secrets surface, a fog of doubt and suspicion threatens to poison their families, their friendships, and the whole community. With the illusion of happiness and safety long gone, these women must now confront the hazards of heartbreak, the consequences of jealousy, and the dangers of living double lives.

    But someone wants you dead. When Marianne's husband Greg is knocked off his bike and killed on the way to work, she must unpick the life he left behind. Numb with grief, Marianne consoles herself by scouring Greg's laptop, finding comfort in reading his old emails and tracing his footsteps across the web. Until one day, she discovers that he had been accessing the dark web. Why was Greg, a principled charity worker and dedicated husband, logging on to a website that showcases the worst of humanity's cruel impulses and where anything is available for a price? Marianne steels herself and logs on. After tentative searching, she discovers her name on a hit list. In this fast-paced, powerful and exceptionally plotted novel, Marianne must figure out whether Greg was trying to protect her or whether he was complicit in the conspiracy for her murder. As she is pulled deeper into the depths of the underworld that Greg was seemingly hostage to, she gets closer and closer to coming face to face with Sam - the assassin hired to kill her. The dark truths that Marianne uncovers speak volumes about the dark underbelly of our society and forces us to question how far we would go to protect those we care most about.

    Book 1 in award-winning author Alexandra Sokoloff's riveting new Huntress FBI series about a driven FBI agent on the hunt for that most rare of all killers: a female serial. FBI Special Agent Matthew Roarke is closing in on a bust of a major criminal organization in San Francisco when he witnesses an undercover member of his team killed right in front of him on a busy street, an accident Roarke can’t believe is coincidental. His suspicions put him on the trail of a mysterious young woman who appears to have been present at each scene of a years-long string of “accidents” and murders, and who may well be that most rare of killers: a female serial.Roarke’s hunt for her takes him across three states...while in a small coastal town, a young father and his five-year old son, both wounded from a recent divorce, encounter a lost and compelling young woman on the beach and strike up an unlikely friendship without realizing how deadly she may be.As Roarke uncovers the shocking truth of her background, he realizes she is on a mission of her own, and must race to capture her before more blood is shed. This is a new release of a previously published edition.

    It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion. As she desperately pieces together the threadbare clues, Rachel realizes that the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.Where is Ben? The clock is ticking...

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.

    Soft‑petalled flowers that go to seed. The resolute passage of the seasons. Swallows that fly thousands of miles to follow the eternal summer.Children who don’t die before their parents.When Kate receives a phone call with news that Rosie Anderson is missing, she’s stunned and disturbed. Rosie is eighteen, the same age as Kate’s daughter, and a beautiful, quiet, and kind young woman. Though the locals are optimistic—girls like Rosie don’t get into real trouble—Kate’s sense of foreboding is confirmed when Rosie is found fatally beaten and stabbed.Who would kill the perfect daughter, from the perfect family? Yet the more Kate entwines herself with the Andersons—graceful mother Jo, renowned journalist father Neal, watchful younger sister Delphine—the more she is convinced that not everything is as it seems. Anonymous notes arrive, urging Kate to unravel the tangled threads of Rosie’s life and death, though she has no idea where they will lead.Weaving flashbacks from Rosie’s perspective into a tautly plotted narrative, The Bones of You is a gripping, haunting novel of sacrifices and lies, desperation and love.

    She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?

    But not everyone leaves…Nick and Amber Miller are splitting up and selling their Devon family home. But despite the desirable location, the house isn’t moving. Not a single viewing so far. When their estate agent suggests an open house event, Amber agrees, even as she worries about their gossiping neighbours attending and snooping around their home. But Amber has more to worry about than nosy neighbours. Because thirteen people enter her house that afternoon, and only twelve leave.  Someone doesn't want the house to sell, and is willing to do anything to stop it…

    Maybe Tess is overprotective, but passing her daughter off to her ex and his new young wife fills her with a sense of dread. It's not that Jason is a bad father--it just hurts to see him enjoying married life with someone else. Still, she owes it to her daughter Poppy to make this arrangement work.But Poppy returns from the weekend tired and withdrawn. And when she shows Tess a crayon drawing--an image so simple and violent that Tess can hardly make sense of it----Poppy can only explain with the words, "He did kill her."Something is horribly wrong. Tess is certain Poppy saw something--or something happened to her--that she's too young to understand. Jason insists the weekend went off without a hitch. Doctors advise that Poppy may be reacting to her parents' separation. And as the days go on, even Poppy's disturbing memory seems to fade. But a mother knows her daughter, and Tess is determined to discover the truth. Her search will set off an explosive tempest of dark secrets and buried crimes--and more than one life may be at stake.

    And so here I am, walking down the road where he died, trying to remember him the right way.A year after her husband Zach's death, Lizzie goes to lay flowers where his fatal accident took place.As she makes her way along the motorway, she thinks about their life together. She wonders whether she has changed since Zach died. She wonders if she will ever feel whole again.At last she reaches the spot. And there, tied to a tree, is a bunch of lilies. The flowers are addressed to her husband. Someone has been there before her.Lizzie loved Zach. She really did.But she's starting to realise she didn't really know him.Or what he was capable of . . .

    While on the job, she overhears a man hiring a hit man to kill his wife. Letty may not be winning any morality awards, but even she has limits. Unable to go to the police, Letty sets out to derail the job, putting herself on a collision course with the killer that entangles the two of them in a dangerous, seductive relationship.Good Behavior comprises three interlinked novellas (The Pain of Others, Sunset Key, and Grab), which together form a novel-length portrait of Blake Crouch’s all-time favorite character creation, Letty Dobesh. This edition is the complete Letty Dobesh collection.

    Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    With its excellent reputation, Lizzie knows it’ll be a safe space away from home.But there's something strange happening at school. Parents are forbidden from entering the grounds, and there are bars across the classroom windows.Why is Tom coming home exhausted, unable to remember his day? What are the strange marks on his arm? And why do the children seem afraid to talk? Lizzie is descending into every parent’s worst nightmare: her little boy is in danger. But will she be able to protect him before it’s too late? *** If you loved Behind Closed Doors, Sometimes I Lie and The Couple Next Door, you won’t be able to put down the chilling new psychological thriller from Suzy K Quinn. Don’t Tell Teacher will have you hooked from the very first page!

    again.It is meant to be a celebration but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed.But Evelyn will not die just once. Until Aiden – one of the guests summoned to Blackheath for the party – can solve her murder, the day will repeat itself, over and over again. Every time ending with the fateful pistol shot. The only way to break this cycle is to identify the killer. But each time the day begins again, Aiden wakes in the body of a different guest. And someone is determined to prevent him ever escaping Blackheath...

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.