They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.

    In the southeast Portland neighborhood of Dickman’s youth, parents are out of control and children are in chaos. With grief, anger, and, ultimately, understanding, Dickman confronts a childhood of ambient violence, well-intentioned but warped family relations, confining definitions of identity, and the deprivation of this particular Portland neighborhood in the 1980s. Wonderland reminds us that, while these neighborhoods are filled with guns, skateboards, fights, booze, and heroin, and home to punk rockers, skinheads, poor kids, and single moms, they are also places of innocence and love.

    In this new collection, human desire pulls with the force and rhythm of a sea tide, emerging from and receding into mysteries larger than any individual life. The book begins with the reverential title poem and concludes with four works that reflect the power of place to shape revelation; the way stone and sky and birdsong can point the way home. Whether tracing the sensual devotion of bodily presence or the painful heartbreak of impermanence, the poems keep faith with love's appearances and disappearances, and the promises we make and break on its behalf.

    She poses the eternal question: Can you heal once you’ve been marked by a monster, or will the sun always sting?

    But they’re real, they’re honest, and hopefully they’ll make you feel a little less alone." -Ashley Dun

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    For this collection, James Dickey has selected from his four published books all those poems that reflect his truest interests and his growth as an artist. And thereto he has added more than a score of new poems-in effect, a new book in themselves-that have not been previously published in volume form. Specifically, Poems 1957-1967 contains 15 of the 24 poems that were included in his first book, Into the Stone (1960); 25 of the 36 that made up Drowning With Others (1962); 22 of the 24 in Helmets (1964); the entire 22 in the National Book Award winning Buckdancer's Choice (1965); and, under the titles Sermon and Falling, the exciting new poems mentioned above. Seldom can the word "great" be used of the work of a contemporary in any art. But surely it applies to the poems of James Dickey. To test that statement, read this book. "Dickey has defined the poet as an 'intensified man.' These collected poems of his 44th year are a record of a lot of valid and immediate experience-the testimony of a man intensifying himself honestly and skillfully."-William Meredith, New York Times Book Review "One of the things we should mean when we call a poet 'good' is that his work returns us to the world and not merely to the poet. Dickey gives the moment a natural energy, not the energy of the poet's insistence upon his own personality but the energy of a vast life outside the poet which moves all things through one another and through him."-Michael Goldman, The Nation

    From Bosworth Field to Beijing, the Boyne to Bull Run, from a series of text messages to the nineteenth-century Irish poet Tom Moore to an elegy for Warren Zevon, and from post-Agreement Ireland to George W. Bush's America, this book presents us with fields of battle and fields of debate, in which we often seem to have come to a standstill, but in which language that has been debased may yet be restruck and made current to our predicament. "Horse Latitudes "is a triumphant new collection by one of the most esteemed poets of our time.

    Playful, erotic, at times mysterious, his work describes the immanent value of everyday experience. Straightforward language and simple narratives become gateways to the most powerful formulations of beauty, wisdom, and divine love.

    Creator of the modern detective story, innovative architect of the horror genre, and a poet of extraordinary musicality, Edgar Allan Poe remains one of America's most popular and influential writers. His tales and poems brim with psychological depth, almost painful intensity, and unexpected—and surprisingly modern—flashes of dark humor and irony.This anthology offers an exceptionally generous selection of Poe's short stories. It includes his famed masterpieces, such as "The Murders in the Rue Morgue" and "The Purloined Letter," featuring Poe's great detective, Dupin; his insightful studies of madness "The Black Cat" and "The Tell-Tale Heart"; "The Gold-Bug," his delightful exercise in "code-breaking"; and important but lesser-known tales, such as "Bon-Bon," "The Assignation," and "King Pest." Also included are some of Poe's most beloved poems, haunting lyrics of love and loss, such as "Annabel Lee," nightmare phantasmagories such as "The Raven," and his grand experiment in translating sound into words, "The Bells."Benjamin F. Fisher, Professor of English, University of Mississippi, is a longtime enthusiast of the works of Poe. He has published books, articles, and notes about Poe, and in American, Victorian, and Gothic studies, and serves on editorial boards for several professional journals. He has also been acclaimed for outstanding teaching.

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

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    A beloved and gifted artist, Ashbery takes his place beside Whitman, Dickinson, Stevens, and Hart Crane in the canon of great American poets. With Quick Question, a new collection of poems published in time for his 85th birthday, John Ashbery proves that his creative power has only grown stronger with age.