The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    Six movie-theater employees were killed in an armed robbery, while one inexplicably survived. Then, a teenage girl vanished from the annual State Fair. Neither crime was ever solved.Twenty-five years later, the reverberations of those unsolved cases quietly echo through survivors’ lives. A private investigator in Vegas, Wyatt’s latest inquiry takes him back to a past he’s tried to escape—and drags him deeper into the harrowing mystery of the movie house robbery that left six of his friends dead. Like Wyatt, Julianna struggles with the past—with the day her beautiful older sister Genevieve disappeared. When Julianna discovers that one of the original suspects has resurfaced, she’ll stop at nothing to find answers.As fate brings these damaged souls together, their obsessive quests spark sexual currents neither can resist. But will their shared passion and obsession heal them, or push them closer to the edge? Even if they find the truth, will it help them understand what happened, that long and faraway gone summer? Will it set them free—or ultimately destroy them?

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    But then she takes on her first murder case and meets Joe, a convicted murderer to whom Lily is strangely drawn—and for whom she will soon be willing to risk almost anything.But Lily is not the only one with secrets. Her next-door neighbor Carla may be only nine, but she has already learned that secrets are powerful things. That they can get her whatever she wants.When Lily finds Carla on her doorstep twelve years later, a chain of events is set in motion that can end only one way.

    Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet... might she have had a hand in Ambrose's death?

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō's job is to do exactly that--until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life.Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

    Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me.But you can call me Mike."Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do better than anyone else. Whether it's a locked door without a key, a padlock with no combination, or even an eight-hundred pound safe ... he can open them all.  It's an unforgivable talent. A talent that will make young Michael a hot commodity with the wrong people and, whether he likes it or not, push him ever close to a life of crime. Until he finally sees his chance to escape, and with one desperate gamble risks everything to come back home to the only person he ever loved, and to unlock the secret that has kept him silent for so long. Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you've ever seen in the world of crime fiction.

    . .Five years ago, three-year-old Dillon disappeared. For his father Harry - who left him alone for ten crucial minutes - it was an unforgivable lapse. Yet Dillon's mother Robyn has never blamed her husband: her own secret guilt is burden enough.Now they're trying to move on, returning home to Dublin to make a fresh start.But their lives are turned upside down the day Harry sees an eight-year-old boy in the crowd. A boy Harry is convinced is Dillon. But the boy vanishes before he can do anything about it.What Harry thought he saw quickly plunges their marriage into a spiral of crazed obsession and broken trust, uncovering deceits and shameful secrets. Everything Robyn and Harry ever believed in one another is cast into doubt.And at the centre of it all is the boy that never was . . .

    For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV. As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes