In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of "Paris, Texas" and "Faraway, So Close," the texts and pictures in "Once" weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, "Once" consists of short, autobiographical sketches relating Wenders' experiences-both meaningful and apparently trivial-on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories-revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, "Once" gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This volume includes selections that span Eiseley’s entire writing career and provide a sampling of the author as naturalist, poet, scientist, and humanist. “Loren Eiseley’s work changed my life” (Ray Bradbury). Introduction by W. H. Auden.

    O’Rourke has had a prolific career as one of America’s most celebrated humorists. But that career almost didn’t happen. As he tells it, “I began to write for pay in the spring of 1970. To tell the truth I didn’t even mean to be a writer, I meant to be a race car driver, but I didn’t have a race car.”Fortunately for us, he had to settle for writing. From his early pieces for the National Lampoon, through his classic reporting as Rolling Stone’s International Affairs editor in the 80s and 90s, and his brilliant, inimitable political journalism and analysis, P.J. has been entertaining and provoking readers with high octane prose, a gonzo Republican attitude and a rare ability to make you laugh out loud. Chris Buckley once described his work as “S.J. Perlman on acid” and when Penguin first published its Dictionary of Modern Humorous Quotations PJ had more entries than any living writer.For the first time Thrown Under the Omnibus brings together his funniest, most outrageous, most controversial and most loved pieces in the definitive P.J. reader. Handpicked and introduced by the humorist himself, Thrown Under the Omnibus is the essential P.J. O’Rourke anthology.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    By emphasizing the relationship between structure and function, the authors provide a framework for understanding mechanisms and reactions. Stressing the importance of synthetic strategies and biological and industrial applications, the text introduces students to real chemistry as it is actually practised. This fourth edition offers significant updates in coverage and learning tools and enhanced media support at the book's companion website.

    This book explores topics such as love, spirituality, womanhood, suicide, addiction, ancestral trauma and the unwavering power of healing from the inside out. WITCHDOCTORPOET is an offering to those in need of a sensual and empowering stance on the realities and legacies of the African Diaspora.

    This volume collects one example of each type of composition for which Bierce is most famed: a hilarious satire, a bone-chilling horror story, a sardonic piece of humor, and a macabre poem. Renowned artist Gahan Wilson, whose work finds the comic and the eerir in the most common of situations, brings the perfect, blackly humorous touch to Bierce's eccentrically unique visions.

    In these pages both everyday riders and pros tell their stories of freak accidents, animal attacks, sabotage, idiotic decisions, eerie or unexplained incidents, and other jaw dropping, adrenalin-pumping calamities. These stories bring to life the strange things possibilities that await, once we step on the pedals of our road, mountain, or commuter bikes. A sampling of misadventures in this collection includes the stories of: the mountain biker who follows a bull and then gets gored by it; the twenty African Americans who pioneered cycle touring by completing a Transamerica ride in 1897, but wait - this story gets strange...; the large rat that leapt on top of a woman's bike and slapped her repeatedly with its tail; an inside-the-head narration by a professional racer as he rides a brutal race, and then gets humiliated in changing room afterwards; the recreational cyclist who accidentally rides deep into a prison yard; the computer programmer who crashes a stationary bike during his first spin class; the bike messenger who can't call it quits even after getting hit by eight cars; and, the man who carefully spreads out tacks on the route of an all female race in an attempt to get a date. These stories will make you wonder, drop you to the floor laughing and leave you shaking your head with disbelief.

    Also available The late Judith Kitchen, editor of the perennially popular anthologies Short Takes, In Short, and In Brief, was greatly influential in recognizing and establishing flash creative nonfiction as a form in its own right. In Brief Encounters, she and writer/editor/actor Dinah Lenney expand this vibrant field with nearly eighty new selections: shorts—as these sharply focused pieces have come to be known— representing an impressive range of voices, perspectives, sensibilities, and forms. Brief Encounters features the work of the emerging and the established—including Stuart Dybek, Roxanne Gay, Eduardo Galeano, Leslie Jamison, and Julian Barnes—arranged by theme to explore the human condition in ways intimate, idiosyncratic, funny, sad, provocative, lyrical, unflinching. From the rant to the rave, the meditation to the polemic, the confession to the valediction, this collection of shorts—this celebration of true and vivid prose—will enlarge your world.

    G. WellsThe Middle Toe of the Right Foot • (1890) • short story by Ambrose BiercePickman's Model • (1927) • short story by H.P. LovecraftYours Truly, Jack the Ripper • (1943) • short story by Robert BlochThe Screaming Laugh • (1938) • novelette by Cornell WoolrichA Rose for Emily • (1930) • short story by William FaulknerBianca's Hands • (1947) • short story by Theodore SturgeonThe Girl with the Hungry Eyes • (1949) • short story by Fritz LeiberShut a Final Door • (1947) • short story by Truman CapoteCome and Go Mad • (1949) • novelette by Fredric BrownThe Scarlet King • (1955) • short story by Evan HunterSticks • (1974) • novelette by Karl Edward WagnerSardonicus • (1961) • novelette by Ray RussellA Teacher's Rewards • (1970) • short story by Robert S. PhillipsThe Roaches • (1965) • short story by Thomas M. DischThe Jam • (1958) • short story by Henry SlesarBlack Wind • (1979) • short story by Bill PronziniThe Road to Mictlantecutli • (1965) • short story by Adobe JamesPassengers • (1968) • short story by Robert SilverbergThe Explosives Expert • (1967) • short story by John LutzCall First • (1975) • short story by Ramsey CampbellThe Fly • (1952) • short story by Arthur PorgesNamesake • (1981) • short story by Elizabeth MortonCamps • (1979) • novelette by Jack DannYou Know Willie • (1957) • short story by Theodore R. CogswellThe Mindworm • (1950) • short story by C.M. KornbluthWarm • (1953) • short story by Robert SheckleyTransfer • (1975) • short story by Barry N. MalzbergThe Doll • (1980) • novelette by Joyce Carol OatesIf Damon Comes • (1978) • short story by Charles L. GrantMass Without Voices • (1979) • shortfiction by Arthur L. SamuelsThe Oblong Room • (1967) • short story by Edward D. HochThe Party • (1967) • short story by William F. NolanThe Crate • (1979) • novelette by Stephen King

    If the government can no longer protect your home, farm or property, HOLDING will teach you how. HOLDING covers virtually every aspect of protecting you and your family in the event society breaks down. Many people have preparations for food, water, shelter and personal defense. HOLDING will teach you how to configure your home, train your team, and properly equip any location for defense. Covering topics ranging from hiding in plain sight to pre-positioning of supplies, HOLDING uses common sense, military tactics and historical examples that allow you to prepare for defense without affecting your property's value or appearance.

    When the U.S. Marines landed on Iwo Jima, they expected to secure it within a few days. No one had anticipated Japan's determination to defend the island to the last man. Morison describes the Japanese defense system of camouflaged rifle pits and fortified gunning positions that held the Allies at bay and the heavy and continuous cover of naval gunfire that prevented even greater losses. As it was, the securing of Iwo Jima cost the United States more casualties than had been incurred in taking any other island in the Pacific. On Okinawa, the conflict stretched over six long, bloody months. As land forces struggled for every inch they took on the islands, the U.S. Navy faced the desperate fury of the kamimaze corps and its harvest of flaming terror: explosions, burning and flooded ships, searing injuries and death. Fierce weather, logistical complexities, Japanese submarines, and the unexpected death of President Roosevelt also took their toll. Morison concludes his epic account with the final skirmishes of the war, the fateful decision to drop the atomic bomb, and the delicate negotiations leading to Japanese surrender.

    It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is the interview with the journalist Hunter S. Thompson from the November 1974 issue.