The one ray of light in her new surroundings is Jonah, a new classmate who takes an instant liking to her.But before their romance can blossom, Caitlin suddenly finds herself changing. She is overcome by a superhuman strength, a sensitivity to light, a desire to feed--by feelings she does not understand. She seeks answers to what’s happening to her, and her cravings lead her to the wrong place at the wrong time. Her eyes are opened to a hidden world, right beneath her feet, thriving underground in New York City. She finds herself caught between two dangerous covens, right in the middle of a vampire war.It is at this moment that Caitlin meets Caleb, a mysterious and powerful vampire who rescues her from the dark forces. He needs her to help lead him to the legendary lost artifact. And she needs him for answers, and for protection. Together, they will need to answer one crucial question: who was her real father? But Caitlin finds herself caught between two men as something else arises between them: a forbidden love. A love between the races that will risk both of their lives, and will force them to decide whether to risk it all for each other…

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    They're not just in movies and books, but in commercials, fetish clubs, and even in your breakfast cereal. If you look, you'll discover that bloodsuckers have gone from guest spots in rural folk tales to becoming some of the most recognizable bad guys in the modern world. Eric Nuzum wanted to find out why and how this happened. And he found the answer in Goth clubs, darkened parks, haunted houses, and… chain restaurants.  Nuzum was willing to do whatever it took to better understand the vampire phenomenon. He traveled across Transylvania on a tour hosted by Butch Patrick (a.k.a. Eddie Munster), sat through Las Vegas' only topless vampire revue, hung out with assorted shady characters, and spent hours in a coffin. He even drank his own blood --just one more step in his quest to understand the weird, offbeat world of vampires and the people who love them. The Dead Travel Fast is the hilarious result of this bloody, gory, and often foolhardy journey. With his unmatched firsthand experience, Eric Nuzum delivers a far-reaching look at vampires in pop culture, from Bram to Bela to Buffy, and at what vampires and vampirism have come to mean to us today.  And the blood? Let's just say it doesn't go with eggs.

    The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood. (From Wikipedia)

    He fakes his death to escape, but when he's seen climbing out of a coffin everyone assumes he's a vampire; when he shows none of the traditional vampire weaknesses, they decide he must be the Great One, the most powerful vampire in the history of the world.Half horror and half farce, Frederick's tale is an ever-growing avalanche of bankers, constables, graverobbers, poets, ghouls, morticians, vampires, vampire hunters, not to mention some very unfortunate rabbits. With a string of allies even more unlikely than his enemies, can Frederick stay alive long enough to claim his (well, somebody's) money? And if he can't, which of his innumerable enemies will get to him first?

    This collection of classic vampire tales not only features three of the most important works in the genre, but also a historical analysis of vampire stories.

    ” A timeless tale of love,  devotion . . . and the undead.Jane Slayre, our plucky demon-slaying heroine, a courageous orphan who spurns the detestable vampyre kin who raised her, sets out on the advice of her ghostly uncle to hone her skills as the fearless slayer she’s meant to be. When she takes a job as a governess at a country estate, she falls head-over-heels for her new master, Mr. Rochester, only to discover he’s hiding a violent werewolf in the attic—in the form of his first wife. Can a menagerie of bloodthirsty, flesh-eating, savage creatures-of-the-night keep a swashbuckling nineteenth-century lady from the gentleman she intends to marry? Vampyres, zombies, and werewolves transform Charlotte Brontë’s unforgettable masterpiece into an eerie paranormal adventure that will delight and terrify.

    Ghost stories as we know them did not develop until the late nineteenth century, but the restless dead haunted the premodern imagination in many forms, as recorded in historical narratives, theological texts, and personal letters. The Penguin Book of the Undead teems with roving hordes of dead warriors, corpses trailed by packs of barking dogs, moaning phantoms haunting deserted ruins, evil spirits emerging from burning carcasses in the form of crows, and zombies with pestilential breath.Spanning from the Hebrew scriptures to the Roman Empire, the Scandinavian sagas to medieval Europe, the Protestant Reformation to the Renaissance, this beguiling array of accounts charts our relationship with spirits and apparitions, wraiths and demons over fifteen hundred years, showing the evolution in our thinking about the ability of dead souls to return to the realm of the living--and to warn us about what awaits us in the afterlife.

    She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations.Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it. But he still remembers the woman who made him immortal. He has everything, but a reason to live.In a world where the sun never set on the British Empire, where Holland finally ceded New Amsterdam to the English only during the Napoleonic wars, and where the expansion of the American colonies was halted by the war magic of the Iroquois, they are exiles in the new world--and its only hope for justice.

    Earnshaw, rumors abound. Yet the truth is more complicated than anyone could guess. Heathcliff's mother was a member of a gypsy band that roamed the English countryside, slaying vampires to keep citizens safe. But his father was a vampire. Now, even as Heathcliff gallantly fights the monsters who roam the moors in order to protect beautiful, spirited Catherine Earnshaw, he is torn by compassion for his victims - and by his own dark thirst. Though Catherine loves Heathcliff, she fears the vampire in him, and is tempted by the privileged lifestyle their neighbors, the Lintons, enjoy. Forced to choose between wealthy, refined Edgar Linton and the brooding, increasingly dangerous Heathcliff, she makes a fateful decision. And soon Heathcliff, too, must choose - between his hunger, and the woman he will love for all eternity...

    Dreaded by his enemies, emulated by later rulers like Ivan the Terrible, honored by his countrymen even today, Vlad Dracula was surely one of the most intriguing figures to have stalked the corridors of European and Asian capitals in the fifteenth century.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    Tamsen Donner must be a witch. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the pioneers to the brink of madness. They cannot escape the feeling that someone--or something--is stalking them. Whether it was a curse from the beautiful Tamsen, the choice to follow a disastrous experimental route West, or just plain bad luck--the 90 men, women, and children of the Donner Party are at the brink of one of the deadliest and most disastrous western adventures in American history. While the ill-fated group struggles to survive in the treacherous mountain conditions--searing heat that turns the sand into bubbling stew; snows that freeze the oxen where they stand--evil begins to grow around them, and within them. As members of the party begin to disappear, they must ask themselves "What if there is something waiting in the mountains? Something disturbing and diseased...and very hungry?"

    Pass this volume on to readers who are hungry for more historical stories with a supernatural frame." - BooklistLonglisted for The Guardian's Not the Booker Prize 2019.Years before either becomes a literary legend, Bram Stoker and Oscar Wilde must overcome their disdain for one another to battle the Black Bishop, a mysterious madman wielding supernatural forces to bend the British Empire to his will. With the help of a European vampire expert, a spirited actress and an American businessman, our heroes fight werewolves, vampires and the chains of Victorian morality. The fight will take them through dark forests in Ireland, the upper-class London theater world and Stonehenge, where Bram and Oscar must stop a vampire cult from opening the gates of Hell.FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

    In The Shadow Of The Vampire offers a close up view of her devotees and disciples, fangs and all. Over 100 photographs from Anne Rice's Memnoch Ball in New Orleans as well as other events serve as a portrait of this growing subculture. The photographs illustrate the themes the readers relate to in their fantasies and everyday lives and the extremes to which they will go to be close to their mentor. The subjects of the photographs, the fans themselves, explain in accompanying interviews their spiritual relationships to romance, eroticism, loneliness, bloodlust or outsider status of the characters in the book. From the people who sleep in coffins to the teenage Goth-rockers to the HIV-positive man who found a deep allegorical comfort in the vampire Lestat, their responses range from the burlesque to the sublime.