Ellsworth's careful line gives shape to profound and profoundly silly thoughts alike, bringing a visionary, startling new life to the doubts and hopes that are so familiar to everyone. This is the 2010 reprint of Theo Ellsworth's debut graphic novel. Capacity.

    Unknown to the world at large, this secret society of 1,001 specialty sleeper agents is called upon to prevent the impending threats of Armageddon that were created by careless governments and immoral scientists over the last century. In this hard-hitting first volume, various expert operatives are sent on desperate individual missions to thwart an alien virus invasion, destroy a nuclear-powered cyborg, and deactive a hidden Ebola bomb.Collecting: Global Frequency 1-6

    Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    Zach Galifianakis, start of The Hangover, will provide the foreword.Everyone knows the only thing more painful than relationships is not having them--or is it the other way around? Whatever, says author and cartoonist Nick Galifianakis. In his first book, If You Loved Me, You'd Think This Was Cute: Uncomfortably True Cartoons About You, he makes the case that either way, the only recourse is to embrace our frailties and laugh. Taken from Carolyn Hax's nationally syndicated advice column, this compilation spins the pain of dating, mothers-in-law, "beneficial" friends and more into ... the pain of self-recognition. The intricately drawn pen-and-ink panels and pointed captions explore some of life's most uncomfortable truths, exposing the humanity in our mistakes, the underbelly of our triumphs and the sheer heroism of trying and trying again.Throughout this character study of men and women (and the dogs who love them), Galifianakis mines our hopes and insecurities for a unifying truth: If we can't laugh at ourselves, he'll do it for us."Nick snuck me into my first comedy club when I was only a back-acned teenager. The back acne went away but the comedy stuck. I know that last sentence sounds like a lyric from a Joan Baez song, but trust me, it's original." --Zach Galifianakis, from the foreword"Nick's cartoons are funny, witty, and smart. But what makes them so special are how universal and true they are, making the laughs they bring all the more poignant. Relationships, in all their glory, have never been captured quite so succinctly and with such charm." --Amy B. Harris, writer/producer for Sex and the City"Nick Galifianakis understands relationships unbelievably well, for a guy. My guess is he actually menstruates." --Gene Weingarten, two-time Pulitzer Prize winner, Washington Post humor columnist

    Together these drawings, which originally appeared in the New Yorker, Scientific American, Redbook, and other publications, constitute a spot-on record of our increasingly absurd existence. As the twenty-first century begins, we can only be grateful that Roz Chast is here to tackle some of the tough themes of the times: genetically altered mice, birthday parties from hell, and comfort drinks in the age of insecurity.

    Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while. If you enjoyed Brian Rea's work in Mary Karr's The Liars' Club: A Memoir or in the New York Times' popular Modern Love column you'll love his delightful illustrations of Death in this funny, heartfelt collection of works.This book is a great gift or self-purchase if you're looking for:Funny BooksFunny ComicsHumor Books

    But it's the fact that the duo are everyday pets, with relationships to their owners that ring true, that makes MUTTS work." -Pet LifeI Want to Be the Kitty marks the eighth collection of this award-winning strip and is the follow-up to the successful What Now. As usual, the lovable duo of Earl the dog and his feline friend Mooch can be counted on for charming adventures and out-loud laughs.The sweet and unique friendship of this special dog and kitty comes through in every strip. When Mooch decides one January morning he's going to hibernate by staying in bed all winter, Earl tries desperately to get him out of bed until he finds out himself how "toashty" it is, in the words of Mooch. Next thing you know, Mooch has a bedmate who announces "I'll see ya in March." The two snore though hibernation together-that is, until they are called for dinner.With its expressive art and clever, sometimes philosophical, pet banter, MUTTS has built a large and loyal fan base among readers and fellow cartoonists worldwide. The strip has been the discussion topic of Tonight show guests (Brooke Shields), and it's earned the National Cartoonists Society's coveted Comic Strip of the Year Award. And now, as a testament to its ever-growing popularity, fans in New Jersey can show their loyalty to the strip-and animal protection-by getting a state license plate complete with Earl and Mooch and the slogan "Animal Friendly." In MUTTS, cartoonist Patrick McDonnell has created a classic strip that not only delivers consistent laughs but often a message as well.

    Ever wonder how David Mack does his artwork? How his pages and covers go from sketches and drawings to finished art? How he uses models and figure drawings? It's all in here with tons of extras Collects Kabuki Reflections #5-10.

    Multi-Eisner award-winning writer Paul Tobin pens a fantasy epic of the adventures of Geralt of Rivia, a witcher--one of the few remaining monster hunters from the critically acclaimed video game fantasy The Witcher by CD Projekt Red!Featuring story art by Joe Querio, Piotr Kowalski, Max Bertolini, with a bonus sketchbook section and additional art by Dave Johnson (100 Bullets), Dan Panosian (Slots), Stan Sakai (Usagi Yojimbo), Duncan Fegredo (MPH), Simon Bisley (Lobo), and a cover by Mike Mignola (Hellboy).Collects issues #1-#5 of The Witcher comic series House of Glass, Fox Children, Curse of Crows, and the Killing Monsters one-shot--and features annotations from the creators of the comics, as well as a sketchbook section.

    Smelling your cats. Figuring out how to spend your evening when the internet has suddenly stopped working. Relationships are full of sweet and quirky little moments! Sarah Graley’s first collection of the hit diary webcomic Our Super Adventure chronicles two years of these strange, relatable instances, as she navigates life with four cats and one cat-like boy. Whether it’s that feeling of getting the entire bed when your partner gets up before you, or the heartbreaking realisation that the love of your life has burned the microwave popcorn, Press Start To Begin documents all the weird little everyday flashes of shared absurdity that make up a relationship.

    . . and the mythology behind the man.“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible. . . . I shall become a bat!” So declared millionaire industrialist Bruce Wayne, orphaned as a boy by a murderous thug and driven as a man to battle the scourge of crime by becoming Batman. Batman swooped into popular culture in 1939–and for nearly seventy years has thrilled audiences in countless comics, live-action and animated television programs, and seven feature films. Prowling the darkened rooftops of Gotham City, roaring through the teeming streets in the sleek, high-powered Batmobile, and leaping into action when the iconic Bat-Signal pierces the night sky, the Caped Crusader is a larger-than-life legend. And now, for the first time in more than thirty years, everything there is to know about Batman–from the beginning to the present, and from A to Z–is collected in one comprehensive new sourcebook. More than 500 pages of entries and illustrations include:• fascinating details and the complete background on Batman’s origins • biographies of every major character in the Batman universe–including his closest allies, from Robin the Boy Wonder and faithful butler Alfred Pennyworth to Commissioner Gordon; and his countless enemies, from the Joker, Penguin, Catwoman, and the Riddler to Scarecrow, Two-Face, Ra’s al Ghul and Poison Ivy• classic black-and-white comic book artwork throughout• two sixteen-page full-color artwork insertsEven an all-access pass to the Batcave couldn’t rival former DC Comics editor and Batman scholar extraordinaire Robert Greenberger’s exhaustive ultimate archive. The Essential Batman Encyclopedia is a must for every Batman fan’s bookshelf.BATMAN, the DC Logo, and all related names, characters and elements are trademarks of DC Comics © 2008. All rights reserved.

    That's right, LIO is so crafty it doesn't need word balloons, dialogue boxes, or clever captions. Mark Tatulli's cartoon also employs a unique drawing style influenced by cartooning greats Gahan Wilson, Charles Addams, and 19th-century satirist A. J. Volck.* In describing his strip, Tatulli explains he was eager "to bring something truly different to the comics pages . . . something to appeal to all ages, drawn in pictures only. To tell a story without text, while updating the pantomime concept with a modern audience in mind."* The result is a mind-bendingly humorous and astute journey into the darkly detailed world of young LiO--where a spit wad can put a school bus out of commission faster than a spider can hamper the efforts of the U.S. Postal Service.

    While he was part of the Weapon X program his skeletal structure was bonded with the near-destructible alloy adamantium, and now very little can stop him. DK's publishing program celebrates Wolverine's classic comic book roots, with gorgeous imagery, classic story lines, and a nod to the franchise that Wolverine has become. Super-fans can learn about Wolverine's comic book debut (a cameo in a Hulk comic in 1974), and the development of his character, his story, the X-Men, and more in our comprehensive and spectacularly illustrated Ultimate Guide. MARVEL, Wolverine and the distinctive likenesses thereof are trademarks of Marvel Characters, Inc., and are used with permission. _ Copyright (c) 2008 Marvel Characters, Inc. All rights reserved. www.marvel.com. This book is produced under license from Marvel Characters, Inc.

    But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.

    For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the black pages of the first edition.