On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, was found murdered in the privy behind the dissenting chapel she had regularly attended in Bromley, Kent. The community was appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the autopsy revealed that Harriet was six months pregnant. Drawing on the coroner's reports and witness testimonies, the novel unfolds from the viewpoints of each of the main characters, each of whom have a reason to want her dead. Harriet Monckton had at least three lovers and several people were suspected of her murder, including her close companion and fellow teacher, Miss Frances Williams. The scandal ripped through the community, the murderer was never found and for years the inhabitants of Bromley slept less soundly. This rich, robust novel is full of suggestion and suspicion, with the innocent looking guilty and the guilty hiding behind their piety. It is also a novel that exposes the perilous position of unmarried women, the scandal of sex out of wedlock and the hypocrisy of upstanding, church-going folk.

     STEPPING INTO HER WORST NIGHTMARE... Because when she returned, she found an open bedroom window and her three-year-old son, Nathan, gone. The boy would never be seen again. A NIGHTMARE THAT ONLY BECAME WORSE.A tip leads detectives to the killer, a repeat sex offender, and inside his apartment, a gruesome discovery. A slam-dunk trial sends him off to death row, then several years later, to the electric chair. CASE CLOSED. JUSTICE SERVED...OR WAS IT?Now, more than thirty years later, Patrick Bannister unwittingly stumbles across evidence among his dead mother's belongings—it paints her as the killer and her brother, a wealthy and powerful senator, as the one pulling the strings. WHAT REALLY HAPPENED TO NATHAN KINGSLEY?There's a hole in the case a mile wide, and Patrick is determined to close it. But what he doesn't know is that the closer he moves toward the truth, the more he's putting his life on the line, that he’s become the hunted. Someone's hiding a dark secret and will stop at nothing to keep it that way.The clock is ticking, the walls are closing, and the stakes are getting higher as he races to find a killer—one who's hot on his trail. One who's out for his blood.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    One of them is a homicide cop who's determined to find out. All of them are marked for death--because they're next on . . .THE LISTThe explosive new thriller from bestselling author J.A. Konrath, THE LIST takes you deep inside a top-secret techno-conspiracy that's too shocking to comprehend, too insidious to detect, and far too powerful to stop . . .

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    While on the job, she overhears a man hiring a hit man to kill his wife. Letty may not be winning any morality awards, but even she has limits. Unable to go to the police, Letty sets out to derail the job, putting herself on a collision course with the killer that entangles the two of them in a dangerous, seductive relationship.Good Behavior comprises three interlinked novellas (The Pain of Others, Sunset Key, and Grab), which together form a novel-length portrait of Blake Crouch’s all-time favorite character creation, Letty Dobesh. This edition is the complete Letty Dobesh collection.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    Equal parts modern-day thriller, historical fiction, and love story, with one foot in present-day Rome and New York City, and the other in Rome some 1600 years ago.Photojournalist Josh Ryder survives a terrorist's bomb, only to be haunted by near-hallucinatory memories of a past life in Rome as a pagan priest whose dangerous congress with Sabina, one of the Vestal Virgins, poses a transgression so serious the lovers will face a certain death if exposed. Scents of jasmine and sandalwood and images of furtive liaisons and violence descend on Josh at will, pulling him to an ancient yet strangely familiar Roman burial chamber harboring the remains of a woman clutching a wooden box.A trail of present-day murders takes the reader deeper into a labyrinth at whose heart lies the enigma of a collection of ancient gems, or memory stones, whose origins trace back to both ancient Egypt and India. The stones' promise to "assist the wearer in reaching his next incarnation" sets the ancient and modern worlds on a collision course.The question of who we are cannot be asked without first asking who we were, according to the author. Rose attempts to answer that question based on her own reincarnation research and on the writings of others, spanning thousands of years.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas.Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol’ boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey.

    But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers. A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.

    One is a killer. In the autumn of 1615 scandal rocks the Jacobean court when a celebrated couple are imprisoned on suspicion of murder. She is young, captivating and from a notorious family. He is one of the richest and most powerful men in the kingdom. Some believe she is innocent; others think her wicked or insane. He claims no knowledge of the murder. The king suspects them both, though it is his secret at stake. Who is telling the truth? Who has the most to lose? And who is willing to commit murder?

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?