Over the course of these 36 enlightening lectures, investigate over 600 years of history that covers the nature of Ottoman identity, the achievements of the Sultan's court, and stories of confrontation and cooperation with the West. Befitting a story of such epic scope and grandeur, every lecture is a treasure trove of historical insights into the people, events, themes, and locales responsible for shaping the story of this often-overlooked empire. You'll cover everything from Rumi, the whirling dervishes, and the importance of the sultan's grand viziers to the wars of Sultan Suleiman I, the shadowy politics of the Committee of Union and Progress, and the birth of the Turkish Republic under Kemal Atatürk. Welcome to a fascinating story of the triumph and tragedy, war and peace, intellectual progress and civil insurrection of a great empire that, for all its glory and grandeur, has left an important legacy that will shape the future of the Balkan nation-states, the Turkish Republic, and the Arab world - and those of us in the West as well.

    Geniuses—Monteverdi, Mozart, Verdi, Wagner, and Puccini—produced some of the landmark artistic achievements of all time in this form. With Professor Robert Greenberg to show you how, you can learn to understand, appreciate—even to love—opera in just 24 hours of lectures that are a pleasure to hear.With the knowledge of opera from this course, you will understand how music has the power to reveal truths beyond the spoken word; how opera is a unique marriage of words and music in which the whole is far greater than its parts. You will learn the reasons for opera's enduring popularity. And you will be able to explore in great depth the extraordinary and compelling world of opera.Professor Greenberg is to the lecture what Mozart was to opera. Brilliant, irreverent toward his subject and yet awed by it, he is ingenious in his approach to ensure that his work will have its intended effect on the listener.The music is transcendently beautiful. In this course, you will listen to some of the most extraordinary artistic works of all time.The history of opera is traced from its beginning in the early 17th century to around 1924. The lectures examine landmark operas; musical, cultural, and social developments that influenced opera's growth; and the influence of national languages and cultures on opera.Part I: The Full Flower and Its OriginsThe first eight lectures are foundational. You examine the origins of opera and the adaptations of other musical forms that allowed opera to achieve its full effects, first accomplished in Monteverdi's Orfeo of 1607.But Professor Greenberg does not hide the result while waiting on history to get us there. The course opens with one of the most powerful moments in opera—the dramatically loaded aria "Nessun dorma" ("No one shall sleep") from Giacomo Puccini's Turandot.In Turandot, you are exposed to opera's unique incorporation of soliloquy, dialogue, scenery, action, and continuous music into an incredibly expressive and exciting whole.This famous aria shows us the power of the composer—the power of creating music that goes beyond the words of the libretto to express thoughts and feelings that cannot be expressed in words.The study continues with a discussion of how music reveals character and the unconscious state. You are introduced to operatic archetypes such as Figaro and Carmen.You examine how the rediscovery of ancient Greek and Roman culture contributed to the riches of the Renaissance. You see the evolution of the madrigal, a form that was ultimately rejected in favor of a more expressive vocal medium: early opera.Part I of the course concludes with an analysis of the first successful attempt to combine words and music into musical drama, Monteverdi's Orfeo of 1607.Part II: The Aria, the Golden Age, Opera Seria, Opera BuffaRecitative, the essence of Monteverdi's style, made music subservient to words, but because of its forward-driving nature, recitative cannot express personal reflection.You learn how the invention of the aria gave opera composers a powerful tool to stop the dramatic action for characters' moments of self-reflection.Gluck's reforms and his Orfeo ed Euridice of 1762 are addressed as the starting point for the modern opera repertory. The explosion of operas in the Golden Age–Dark Age of opera is discussed. You learn how different voice types are assigned different roles, and how this has varied by culture.The rise of opera seria and its characteristics are discussed, along with an analysis of the second act of Mozart's Idomeneo—opera seria transcendent.You examine the development of opera buffa, from its origins in the popular folklore of the Commedia dell'Arte to its eventual replacement of opera seria. Mozart's brilliant The Marriage of Figaro is discussed as one of the greatest contributions to the opera buffa genre.Part III: Rossini and Verdi: The Development of French OperaYou see how the Italian language and culture gave rise to the bel canto style, with its comic plots, one-dimensional characters, appealing melodies, and florid melodic embellishments.Dr. Greenberg reveals how highly pressurized the business of opera was in the 18th century. Rossini once remarked, "In my time, all the impresarios of Italy were bald by 30." You are introduced to Rossini's The Barber of Seville of 1816 as the quintessential bel canto opera.You learn how Giuseppi Verdi broke the bel canto mold. He dominated Italian opera for over half a century by virtue of his lyricism, his emphasis on human emotions and psychological insight, and his use of the orchestra and parlante to drive the dramatic action and maintain musical continuity.Verdi's Otello is discussed as one of the greatest operas of all time.You next study French opera and why it became a distinctly different genre from Italian opera. Nineteenth-century French opera—grand opera, opéra comique, and lyric opera—are three distinctive French genres. You'll hear why in Act 2 of Bizet's dramatically powerful Carmen .Part IV: Wagner, Strauss, PucciniYou see how German singspiel, a play with music, grew from humble origins as a low-class entertainment to high art with Mozart's The Rescue from the Harem (1782) and The Magic Flute (1791). You learn how Carl Maria von Weber's Der Freischütz established 19th-century German opera.You then study Richard Wagner: his personal beliefs, musical theories, and operatic innovations. Wagner turned to the ancient Greek ideal for inspiration, and from it he conceived the idea of an all-encompassing artwork, or music drama, in which the orchestra plays the role of a purveyor of unspoken truths. Dr. Greenberg cites Wagner's Tristan und Isolde as the most influential composition of the 19th century, next to Beethoven's Ninth Symphony.Richard Strauss and his controversial opera Salome exemplifies late Romantic German opera.You examine Russian opera and nationalism. The late development of Russian opera is outlined from Mikhail Glinka's Ruslan and Lyudmila to Modest Mussorgsky's Boris Godunov. You see how the Russian language shaped the vocal style of Russian opera.The course concludes with an overview of opera verismo, a 19th- and 20th-century genre that favors depictions of the darker side of the human condition; a transcendent example of it is in the pivotal second act of Giacomo Puccini's Tosca.The essence of opera is debated as you hear part of a scene from Richard Strauss's Capriccio. Is it words, or is it music? It is an indefinable combination of both, with the whole greater than the parts.

    Learning the skills and techniques of artful reading can improve your life in many ways, whether you're a fiction reader, an aspiring writer, a book club member, or a student.And the best part: These skills are not difficult or unwieldy; rather, they are well within your reach. This entertaining, 24-lecture course gives you a veritable toolbox of knowledge and methods to approach even the most daunting reading experience with increased confidence.You'll learn the definitions and characteristics of terms such as authorship, master plot, and genre. While some of these nuts-and-bolts concepts may be familiar to you, Professor Spurgin examines them from multiple angles, revealing hidden meanings that can escape even experienced readers.Practical tips and techniques will maximize your effectiveness as an artful reader. You'll see why holding an initial reading session will acquaint you with the author's writing style and the characters, making the book easy to return to even if you take a few days off.You'll also discover the benefits of "pre-reading" - exploring a book's organization and structure - and how to constantly ask questions to become more deeply involved with the characters and their stories.Throughout the course, a host of literary "case studies" will refine and elaborate on the concepts of artful reading. Literary examples show how you can finally approach works that, in the past, might have seemed intimidating - making your future reading experiences both more engaging and more enlightening.

    36 lectures on 18 CDs (two 30 minute lectures per CD). In three parts, each in its own clamshell case. One course guidebook per part.

    Introducing Argumentation and Rhetoric History of Argumentation Studies Formal and Informal Argument The Emergence of Controversy Resolutions and Issues Stasis The Focal Point of Dispute Presumption and Burden of Proof Argument Analysis and Diagramming Claims and Evidence Reasoning from Parts to Whole Moving from Cause to Effect Establishing Correlations Analogy, Narrative, and Form What Makes a Sound Argument? Fallacies in Reasoning Validity and Fallacies Reconsidered Assembling a Case Attack and Defense I Attack and Defense II Language and Style in Argumentation Arguments between Friends Arguments among Experts Public Argument and Democratic Life The Ends of Argumentation

    4- Social Disorganization—Deviance in the Urban Landscape.5- Functionalism and Anomie—Why Can't We All Just Get Along?.6- Learning Theory—You Have to be Carefully Taught.7- Control Theory—Spare the Rod, Spoil the Child.8- Labeling Theory—Is Deviance in the Eye of the Beholder?.9- Conflict and Constructionism—Every Step You Take, I'll Be Watching You.10- Case Studies—Sex and Science.

    Yet behind that veil lies one of the most amazing civilizations the world has ever known. For most of its 5,000-year existence, China has been the largest, most populous, wealthiest, and mightiest nation on Earth. And for us as Westerners, it is essential to understand where China has been in order to anticipate its future. This course answers this need by delivering a comprehensive political and historical overview of one of the most fascinating and complex countries in world history.

    Clear Science Teaching to Set the Stage for an Awe-Inspiring Course Created for a lay audience and readily accessible, in this course science always takes precedence over drama. The lectures are certainly entertaining, often funny, even awe-inspiring at times, as befits the subject matter. Even though you will be entertained, you will be learning good science. Clear introductions to essential principles of physics support these lectures, including density, quantum theory, gravity, and the General Theory of Relativity. Professor Neil deGrasse Tyson also includes forays into disciplines such as chemistry and biology as needed to explain events in astronomy. For example, Dr. Tyson begins one lecture at a point 13 billion years ago, when all space, matter, and energy in the known universe were contained in a volume less than one-trillionth the size of a pinpoint-about the size of a single atom. By the time he finishes, the cosmos has been stretched, the planets and our Earth formed, and 70 percent of existing Earth species have been wiped out by a gigantic asteroidclearing the way for the evolution of humanity. Along the way he has touched on Einstein's famous equation, E=mc2; on the four forces that were once unified in the early cosmos in a way physicists are still trying to explain; and on the chemical enrichment of the universe by exploding supernovae, which give the universe its necessary supply of heavier elements including oxygen, nitrogen, iron and, most important, carbon. Carbon, we learn, is a "sticky" atom, capable of making more kinds of molecules than all other elements combined. It's the ideal element with which to experiment in the building of life forms and is, of course, the element responsible for the remarkable diversity of life, including us. As Dr. Tyson notes, we are made of stardust, just as the planets are. And he has created a course that explains exactly how that came to be, beginning with a grounding in the basic "machinery" of matter, forces, and energy that has been discovered on Earth and which also reveals itself throughout the universe. The Stark and Violent Beauty of the Universe With this basic foundation in place, explanations of cosmic events fall logically into place, and the realities of the universe-including its eventual demise-are revealed in stark and often violent beauty. You learn: how Saturn's rings were formed, and why they will eventually be lost why low-density conditions are necessary to produce the drama of the northern and southern auroras why even the most jagged and wild of the Earth's mountain ranges are, from a cosmic standpoint, really part of a perfectly smooth sphere how black holes are formed and the extraordinary way in which they can wreak havoc in the universe how asteroids moving through space represent threats of extraordinary consequence to Earth, no matter how long those threats may take to be realized why the seemingly infinite panorama of celestial bodies revealed by the Hubble Space Telescope's famous "Deep Field" so intrigued astronomers how astronomers actually look for new planets, why the odds seem overwhelmingly in favor of some kind of life out there, whether we ever make contact or not. Most important, none of these ideas are presented as isolated "space factoids" that serve no purpose but to entertain. They are there to illustrate and reinforce the key principles of physics and astrophysics that are continually being presented in this course. But the inclusion of real science doesn't prevent Dr. Tyson from having some fun, either. When it's time to show how a black hole might remove one from the universe, he leads you right up to the "event horizon" and slips you in-feet first. Since the event horizon represents the point within which nothing, not even light, can escape, you might think this is a bad idea. And you would be right. But as you plummet toward the "singularity" at the heart of the black hole, you will learn firsthand about the interesting effects of gravity truly unleashed, including what physicists refer to, with a straight face, as "spaghettification." (Actually, Professor Tyson recommends that you be sucked in to a large black hole rather than a small one. You'll still be spaghettified, but it won't happen as quickly.) But make no mistake: Dr. Tyson does not consider the cosmos a laughing matter, this kind of whimsical touch notwithstanding. In spite of his training, he remains, admittedly, still in awe of his subject. And he has created a course that might well produce the same feeling in you.

    ItalyA Geographical Expression 2. The Question of Sovereignty 3. The Crusades and Italian Wealth 4. VeniceA Maritime Republic 5. The Terraferma Empire 6. Genoa, La Superba 7. Bankers and Dukes 8. Pisa 9. Christians vs. Turks in the Mediterranean 10. RomePapal Authority 11. Papal Ambition 12. Papal Reform 13. NaplesA Matter of Wills 14. Naples and the Threat to Italian Liberty 15. Milan and the Visconti 16. The Sforza Dynasty 17. Mantua and the Gonzaga 18. Urbino and the Montefeltro 19. Ferrara and the Este Family 20. Siena and the Struggle for Liberty 21. Florence and the Guild Republic 22. Florence and the Medici 23. The Italian MosaicE Pluribus Gloria 24. CampanilismoThe Italian Sense of Place

    The issues Professor Dalton addresses in these lectures - and in Western political theory generally - fall into three sets of fundamental questions you'll get to unpack. The first set involves the essential characteristics of human nature and the good society. The second focuses on the intricate relationship between the individual and society. And the final set of questions involves theories about change.Through these lectures and their historical case studies, you'll be able to identify the fundamental questions and concerns that shape classical and modern political theory:Describe the influence of one's understanding of human nature upon one's vision of the good society.Compare and contrast the views of theorists regarding the purpose of the state, the relationship between politics and ethics, and the qualifications for exercising political power.Discuss views of leading political theorists regarding the meaning of freedom, the sources of legitimate political authority, and the obligations of individuals to the state or society, and more.

    

    Our emotions, according to a recent theory, are imbued with intelligence, and a person's emotional repertoire is not a mattter of fate but a matter of emotional integrity.Parts 1 and 2 in separate containers.12 audiocassettes (720 min.) : analog, stereo, Dolby-processed + 2 course guidebooks.Contents:Lecture 1. Emotions as engagements with the world.lecture 2. The wrath of Achilles.lecture 3. It's good to be afraid.lecture 4. Lessons of love: Plato's Symposium.lecture 5. We are not alone: compassion and empathy.lecture 6. Noble? Or deadly sin: pride and shame --lecture 7. Nasty: Iago's envy, Othello's jealousy --lecture 8. Nastier: resentment and vengeance --lecture 9. A death in the family: the logic of grief --lecture 10: James and the bear: emotions and feelings --lecture 11. Freud's catharsis: the hydraulic model --lecture 12. Are emotions "in" the mind? --lecture 13. How emotions are intelligent --lecture 14. Emotions as judgments --lecture 15. Beyond boohoo and hooray --lecture 16. Emotions are rational --lecture 17. Emotions and responsibility --lecture 18. Emotions in ethics --lecture 19. Emotions and the self --lecture 20. What is emotional experience? --lecture 21. Emotions across cultures: universals --lecture 22. Emotions across cultures: differences --lecture 23. Laughter and music --lecture 24. Happiness and spirituality.

    

    How do different food groups affect our bodies depending on the activity—from biking and running to hiking and basketball? What should we eat,drink, and avoid before, during, and after our workouts? What activitieswith the appropriate nutrition plans will serve us in a meaningful way? What are the keys to eating and drinking in ways that best support our fitness and athletic routines? Each lecture addresses some of the myths and realities concerning the relationship between nutrition and fitness.

    415 is taught by Kathleen M. Higgins and Robert Solomon.Part 1 (6 CDs with 54 page booklet)andPart 2 (6 CDs with 48 page booklet)