And yet, there is an attraction, undeniable, to the vampire archetype, whether the pale European count, impeccably dressed and coldly masculine, yet strangely ambiguous, ready to sink his sharp teeth deep into his victims' necks, draining or converting them, or the vamp, the count's feminine counterpart, villain and victim in one, using her wiles and icy sexuality to corrupt man and woman alike... Edited and introduced by acclaimed anthologist John Joseph Adams (Wastelands, The Living Dead), By Blood We Live gathers together the best vampire literature from the preceding three decades, authored by many of today's most renowned writers of fantasy, speculative fiction, and horror. Contents: (Author, title (type, year of first publication, beginning page in print edition))01 - Neil Gaiman, Snow, Glass, Apples (short story, 1995, p3)02 - Anne Rice, The Master of Rampling Gate (novelette, 1984, p13)03 - Harry Turtledove, Under St. Peter's (novelette, 2007, p33)04 - Tad Williams, Child of an Ancient City (novelette, 1988, p43)05 - Michael A. Burstein, Lifeblood (novelette, 2003, p75)06 - Barbara Roden, Endless Night (short story, 2008, p88)07 - Garth Nix, Infestation (novelette, 2008, p106)08 - Carrie Vaughn, Life Is the Teacher (short story, 2008, p120)09 - Nancy Kilpatrick, The Vechi Barbat (short story, 2007, p134)10 - Kristine Kathryn Rusch, The Beautiful, The Damned (short story, 1995, p148) 11 - David Wellington, Pinecones (short story, 2006, p161)12 - Norman Partridge, Do Not Hasten to Bid Me Adieu (novelette, 1994, p165)13 - Sergei Lukyanenko, Foxtrot at High Noon (short story, 2008, p180)14 - Michael Marshall Smith, This Is Now (short story, 2004, p189)15 - Nancy Holder, Blood Gothic (short story, 1985, p199)16 - Jane Yolen, Mama Gone (short story, 1991, p204)17 - Joe Hill, Abraham's Boys (short story, 2004, p209)18 - Tanith Lee, Nunc Dimittis (novelette, 1983, p224)19 - Gabriela Lee, Hunger (short story, 2007, p240)20 - Caitlín R. Kiernan, Ode to Edvard Munch (short story, 2006, p250)21 - L.A. Banks, Finders Keepers (short story, 2008, p256)22 - Brian Stableford, After the Stone Age (short story, 2004, p275)23 - Kevin J. Anderson, Much at Stake (short story, 1991, p286)24 - Elizabeth Bear, House of the Rising Sun (short story, 2005, p297)25 - Lilith Saintcrow, A Stand-Up Dame (short story, 2008, p302)26 - Kelley Armstrong, Twilight (novelette, 2007, p316)27 - Eric Van Lustbader, In Darkness, Angels (novelette, 1983, p333)28 - Barbara Hambly, Sunrise on Running Water (novelette, 2007, p355)29 - Bruce McAllister, Hit (short story, 2008, p372)30 - Ken MacLeod, Undead Again (short story, 2005, p385)31 - Robert J. Sawyer, Peking Man (short story, 1996, p388)32 - Ben Lumley, Necros (short story, 1986, p396)33 - Catherynne M. Valente, Exsanguinations: A Handbook for the Educated Vampire by Anna S. Oppenhagen-Petrescu (short story, 2005, p409)34 - Charles Coleman Finlay, Lucy, In Her Splendor (short story, 2003, p415)35 - John Langan, The Wide, Carnivorous Sky (short story, 2009, p426)36 - Stephen King, One for the Road (short story, 1977, p464)37 - Ross E. Lockhart, For Further Reading (By Blood We Live) (essay, 2008, p477)

    Immortal? Indeed! Nothing has sunk its teeth into 21st century popular culture as pervasively as the vampire. The fangsters have the freedom to fly across all genres and all mediums - there's even apps for vamps. Whether roaming into romance, haunting horror, sneaking into science fiction, capering into humor, meandering through mystery - no icon is more versatile than the vampire. Slake your insatiable thirst with the best sanguinary stories of the new millennium: terrifying or tender, deadly or delicious, bad-ass or beneficent, classic or cutting-edge. ContentsLa Vampiresse • (1999) • by Tanith LeeThe Coldest Girl in Coldtown • (2009) • by Holly BlackThis Is Now • (2004) • by Michael Marshall SmithSisters • [Ottawa and the Valley] • (2002) • by Charles de LintThe Screaming • (2004) • by J. A. KonrathZen and the Art of Vampirism • [Women of the Otherworld Short Fiction] • (2009) • by Kelley ArmstrongDead Man Stalking • (2008) • by Rachel CaineThe Ghost of Leadville • (2009) • by Jeanne C. SteinWaste Land • (2002) • by Stephen DedmanA Gentleman of the Old School • [Count of Saint-Germain] • (2005) • by Chelsea Quinn YarbroNo Matter Where You Go • (2010) • by Tanya HuffOutfangthief • by Conrad WilliamsDancing with the Star • (2008) • by Susan SizemoreA Trick of the Dark • (2004) • by Tina RathWhen Gretchen Was Human • (2001) • by Mary A. Turzillo [as by Mary Turzillo ]Conquistador de la Noche • [Kitty] • (2009) • by Carrie VaughnEndless Night • (2008) • by Barbara RodenDahlia Underground • (2010) • by Charlaine HarrisThe Belated Burial • (2009) • by Caitlín R. KiernanTwilight States • (2005) • by Albert E. CowdreyTo the Moment • by Nisi ShawlCastle in the Desert: Anno Dracula 1977 • [Anno Dracula] • (2000) • by Kim NewmanVampires in the Lemon Grove • (2007) • by Karen RussellVampires Anonymous • by Nancy KilpatrickThe Wide, Carnivorous Sky • (2009) • by John Langan©2011 Paula Guran (P)2011 Audible, Inc.

    Our most imaginative literary minds have been devoured by these incredible creatures and produced exciting, insightful, and unflinching new works of zombie fiction. We've again dug up the best stories published in the last few years and compiled them into an anthology to feed your insatiable hunger….©2014 Paula Guran (P)2014 Audible Inc.• Joanne Anderton, “Trail of Dead”• Michael Arnzen, “Rigormarole” (poem)• Marie Brennan, “What Still Abides• Mike Carey, “Iphigenia in Aulis”• Jacques L. Condor (Mak a Tai Meh), “Those Beneath the Bog”• Neil Gaiman, “The Day the Saucers Came” (poem)• Roxane Gay, “There is No ‘E' in Zombi Which Means There Can Be No You Or We”• Ron Goulart, “I Waltzed with a Zombie”• Eric Gregory, “The Harrowers”• William Jablonsky, “The Death and Life of Bob”• Shaun Jeffrey, “Til Death Do Us Part”• Matthew Johnson, “The Afflicted”• Stephen Graham Jones, “Rocket Man”• Joy Kennedy-O'Neill “Aftermath”• Caitlín R. Kiernan, “In The Dreamtime of Lady Resurrection”• Nicole Kornher-Stace, “Present”• Joe R. Lansdale, “The Hunt: Before and The Aftermath”• Shira Lipkin, “Becca at the End of the World”• David Liss, “What Maisie Knew”• Jonathan Maberry, “Jack & Jill”• Alex Dally MacFarlane, “Selected Sources for the Babylonian Plague of the Dead (572-571 BCE)”• Maureen McHugh, “The Naturalist”• Lisa Mannetti, “Resurgam”• Joe McKinney, “The Day the Music Died”• Tamsyn Muir, “Chew”• Holly Newstein, “Delice”• Cat Rambo, “Love, Resurrected”• Carrie Ryan, “What We Once Feared”• Marge Simon, “The Children’s Hour” (poem)• Maggie Slater, “A Shepherd of the Valley”• Simon Strantzas, “Stemming the Tide”• Charles Stross, “Bit Rot”• Genevieve Valentine, “The Gravedigger of Konstan Spring”• Carrie Vaughn, “Kitty’s Zombie New Year”• Don Webb, “Pollution”• Jay Wilburn, “Dead Song”

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. In this anniversary edition, Datlow brings back her favorite stories of the series’ last decade in a special edition encompassing highlights from each edition of the work.Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as:Neil Gaiman Kim Stanley Robinson Stephen King Linda Nagata Laird Barron Margo Lanagan And many others With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers. And in this anniversary edition, we share the most important stories which have been covered in the last decade of horror writing.

    Features stories by Neil Gaiman, Melissa Marr, Cassandra Clare, Holly Black, Garth Nix, and many more.

    Evidently, we have an enduring hunger for this infinite onslaught of the ever-hungry dead. Hoards of readers are now devouring zombie fiction faster than armies of the undead could chow down their brains. It's a sick job, but somebody had to do it: explore the innumerable necrotic nightmares of the latest, greatest, most fervent devotion in the history of humankind and ferret out the best of new millenial zombie stories: Zombies: The Recent Dead.Contents ix • Preshamble • (2010) • essay by Paula Guranxii • The Meat of the Matter • (2004) • essay by David J. Schowxxii • Deaditorial Note • (2010) • essay by Paula Guran29 • Twisted • (2009) • novelette by Kevin Veale54 • The Things He Said • (2007) • shortstory by Michael Marshall Smith64 • Naming of Parts • (2000) • novella by Tim Lebbon128 • Dating Secrets of the Dead • (2002) • shortstory by David Prill142 • Lie Still, Sleep Becalmed • (2007) • shortstory by Steve Duffy171 • The Great Wall: A Story from the Zombie War • (2007) • shortstory by Max Brooks178 • First Kisses from Beyond the Grave • (2006) • novelette by Nik Houser218 • Zora and the Zombie • (2004) • novelette by Andy Duncan239 • Obsequy • (2006) • novelette by David J. Schow267 • Deadman's Road • [Reverend Jedidiah Mercer] • (2007) • novelette by Joe R. Lansdale293 • Bitter Grounds • (2003) • novelette by Neil Gaiman334 • Glorietta • (2009) • shortfiction by Gary A. Braunbeck334 • Beautiful White Bodies • (2009) • novelette by Alice Sola Kim342 • Farewell, My Zombie • (2009) • shortfiction by Francesca Lia Block354 • Trinkets • (2001) • shortfiction by Tobias S. Buckell [as by Tobias Buckell ]362 • Dead Man's Land • (2009) • shortfiction by David Wellington378 • Disarmed and Dangerous • (2009) • novelette by Tim Waggoner395 • The Zombie Prince • (2004) • shortstory by Kit Reed409 • Three Scenes from the End of the World • (2009) • shortfiction by Brian Keene420 • The Hortlak • (2003) • novelette by Kelly Link445 • Dead to the World • (2009) • shortstory by Gary McMahon458 • The Last Supper • (2003) • shortstory by Scott Edelman

    . . ? Find them all here in Holly Black’s amazing first collection.In her debut collection, New York Times best-selling author Holly Black returns to the world of Tithe in two darkly exquisite new tales. Then Black takes readers on a tour of a faerie market and introduces a girl poisonous to the touch and another who challenges the devil to a competitive eating match. Some of these stories have been published in anthologies such as 21 Proms, The Faery Reel, and The Restless Dead, and many have been reprinted in many “Best of ” anthologies.The Poison Eaters is Holly Black’s much-anticipated first collection, and her ability to stare into the void—and to find humanity and humor there—will speak to young adult and adult readers alike.A Junior Library Guild Pick. Illustrated by Theo Black.Holly Black is the author of Tithe: A Modern Faerie Tale (an ALA Best Book for Young Adults) and two related novels, Valiant (Norton Award winner) and New York Times bestseller Ironside. Her latest novel, Black Heart is the third of a new series, The Curseworkers. She and Tony DiTerlizzi created the best-selling Spiderwick Chronicles. Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.

    No longer confined to the image of a hexing old crone, witches can be kindly healers and protectors, tough modern urban heroines, holders of forbidden knowledge, sweetly domestic spellcasters, darkly domineering, sexy enchantresses, ancient sorceresses, modern Wiccans, empowered or persecuted, possessors of supernatural abilities that can be used for good or evil—or perhaps only perceived as such. Welcome to the world of witchery in many guises: wicked, wild, and wonderful. Includes two original, never-published stories.ContentsThe Cold Blacksmith • (2006) • shortstory by Elizabeth BearThe Ground Whereon She Stands • (2011) • shortfiction by Leah BobetThe Witch’s Headstone • (2007) • novelette by Neil GaimanLessons with Miss Gray • (2006) • novelette by Theodora GossThe Only Way to Fly • (1995) • shortstory by Nancy HolderBasement Magic • (2003) • novelette by Ellen KlagesNightside • [Diana Tregarde] • (1989) • shortstory by Mercedes LackeyApril in Paris • (1962) • shortstory by Ursula K. Le GuinThe Goosle • (2008) • shortstory by Margo LanaganMirage and Magia • (1982) • shortstory by Tanith LeePoor Little Saturday • (1956) • shortstory by Madeleine L'EngleCatskin • (2003) • shortstory by Kelly LinkBloodlines • shortfiction by Silvia Moreno-GarciaThe Way Wind • (1995) • novelette by Andre NortonSkin Deep • (2008) • novelette by Richard ParksIll Met in Ulthar • shortfiction by Tim Pratt [as by T. A. Pratt ]Marlboros & Magic • shortfiction by Linda RobertsonWalpurgis Afternoon • (2005) • novelette by Delia ShermanThe World Is Cruel, My Daughter • (2011) • shortstory by Cory SkerryThe Robbery • (1995) • shortstory by Cynthia WardAfterward • (1999) • shortstory by Don WebbMagic Carpets • (1995) • shortstory by Leslie WhatBoris Chernevsky's Hands • (1982) • shortstory by Jane Yolen

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    Edited by Christopher Golden, it features an extraordinary lineup of collaborative stories, with the authors of each story collaborating for the very first time. And here they are! -TRIP TRAP by Sherrilyn Kenyon & Kevin J. Anderson -WELDED by Tom Piccirilli & T.M. Wright -DARK WITNESS by Charlaine Harris & Rachel Caine -REPLACING MAX by Stuart MacBride & Allan Guthrie -T. RHYMER by Gregory Frost & Jonathan Maberry -SHE, DOOMED GIRL by Sarah MacLean & Carrie Ryan -HAND JOB by Chelsea Cain & Lidia Yuknavitch -HOLLOW CHOICES by Robert Jackson Bennett & David Liss -AMUSE-BOUCHE by Amber Benson & Jeffrey J. Mariotte -BRANCHES, CURVING by Tim Lebbon & Michael Marshall Smith -RENASCENCE by Rhodi Hawk and F. Paul Wilson -BLIND LOVE by Kasey Lansdale & Joe R. Lansdale -TRAPPER BOY by Holly Newstein & Rick Hautala -STEWARD OF THE BLOOD by Nate Kenyon & James A. Moore -CALCULATING ROUTE by Michael Koryta & Jeffrey David Greene -SISTERS BEFORE MISTERS by Sarah Rees Brennan, Cassandra Clare, and Holly Black -SINS LIKE SCARLET by Mark Morris & Rio Youers

    . . and winds up a castaway on an impossibly solid cloud, a Prospero’s island of roiling vapor that seems animated by a mind of its own in Aloft.On a seemingly ordinary day in Boulder, Colorado, the clouds open up in a downpour of nails—splinters of bright crystal that shred the skin of anyone not safely under cover. Rain explores this escalating apocalyptic event, as the deluge of nails spreads out across the country and around the world.In Loaded, a mall security guard in a coastal Florida town courageously stops a mass shooting and becomes a hero to the modern gun rights movement. But under the glare of the spotlights, his story begins to unravel, taking his sanity with it. When an out-of-control summer blaze approaches the town, he will reach for the gun again and embark on one last day of reckoning.