Ji Xianlin was one of them. The Cowshed is Ji’s harrowing account of his imprisonment in 1968 on the campus of Peking University and his subsequent disillusionment with the cult of Mao. As the campus spirals into a political frenzy, Ji, a professor of Eastern languages, is persecuted by lecturers and students from his own department. His home is raided, his most treasured possessions are destroyed, and Ji himself must endure hours of humiliation at brutal “struggle sessions.” He is forced to construct a cowshed (a makeshift prison for intellectuals who were labeled class enemies) in which he is then housed with other former colleagues. His eyewitness account of this excruciating experience is full of sharp irony, empathy, and remarkable insights into a central event in Chinese history.In contemporary China, the Cultural Revolution remains a delicate topic, little discussed, but if a Chinese citizen has read one book on the subject, it is likely to be Ji’s memoir. When The Cowshed was published in China in 1998, it quickly became a bestseller. The Cultural Revolution had nearly disappeared from the collective memory. Prominent intellectuals rarely spoke openly about the revolution, and books on the subject were almost nonexistent. By the time of Ji’s death in 2009, little had changed, and despite its popularity, The Cowshed remains one of the only testimonies of its kind. As Zha Jianying writes in the introduction, “The book has sold well and stayed in print. But authorities also quietly took steps to restrict public discussion of the memoir, as its subject continues to be treated as sensitive. The present English edition, skillfully translated by Chenxin Jiang, is hence a welcome, valuable addition to the small body of work in this genre. It makes an important contribution to our understanding of that period.”

    Yet, the ghosts of the past haunt him on his last night on earth in an eerie surrealism. As the old man sleeps in the dilapidated farm house his greatest fear of being found becomes a reality and his only salvation in the end, but it is too late.

    The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts."August 1914" is the first volume of Solzhenitsyn's epic, "The Red Wheel; "the second is "November 1916." Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.

    When Heaven and Earth Changed Places is the haunting memoir of a girl on the verge of womanhood in a world turned upside down.The youngest of six children in a close-knit Buddhist family, Le Ly Hayslip was twelve years old when U.S. helicopters landed in Ky La, her tiny village in central Vietnam. As the government and Viet Cong troops fought in and around Ky La, both sides recruited children as spies and saboteurs. Le Ly was one of those children. Before the age of sixteen, Le Ly had suffered near-starvation, imprisonment, torture, rape, and the deaths of beloved family members—but miraculously held fast to her faith in humanity. And almost twenty years after her escape to America, she was drawn inexorably back to the devastated country and family she left behind. Scenes of this joyous reunion are interwoven with the brutal war years, offering a poignant picture of Vietnam, then and now, and of a courageous woman who experienced the true horror of the Vietnam War—and survived to tell her unforgettable story.

    Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribblesnotes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.

    With a determined commitment to the history of his native land, Nathaniel Hawthorne revealed, more incisively than any writer of his generation, the nature of a distinctly American consciousness. The pieces collected here deal with essentially American matters: the Puritan past, the Indians, the Revolution. But Hawthorne was highly – often wickedly – unorthodox in his account of life in early America, and his precisely constructed plots quickly engage the reader’s imagination. Written in the 1820s, 30s, and 40s, these works are informed by themes that reappear in Hawthorne’s longer works: The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance. And, as Michael J. Colacurcio points out in his excellent introduction, they are themes that are now deeply embedded in the American literary tradition.--back coverHollow of the Three HillsSir William PhipsMrs. HutchinsonWives of the DeadMy Kinsman, Major MolineuxRoger Malvin's BurialPassages from a Relinquished WorkMr. Higginbotham's CatastropheHaunted MindAlice Doane's AppealGray ChampionYoung Goodman BrownWakefieldNotch of the White MountainsAmbitious GuestMay-Pole of Merry MountMinister's Black VeilSunday at HomeMan of AdamantEndicott and the Red CrossNight SketchesLegens of the Province-HouseHall of FantasyBirthmarkEgotism; or the Bosom-SerpentChristmas BanquetCelestial RailroadEarth's HolocaustArtist of the BeautifulRappacini’s DaughterEthan Brand