When Germaine Greer's "The Female Eunuch" was first published it created a shock wave of recognition in women, one that could be felt around the world. It went on to become an international bestseller, translated into more than twelve languages, and a landmark in the history of the women's movement. Positing that sexual liberation is the key to women's liberation, Greer looks at the inherent and unalterable biological differences between men and women as well as at the profound psychological differences that result from social conditioning. Drawing on history, literature, biology, and popular culture, Greer's searing examination of women's oppression is a vital, passionately argued social commentary that is both an important historical record of where we've been and a shockingly relevant treatise on what still remains to be achieved.

    Modjeska's book investigates the life patterns of women artists, most of whom have been unable to manage such a neat compartmentalization of daily life and creativity. "Stravinsky's Lunch" tells the stories of two extraordinary women, both born close to the turn of the century in Australia and both destined to make important contributions to Australian painting. Stella Bowen went to London to make her career, then became a bohemian and the longtime mistress of Ford Madox Ford. Grace Cossington Smith, a spinster who never strayed far from her childhood home on the outskirts of Sydney, became one of the first Australian modernists. Their distinctive stories speak volumes about how love, art, and life intersect.Farrar, Straus and Giroux

    Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo.From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be.Between them the writers in this anthology have been short- or long-listed for four Orange Prizes, two Man Booker Prizes and won countless other awards. Alongside renowned authors are emerging voices published here for the first time.

    Told with voices that are rarely recorded but need to be heard, and incorporating the language and history of her people, Leanne Simpson's Islands of Decolonial Love is a profound, important, and beautiful book of fiction.

    Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

    Organizers and activists envision, and try to create, such worlds all the time. This book brings twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to experiment with new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a foreword by Sheree Renée Thomas.

    Everything that suffuses her well-loved prose is here: compassion, insight, lyrical precision, and the clear, minimalist eye that reveals how life can turn on a single moment. Musing on the undercurrents and interconnections between legacy, memory, motherhood and the natural world, the poems in the collection begin on the surface and then take us, gracefully and effortlessly, to a far more thought-provoking place.

    Michelle Latiolais has given us the rarest item, a splendidly articulated masterpiece.” —William Kittredge“In this luminous collection of stories, the gifted Michelle Latiolais writes of loss in all its surprising manifestations. Widow is a devastation and a wonder.” —Christine Schutt“There is something mysterious about this book, as there always is in the writing that matters most. It eludes explanation. It illumines terrifying realities. Only because these pages seem nakedly willing to take the imprint of every emotion, no matter how ugly, do they possess this great beauty.” —Elizabeth TallentThe stories of Widow conjure the nuances of inner sensations as if hitting the notes of a song, deftly played across human memory. These meditations bravely explore the physiology of grief through a masterful interweaving of tender insight and unflinching detail—reminding us that the inner life is best understood through the medium of storytelling. Among these stories of loss are interwoven other tales, creating a bridge to the ineffable pleasures and follies of life before the catastrophe. Throughout this collection, Latiolais captures the longing, humor, and strange grace that accompany life’s most transformative chapters.Michelle Latiolais is the author of Widow: Stories, a New York Times Editor's Choice selection, and two previous novels, including A Proper Knowledge, also published by Bellevue Literary Press. She is the recipient of the Gold Medal for Fiction from the Commonwealth Club of California and an English professor and co-director of the Programs in Writing at the University of California at Irvine.

    The main character, Ruby, refugee of a massacre, shelters in the woods where she befriends an Irishman trapper.The poems convey how fear of discovery is overcome by the need for human contact which, in a tense unravelling of events, is forcibly challenged by an Aboriginal lawman. The natural world is richly observed and Ruby's courtship is measured by the turning of the seasons.

    This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay.Among the essays included here are:• "The Transformation of Silence into Language and Action"• "The Master’s Tools Will Never Dismantle the Master’s House"• "I Am Your Sister"• Excerpts from the American Book Award–winning A Burst of LightThe poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are:• "Martha"• "A Litany for Survival"• "Sister Outsider"• "Making Love to Concrete"

    By morning, the head of the sexual crimes squad confirmed to journalists that they were preparing to question two Collingwood players ... And so, as police were confiscating bed sheets from a townhouse in South Melbourne, the trial by media began.'What does a young footballer do to cut loose? At night, some play what they think of as pranks, or games. Night games with women. Sometimes these involve consensual sex, but sometimes they don't, and sometimes they fall into a grey area.In the tradition of Helen Garner's The First Stone comes a closely observed, controversial book about sex, consent and power. In Night Games, Anna Krien follows the rape trial of an Australian Rules footballer. She also takes a balanced and fearless look at the dark side of footy culture – the world of Sam Newman, Ricky Nixon, Matty Johns and the Cronulla Sharks.Both a courtroom drama and a riveting piece of narrative journalism, this is a breakthrough book from one of the young leading lights of Australian writing.

    Before Biff and her younger brother, Mark, there was baby Alison, who drowned in her bath because, it was said, her mother was distracted. Biff too, lives in fear of her mother's irrational behaviour and paranoia, and she is always on guard and fears for the safety of her brother. As Biff grows into teenage hood, there develops a conspiratorial relationship between her and her father, who is a famous and gregarious man, trying to keep his wife's problems a family secret. This was a time when the insane were committed and locked up in Dickensian institutions; whatever his problems her father was desperate to save his wife from that fate. But also to protect his children from the effects of living with a tragically disturbed mother.In My Mother's Hands is a beautifully written and emotionally perplexing coming-of-age true story about growing up in an unusual family.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    The magnificent ship is already boiling over with a mutinous plot that is just about to break into the open when, just off the coast of Western Australia, it strikes an unseen reef in the middle of the night. While Commandeur Francisco Pelsaert decides to take the long-boat across 2000 miles of open sea for help, his second-in-command Jeronimus Cornelisz takes over, quickly deciding that 250 people on a small island is unwieldy for the small number of supplies they have. Quietly, he puts forward a plan to 40 odd mutineers how they could save themselves, kill most of the rest and spare only a half-dozen or so women, including his personal fancy, Lucretia Jansz - one of the noted beauties of Holland - to service their sexual needs. A reign of terror begins, countered only by a previously anonymous soldier Wiebbe Hayes, who begins to gather to him those are prepared to do what it takes to survive . . . hoping against hope that the Commandeur will soon be coming back to them with the rescue yacht.It all happened, long ago, and it is for a very good reason that Peter FitzSimons has long maintained that this is "far and away the greatest story in Australia's history, if not the world's." FitzSimons unique writing style has made him the country's best-selling non-fiction writer over the last ten years, and he is perfect man to make this bloody, chilling, stunning tale come alive.

    Now on her own and with bills to pay, she works at the Butterball Turkey Emergency Squad, fielding phone calls from folks in desperate need of turkey-prep advice. As she faces another Thanksgiving, estranged from her family and pining after her married best friend, she receives a series of calls that force her to confront the reality of her deepening loneliness.With turns both humorous and heartbreaking, Butterball explores one woman’s hopeful attempts to connect during the holidays.