4 strong heroines. This is FOUR works of fiction from some of today's most exciting authors. A star-studded anthology of thrilling, action-packed and totally swoon-worthy first stories by your favorite women authors. BOOK 1 – CRUSH by Chrissy Peebles The Crush Saga Book Trailer: http://youtu.be/4eMF8KXEUc4 His precious touch could prove deadly… When Taylor Sparks moves from New York City to Big Bear Lake, California, her life is forever changed when she meets a hot guy with winter-blue eyes named Jesse. Their attraction is instant, the chemistry undeniable. But sadly, things aren't adding up. Taylor wonders what her 'crush' is hiding. When her new friend, Fred tells her his suspicions about Jesse being a paranormal creature, Taylor laughs. But when Fred turns up dead, she believes every warning he ever told her. Taylor is shocked to learn that Big Bear Lake isn't just glittering lakes, towering pines, and breathtaking mountains...there's more...way more than meets the eye. Will Taylor dive into a paranormal world she knows nothing about? To be with the one her heart can’t live without? BOOK 2 - SEVENTH MARK by W. J. May Like most teenagers, Rouge is trying to figure out who she is and what she wants to be. With little knowledge about her past, she has questions but has never tried to find the answers. Everything changes when she befriends a strangely intoxicating family. Siblings Grace and Michael, appear to have secrets which seem connected to Rouge. Her hunch is confirmed when a horrible incident occurs at an outdoor party. Rouge may be the only one who can find the answer. An ancient journal, a Sioghra necklace and a special mark force life-altering decisions for a girl who grew up unprepared to fight for her life or others. All secrets have a cost and Rouge’s determination to find the truth can only lead to trouble…or something even more sinister. BOOK 3 – KEEPER by Tiffany Evans As a Drea, Taylee Pierce, is a walking energy bong—or that’s how the gift stealing Rygons see her. Her ability to control minds in their hands could mean the destruction of the Kember and Drea race. Laced with speed, strength, and a physical ability, each Kember holds the key to not only defeat the Rygons, but to protect one Drea until death. But what happens when one who’s born to protect, hunts instead? During a heated battle with a rogue Kember, Taylee’s forced to run and let her own Kember—the man who raised her—face him alone. With the announcement of her protector’s death, Taylee’s anger and obsession regarding the mysterious murderer take over. She’s hell-bent on bringing her guardian justice, even if it means walking into the enemy’s trap. BOOK 4 – The COVETED Saga by C.M. Owens Her blood paints her a target, whereas his marks him the enemy, but together they could be the key to changing it all… Aria Weislen fought hard to stay in her rainforest home deep in the heart of South America, but she was forced to go back to the states to join the rest of her family. Grayford, Massachusetts is almost the polar opposite of her sweet jungle escape, but it does have one thing her old home never offered… Tallis Verdan. The sight of him leaves her unbalanced and almost incoherent. Stolen glances and accidental grazes leave her with a fever almost every time.

    On entering the Society of Jesus at the age of 24, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written in the following twenty years of his life and published posthumously in 1918.His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, and individual, his writing is the 'terrible crystal' through which the soul--the inscape, the nature of things--may be illuminated.

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance

    Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood.McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    An unusually rich selection from Byron's letters and journals accompanies the poems. The critical essays offer an integrated view of Byron's achievement as well as analyses of its different facets. Published for the first time is Bergen Evans's general essay Lord Byron's Pilgrimage; other essays are by John D. Jump, Michael G. Cooke, Francis Berry, Robert F. Gleckner, James R. Thompson, Frank D. McConnell, Leslie A. Marchand, and E. D. Hirsch, Jr. A special section, Images of Byron, presents 26 views of Byron as artist and as the epitome of the Romantic hero, ranging from the perspectives of his contemporaries to those of such modern writers as James Joyce, Virginia Woolf, T. S. Eliot, and Albert Camus. A Chronology sets forth the main events of Byron's life, and a Selected Bibliography lists sources for further study.

    Conrad's deeply moral consciousness and masterful narrative technique are at their best in this, one of his finest works.

    Many Japanese know the poems by heart as a result of playing the popular card game version of the anthology. Collecting one poem each from one hundred poets living from the 7th century to the 13th century, the book covers a wide array of themes and personal styles.

    John Sutherland is perfectly suited to the task. He has researched, taught, and written on virtually every area of literature, and his infectious passion for books and reading has defined his own life. Now he guides young readers and the grown-ups in their lives on an entertaining journey 'through the wardrobe' to a greater awareness of how literature from across the world can transport us and help us to make sense of what it means to be human. Sutherland introduces great classics in his own irresistible way, enlivening his offerings with humor as well as learning: Beowulf, Shakespeare, Don Quixote, the Romantics, Dickens, Moby Dick, The Waste Land, Woolf, 1984, and dozens of others. He adds to these a less-expected, personal selection of authors and works, including literature usually considered well below 'serious attention' - from the rude jests of Anglo-Saxon runes to The Da Vinci Code. With masterful digressions into various themes - censorship, narrative tricks, self-publishing, taste, creativity, and madness - Sutherland demonstrates the full depth and intrigue of reading. For younger readers, he offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.

    It’s 1926 and the Depression is claiming its victims every day. Hannah and her mother Miriam, who have lived with Hannah’s uncle and aunt since her father died, have never really been close. As Hannah develops into a beautiful girl, so Miriam’s jealousy and resentment of her grows. At least Hannah can escape to spend time at her friend Naomi’s, whose kind mother gives Hannah the affection she so lacks at home. And Hannah is not indifferent to Naomi’s handsome, charming brother Joe. But when she is forced to flee her house and the unwanted attention of her uncle, it is the grave, taciturn Jake, Naomi’s other brother, who shines through as Hannah’s protector...

    Trademark wit and subtle vulnerability converge in each poem; this book is both a celebration of and aspiration for a life well lived.This book is a compilation of small observations and musings. It's filled with moments of reflection and a love letter to simple joys: passing a simple blade of grass on the sidewalk, the freedom of peeing outdoors late at night, or the way a hand-built ceramic mug feels when it's full of warm tea on a chilly morning. It's a catalog and a compendium that examines the complicated experience of being all too human and interacting with a complex, confounding, breathtaking world … and a reminder to stop and be awake and alive in yourself.

    This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    He took my intelligence without paying for it. And thought he could get away with it. Think again. Now I’ll take something from him—something irreplaceable. His sister. Collateral. But even when Joseph doubles the amount of money he owes me, I don’t give her up. Nope. I have an image to maintain. So I keep her. And I’m not giving her up. The Scotch Queen I wasn't sure what changed my mind about giving London to Bones, but something did. Now London is officially mine. She's sassy, feisty, and she still tells me off when I have her under my thumb. I love it. Now I have a deal with the Barsetti brothers, Josephine is still pining for me, and revenge is heavy on my mind. I'm not sure what to do with London now that I'm not gonna kill her. But I'm certainly not going to fall in love with her. The Scotch Royals London is a lot more useful than I anticipated. She gets me what I need like a pro. With her by my side, I feel like I can do anything. My need for revenge is dimmed. My anger is contained. But her brother is still a problem. She wants me to let him go. I'm not sure if I can.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    She poses the eternal question: Can you heal once you’ve been marked by a monster, or will the sun always sting?