1408 starred John Cusack and Samuel L. Jackson and was a huge box office success in 2007. The short story "Children of the Corn" was adapted into the popular Children of the Corn. The Mangler was inspired by King's loathing for laundry machines from his own experience working in a laundromat. Hearts in Atlantis (based on "Low Men in Yellow Coats," the first part of the novel Hearts in Atlantis) starred Anthony Hopkins. This collection features new commentary and introductions to all of these stories in a treasure-trove of movie trivia.

    Angela Carter is revealed here, anew, as one of the most important thinkers of twentieth-century world literature--and one of its most pungent voices."--Rick MoodyOne of contemporary literature's most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays and criticism, much of it collected for the first time. Carter's acute observations are spiked with her piercing matter-of-factness, her devastating wit, her penchant for mockery, and her passion for the absurd. Whether discussing films or food, feminism or fantasy, science fiction or sex, Carter consistently explores new territories and overturns old ideas. No cultural icon escapes her scrutiny; as in her fiction, Carter offers glorious evidence of the transforming power of the imagination. From delightfully wicked commentaries on Gone with the Wind, a Japanese fertility festival, and fellow writers, including Lawrence, Lovecraft, Borges, and Burroughs, to enchanting personal essays, Carter shares her thoughts and herself with glee."What a wonderful collection--sharp, funny, too decent for sarcasm but great wit and humanity, an unusual combination. But it makes us miss her, miss laughing with her, that real, intelligent, tough writing woman."--Grace Paley

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize-winning author of Lie Down in Darkness and Sophie's Choice.In this edition, which has been updated with the inclusion of six previously uncollected essays, Styron covers a wide range of concerns; yet whether he is recounting his search for the historic Nat Turner, peering into the abyss of Auschwitz, navigating the battlefields of Vietnam and Chicago in 1968, or offering fresh assessments of Thomas Wolfe, F. Scott Fitzgerald, William Faulkner, James Jones, and Robert Penn Warren, Styron is always a consummate literary stylist. One who is as engaging as he is engaged.

    The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    G. Wodehouse is recognized as the greatest English comic writers of the twentieth century, rightly admired throughout the world and translated into more than thirty languages. Launched on the twenty-fifth anniversary of his death, this series presents each Overlook Wodehouse as the finest edition of the master’s work ever published—beautifully designed and faithful to the original. This season, Overlook is pleased to offer the latest two hilarious volumes. Louder and Funnier is a collection of articles written for Vanity Fair, with subjects ranging from Shakespeare and divorce to income tax and ocean liners. The Prince and Betty is an engrossing, hilarious story of an unscrupulous millionaire and his plans to build a casino in the Mediterranean. Revised by Wodehouse after the initial publication, it features the master’s signature reflections on the rich in one of his classic novels.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    As the St. Petersburg Times review pointed out, the central theme of these ten stories “is the ageless collision of man with woman, woman with man--with the frequent introduction of that other familiar couple, drinking and violence. Most often ugly, love is nevertheless graceful, however desperate the situation.”There’s some glare from the brutally bright light Larry Brown shines on his subjects. This is the work of a writer unafraid to gaze directly at characters challenged by crisis and pathology. But for readers who are willing to look, unblinkingly, along with the writer, there are unusual rewards.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Short Stories 2012 includesThe last speaker of the language / Carol Anshaw --Pilgrim life / Taylor Antrim --What we talk about when we talk about Anne Frank / Nathan Englander --The other place / Mary Gaitskill --North Country / Roxane Gay --Paramour / Jennifer Haigh --Navigators / Mike Meginnis --Miracle polish / Steven Millhauser --Axis / Alice Munro --Volcano / Lawrence Osborne --Diem Perdidi / Julie Otsuka --Honeydew / Edith Pearlman --Occupational hazard / Angela Pneuman --Beautiful monsters / Eric Puchner --Tenth of December / George Saunders --The sex lives of African girls / Taiye Selasi --Alive / Sharon Solwitz --M&M world / Kate Walbert --Anything helps / Jess Walter --What's important is feeling / Adam Wilson

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    A squeaky collar round the neck of a man is a comment, not upon the collar, but upon the man. That man is unlucky. Things are against him. Nature may have done all for him that she could, have given him a handsome outside and a noble inside, but the world of inanimate objects is against him.

    Her compelling and demanding collection The Death of Adam—in which she reflected on her Presbyterian upbringing, investigated the roots of Midwestern abolitionism, and mounted a memorable defense of Calvinism—is respected as a classic of the genre, praised by Doris Lessing as “a useful antidote to the increasingly crude and slogan-loving culture we inhabit.” In this new collection she returns to the themes which have preoccupied her work: the role of faith in modern life, the inadequacy of fact, the contradictions inherent in human nature. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as a modern rhetorical master.

    Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years, and reflect his primary literary influences. Readers will also find in these works the source of Kerouac's spontaneous prose style. Uncovering a fascinating missing link in Kerouac's development as a writer, Atop an Underwood is essential reading for Kerouac fans, scholars, and critics.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.