This is the story of a boy who breaks all the rules, and finds his own personal heaven along the way.

    With clever, simple text by Jennifer Adams, paired with stylish design and illustrations by Sugar's Alison Oliver, these books are a must for every savvy parent's nursery library.

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

    As a child, she daydreamed about beats and lyrics, and hummed along with the music from her family's Majestic radio. At age seven, Melba fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba's extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few. Brimming with ebullience and the joy of making music, Little Melba and Her Big Trombone is a fitting tribute to a trailblazing musician and a great unsung hero of jazz.

    Sometimes, we need those two things the most" (Brightly.com, citing "Books That Teach Kids What It Means to Be a Kind Person").In this breathtaking jacketed picture book, Neil Gaiman's lyrical poem guides a novice traveler through the enchanted woods of a fairy tale—through lush gardens, a formidable castle, and over a perilous river—to find the way home again.Illustrated in full color by Charles Vess, Instructions features lush images of mythical creatures, magical landscapes, and canny princesses. Its message of the value of courage, wit, and wisdom makes it a perfect gift.

    With hard work and a few tricks she learned in Young Women's class, she just might make it—but will the prince choose the right?

    Hundreds of Maasai surround an American diplomat to bestow a gift on the American people. The gift is as unsought and unexpected as it is extraordinary. A mere nine months have passed since the September 11 attacks, and hearts are raw. Tears flow freely as these legendary warriors offer their gift to a grieving people half a world away. Word of the gift will travel news wires around the globe. Many will be profoundly touched, but for Americans, this selfless gesture will have deeper meaning still. For a heartsick nation, the gift of fourteen cows emerges from the choking dust and darkness as a soft light of hope and friendship. Master storyteller Carmen Agra Deedy hits all the right notes in this story of generosity that crosses boundaries, nations, and cultures. An afterword by Wilson Kimeli Naiyomah, the Maasai warrior at the center of the story, provides additional information about his tribe and their generosity. Thomas Gonzalez's stunning paintings are saturated with rich hues of oranges and browns and blues and greens, which capture the nobility of the Maasai people and the distinctive landscape of the African plain.

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    Born into slavery, young Booker T. Washington could only dream of learning to read and write. After emancipation, Booker began a five-hundred-mile journey, mostly on foot, to Hampton Institute, taking his first of many steps towards a college degree. When he arrived, he had just fifty cents in his pocket and a dream about to come true. The young slave who once waited outside of the schoolhouse would one day become a legendary educator of freedmen. Award-winning artist Bryan Collier captures the hardship and the spirit of one of the most inspiring figures in American history, bringing to life Booker T. Washington's journey to learn, to read, and to realize a dream.

    The poem first appeared in 1872 in Lewis Carroll’s classic THROUGH THE LOOKING-GLASS AND WHAT ALICE FOUND THERE, and since then, its mysterious and lyrical lines have delighted readers of all ages. With great wit and imagination, illustrator Joel Stewart offers a singular vision of the world of "Jabberwocky" and all its memorable creatures.

    Sister's hands snap. Granny sings scat. Uncle soft-shoes--and Baby keeps the groove. Things start to wind down when Mama and Daddy sing blues so sweet. Now a perfectly drowsy baby sleeps deep, deep, deep. Lisa Wheeler and R. Gregory Christie pair up for a celebration of music, imagination, and big families--but they know that even a jazz baby needs to snooze. Oh yeah.

    and Abraham Joshua Heschel. Their names stand for the quest for justice and equality.Martin grew up in a loving family in the American South, at a time when this country was plagued by racial discrimination. He aimed to put a stop to it. He became a minister like his daddy, and he preached and marched for his cause.Abraham grew up in a loving family many years earlier, in a Europe that did not welcome Jews. He found a new home in America, where he became a respected rabbi like his father, carrying a message of peace and acceptance.Here is the story of two icons for social justice, how they formed a remarkable friendship and turned their personal experiences of discrimination into a message of love and equality for all.

    These pages come alive with the details of the trip and the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean.

    . . .But to Daveit was clay,the plain and basic stuffupon which he formed a lifeas a slave nearly 200 years ago.Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award Finalist Laban Carrick Hill and award-winning artist Bryan Collier tell Dave's remarkable story, one rich in history, hope, and long-lasting beauty.

    Upset, he asks his mother why; she deflects, assuring him that he is safe. Later, they visit an aunt and uncle, where the TV, always on, shows a rally in response to the police shooting. The child glimpses a moving press conference with the victim’s family while his aunt claims she simply “can’t watch the news.”The book’s narrator accompanies the child as he faces history and himself. The activities section urges kids to grow justice (“like a bean sprout in a milk carton”) inside of themselves, seek out and listen to the truth about racism and white supremacy, and prepare to be changed, heartbroken, and liberated by this experience.Part history lesson, part compassionate primer to assist children (and parents) past defensiveness, Not My Idea is a tangible tool for necessary conversations.