Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

    Jones was employed, confident, talented, smart, assertive and involved in many community activities in Indianapolis, Indiana. In contrast, when he was last seen, Brandon Sims, an only child, was a serious, quiet, thin boy who rarely maintained eye contact with his mother. After that night, he was never seen again. His body has never been found. For years Jones lied to her friends about Brandon, telling some that he was living with his father and others that he was staying with his grandmother in another state. When Brandon's father, who had been in jail, came looking for Brandon, Michelle's shocked friends confronted her. She confessed that Brandon was dead. She repeated her story of how Brandon died to a detective, after she admitted herself to the local psych unit. Days later she checked out of the unit and refused to reveal where he had hidden Brandon's body. She was sure she had gotten away with murder. And she would have except the detective didn't believe her story. He enlisted the help of a novice prosecutor because no experienced prosecutor would take the case. In Indiana, no one had ever been convicted of murder without a body. That prosecutor has written a book that reads like a mystery novel instead of the real murder prosecution. Truth is stranger than fiction where Santeria curses, the law and politics are only a few of obstacles to justice.

    Will Isadora follow her dreams, or save her family…?1798, EnglandIsadora Alvescot has always dreamed of becoming a famous actress on the stage.But when her beloved papa suddenly dies, her family’s future is thrown into turmoil.With no immediate male heir, the family estate has been bequeathed to a distant relative – a viscount named Lord Roborough.And now Isadora is being pressured to consider matrimony.When Lord Roborough arrives, Isadora is desperate to do all she can to find out his intentions and determine whether he is a friend or a foe…Will he allow her family to remain living on the estate? Will Isadora still be free to pursue her dreams of acting?Or will she be forced to bend her will to another and become a wife?

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Book annotation not available for this title.

    Those who took them in to work as farm laborers or household servants were told they were orphans–but was that the truth?After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans’ home before Laura is notified about her family’s unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: “Fear thou not; for I am with thee: be not dismayed; for I am thy God”.

    Amanda follows the rules—at the school where she works; in her community; and as a picture-perfect daughter, wife, and mother-to-be. Erin follows her heart—in love and otherwise—living a bohemian lifestyle on a shoestring budget and honoring her late father’s memory with a passion for music and her fledgling bath-products business.The sisters are content leading separate but happy lives in their hometown of Potomac Point until everything is upended by lies that force them to confront unsettling truths about their family, themselves, and each other. For sisters as different as these two, building trust doesn’t come easily—especially with one secret still between them—but it may be the only way to save their family.

    The secret behind his novels is the stuff of nightmares.With his agent, an associate, and a particularly unique typewriter by his side, Walt’s creative process is much more sinister and merciless than the average writer’s. The lengths to which one man will go to achieve fame and notoriety give a chilling glimpse into what humans are capable of, regardless of the moral consequences.The Wordsmith is a thrilling and darkly innovative story of suspense, one that will force you to wonder if we can ever truly know the whole story behind the people we love. Is it possible to unearth the darkest details of ourselves and still come out alive? As Walt’s hunger for fame continues to grow, and his girlfriend begins to suspect the unsettling truth behind his words, the tenuous threads holding Walt’s life together begin to fray. From the astoundingly imaginative mind of Alan Ayer, The Wordsmith is a gripping narrative that dares to peer into the shadows of the darkest aspects of humanity. Our story—our fate in life—is often written against our will.

    Bedazzled by tales of gold and movie stardom, she tricks them into buying tickets for America. Yet no sooner do they land on the squalid Lower East Side of Manhattan, than Malka is crippled and abandoned in the street.Taken in by a tough-loving Italian ices peddler, she manages to survive through cunning and inventiveness. As she learns the secrets of his trade, she begins to shape her own destiny. She falls in love with a gorgeous, illiterate radical named Albert, and they set off across America in an ice cream truck. Slowly, she transforms herself into Lillian Dunkle, "The Ice Cream Queen" -- doyenne of an empire of ice cream franchises and a celebrated television personality.Lillian's rise to fame and fortune spans seventy years and is inextricably linked to the course of American history itself, from Prohibition to the disco days of Studio 54. Yet Lillian Dunkle is nothing like the whimsical motherly persona she crafts for herself in the media. Conniving, profane, and irreverent, she is a supremely complex woman who prefers a good stiff drink to an ice cream cone. And when her past begins to catch up with her, everything she has spent her life building is at stake.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

     Two men stand out in a crowd overlooking the Ohio River. A plane is being taken from the water where it crashed decades before. Both men helped put it there. Jim Christensen’s daughter, Melissa, has been troubled of late. She has dreams that feel like memories, unsettling images percolate to the surface. She remembers a terrifying past, possibly her own, from a time before she was adopted by her father. Christensen’s work as an expert in memory makes him the ideal person to help unlock his daughter’s fragile grasp on her own history. But will he want to learn the truth of where Melissa came from? Who she was before? Who might still be looking for her? This dizzying novel of suspense takes the reader back into a dirty war and its human costs, into the fevered mind of one of its survivors, and through the crosshairs of a man desperate to keep his own history vanished.

    Here you’ll find an exploration of pain, heartbreak and wonder at what the world might bring us next.

    It is the third of three plays written over twelve years (1957-1969) meant to symbolize the different stages of life, usually shown together. The first, representing birth, is "The Suitcase". The second, "The Cliff of Time," represents life itself, or "The Process," and the third, "The Man who Turned into a Stick," is death.This play has been considered as a main example of the current of Magic Realism in Japanese Literature. Other Japanese authors with considerable literary contributions to this genre are: Yasunari Kawabata, Oe Kenzaburo and Yasushi Inoue.

    After vindicating eyewitness accounts morph into contradictory memories, suspicion, and unaccountable accusations, Benedict is arrested. Esme’s life, too, is changed forever.As the neighborhood largely turns against her and her family, Esme has time to think about her past and what to do next. Then her fellow residents start looking deeper, questioning one another, and themselves, about hidden lies and betrayals.Esme has more than her share of secrets. And the consequences of what happened on that fateful late-summer evening on Raven Lane are far from over. When the mask of civility slips, can friends and neighbors recover from seeing the monstrous truths beneath?

    She's given the opportunity to train new employees and forms a friendship with two of them. All seems to be going well, especially when one of the supervisors shows interest in her. Lieutenant Joseph Brady is an injured army officer who, no longer able to lead troops into battle, has been assigned to a supervisory position at the Washington Arsenal. While Clara has caught his eye, he also makes it his mission to fight for increased measures to prevent explosions in the factory.But when suspicions rise after multiple shipments of Washington Arsenal cartridges fail to fire and everyone is suspect for sabotage, can the spark of love between Joseph and Clara survive?