In the course of little more than a hundred years from the day Commodore Matthew Perry arrived in his black ships, this insular, preindustrial realm mutated into an expansive military dictatorship that essentially supplanted the British, French, Dutch, and American empires in Asia before plunging to utter ruin, eventually emerging under American tutelage as a pseudo-Western-style democracy and economic dynamo.What explains the seismic changes that thrust this small island nation so violently onto the world stage? In part, Ian Buruma argues, the story is one of a newly united nation that felt it must play catch-up to the established Western powers, just as Germany and Italy did, a process that involved, in addition to outward colonial expansion, internal cultural consolidation and the manufacturing of a shared heritage. But Japan has always been both particularly open to the importation of good ideas and particularly prickly about keeping their influence quarantined, a bipolar disorder that would have dramatic consequences and that continues to this day. If one book is to be read in order to understand why the Japanese seem so impossibly strange to many Americans, Inventing Japan is surely it.From the Hardcover edition.

    After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters, in Korean, over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box.As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the horrors her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? Eun Ji Koh fearlessly grapples with forgiveness, reconciliation, legacy, and intergenerational trauma, arriving at insights that are essential reading for anyone who has ever had to balance love, longing, heartbreak, and joy.The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.

    . . . A detective yarn and a picaresque tale.” (Richard Bernstein, The New York Times)   Shortly before noon on October 28, 1728, General Yue Zhongqi, the most powerful military and civilian official in northwest China, was en route to his headquarters. Suddenly, out of the crowd, a stranger ran toward Yue and passed him an envelope—an envelope containing details of a treasonous plot to overthrow the Manchu government.  This thrilling story of a conspiracy against the Qing dynasty in 1728 is a captivating tale of intrigue and a fascinating exploration of what it means to rule and be ruled. Once again, Jonathan Spence has created a vivid portrait of the rich culture that surrounds a most dramatic moment in Chinese history.

    Drawing on Korean legend and myth, as well as an Asian woman?s unique perspective on the United States, Lee weaves her compelling personal narrative with a collective and accessible history of modern Korea, from Japanese colonialism to war-era comfort women, from the genocide of the Korean War to the government persecution and silence of Cold War-era pogroms. The ritual of storytelling, which she shares with the women of her family, serves as a window into a five-generation family saga, and it is through storytelling that Lee comes to appreciate the sacrifices of her ancestors and her own now American place in her family and society.In To Kill A Tiger Lee provides a revelatory look at war and modernization in her native country, a story of personal growth, and a tribute to the culture that formed her.

    Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people—nearly a quarter of the population—were killed in what was one of this century's worst crimes against humanity.When the War Was Over is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, When the War Was Over illuminates the darkness of Cambodia with the intensity of a bolt of lightning.

    Autumn in the Heavenly Kingdom brims with unforgettable characters and vivid re-creations of massive and often gruesome battles—a sweeping yet intimate portrait of the conflict that shaped the fate of modern China.   The story begins in the early 1850s, the waning years of the Qing dynasty, when word spread of a major revolution brewing in the provinces, led by a failed civil servant who claimed to be the son of God and brother of Jesus. The Taiping rebels drew their power from the poor and the disenfranchised, unleashing the ethnic rage of millions of Chinese against their Manchu rulers. This homegrown movement seemed all but unstoppable until Britain and the United States stepped in and threw their support behind the Manchus: after years of massive carnage, all opposition to Qing rule was effectively snuffed out for generations. Stephen R. Platt recounts these events in spellbinding detail, building his story on two fascinating characters with opposing visions for China’s future: the conservative Confucian scholar Zeng Guofan, an accidental general who emerged as the most influential military strategist in China’s modern history; and Hong Rengan, a brilliant Taiping leader whose grand vision of building a modern, industrial, and pro-Western Chinese state ended in tragic failure.   This is an essential and enthralling history of the rise and fall of the movement that, a century and a half ago, might have launched China on an entirely different path into the modern world.

    As a child, she was asked to publicly humiliate a teacher; at seventeen, she was sent to work at a labor collective. Forbidden to speak, dress, read, write, or love as she pleased, she found a lifeline in a secret love affair with another woman. Miraculously selected for the film version of one of Madame Mao’s political operas, Min’s life changed overnight. Then Chairman Mao suddenly died, taking with him an entire world. A revelatory and disturbing portrait of China, Anchee Min’s memoir is exceptional for its candor, its poignancy, its courage, and for its prose.

    Drawing on material little known to Western readers, and barely explored in depth in Japan itself, Hotta poses an essential question: Why did these men--military men, civilian politicians, diplomats, the emperor--put their country and its citizens so unnecessarily in harm's way? Introducing us to the doubters, schemers, and would-be patriots who led their nation into this conflagration, Hotta brilliantly shows us a Japan rarely glimpsed--eager to avoid war but fraught with tensions with the West, blinded by reckless militarism couched in traditional notions of pride and honor, tempted by the gambler's dream of scoring the biggest win against impossible odds and nearly escaping disaster before it finally proved inevitable. In an intimate account of the increasingly heated debates and doomed diplomatic overtures preceding Pearl Harbor, Hotta reveals just how divided Japan's leaders were, right up to (and, in fact, beyond) their eleventh-hour decision to attack. We see a ruling cadre rich in regional ambition and hubris: many of the same leaders seeking to avoid war with the United States continued to adamantly advocate Asian expansionism, hoping to advance, or at least maintain, the occupation of China that began in 1931, unable to end the second Sino-Japanese War and unwilling to acknowledge Washington's hardening disapproval of their continental incursions. Even as Japanese diplomats continued to negotiate with the Roosevelt administration, Matsuoka Yosuke, the egomaniacal foreign minister who relished paying court to both Stalin and Hitler, and his facile supporters cemented Japan's place in the fascist alliance with Germany and Italy--unaware (or unconcerned) that in so doing they destroyed the nation's bona fides with the West.We see a dysfunctional political system in which military leaders reported to both the civilian government and the emperor, creating a structure that facilitated intrigues and stoked a jingoistic rivalry between Japan's army and navy. Roles are recast and blame reexamined as Hotta analyzes the actions and motivations of the hawks and skeptics among Japan's elite. Emperor Hirohito and General Hideki Tojo are newly appraised as we discover how the two men fumbled for a way to avoid war before finally acceding to it. Hotta peels back seventy years of historical mythologizing--both Japanese and Western--to expose all-too-human Japanese leaders torn by doubt in the months preceding the attack, more concerned with saving face than saving lives, finally drawn into war as much by incompetence and lack of political will as by bellicosity. An essential book for any student of the Second World War, this compelling reassessment will forever change the way we remember those days of infamy.

    What they found was Kim Hyun Hee, an idealistic young woman who had been transformed by her country into an obedient killing machine. The Tears of My Soul is her poignant, shocking, and utterly compelling story. Kim Hyun Hee grew up in a country obsessed by the loss of South Korea, an Orwellian world where right and wrong, good and evil, slavery and freedom meant nothing but what the North Korean Communist Party said they did. At sixteen, she was singled out by the Party for her intelligence and beauty and given special training in languages. At nineteen she was honored to be chosen for the North Korean Army's secret and elite espionage school. There she was trained to kill with everything from her hands and feet to grenades and assault rifles, enduring years of grueling physical and psychological conditioning designed to make her an effective and utterly obedient tool of the Party's spy masters. And in 1987, at age twenty-five, she was sent on the mission that would, she was told, reunify her divided country forever. Kim and her control agent, a man she considered her spiritual father, were captured only hours after the explosion. They were provided with suicide capsules, but hers failed and, for the first time in her life, Kim was outside the control of her masters. After more than a year of soul-wrenching questioning and deprogramming by the South Korean police, Kim realized the full enormity of her crimes, made a full confession, and waited for execution. But in a remarkable decision that sparked national outrage, the South Korean president gave her a full pardon, declaring that she was as much a victim of North Korea as the passengers. Kim Hyun Hee has devoted the rest of her life to atoning for the 115 lives lost on flight 858.

    

    This fascination has spawned a wealth of extraordinary fictional creations, from Puccini's Madame Butterfly to Arthur Golden's Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy. Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it. In Women of the Pleasure Quarters, she weaves together intimate portraits of modern geisha with the romantic legends and colorful historical tales that shape their fascinating past. Contrary to popular opinion, geisha are not prostitutes but, literally, "arts people." Accomplished singers, dancers, and musicians, they are, above all, masters of the art of conversation, soothing the worries and stroking the egos of wealthy businessmen who can afford their attentions. Looking into such traditions as mizuage, the ritual deflowering that was once a rite of passage for all geisha, and providing colorful descriptions of their dress, training, and homes, Downer transforms their reality into a captivating narrative, and reveals an enthralling world unlike any other.

    But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future?In "The River of Lost Footsteps," Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world."The River of Lost Footsteps" is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling. Thant Myint-U, educated at Harvard and Cambridge, has served on three United Nations peacekeeping operations, in Cambodia and in the former Yugoslavia, and was more recently the head of policy planning in the UN's Department of Political Affairs. He lives in New York City.

    Told from the Japanese perspective, The Rising Sun is, in the author’s words, “a factual saga of people caught up in the flood of the most overwhelming war of mankind, told as it happened—muddled, ennobling, disgraceful, frustrating, full of paradox.”In weaving together the historical facts and human drama leading up to and culminating in the war in the Pacific, Toland crafts a riveting and unbiased narrative history. In his Foreword, Toland says that if we are to draw any conclusion from The Rising Sun, it is “that there are no simple lessons in history, that it is human nature that repeats itself, not history.”

    He takes students from the days of the shogunate--the feudal overlordship of the Tokugawa family--through the modernizing revolution launched by midlevel samurai in the late nineteenth century; the adoption of Western hairstyles, clothing, and military organization; and the nation's first experiments with mass democracy after World War I. Gordon offers the finest synthesis to date of Japan's passage through militarism, World War II, the American occupation, and the subsequent economic rollercoaster. But the true ingenuity and value of Gordon's approach lies in his close attention to the non-elite layers of society. Here students will see the influence of outside ideas, products, and culture on home life, labor unions, political parties, gender relations, and popular entertainment. The book examines Japan's struggles to define the meaning of its modernization, from villages and urban neighborhoods, to factory floors and middle managers' offices, to the imperial court. Most importantly, it illuminates the interconnectedness of Japanese developments with world history, demonstrating how Japan's historical passage represents a variation of a process experienced by many nations and showing how the Japanese narrative forms one part of the interwoven fabric of modern history. With a sustained focus on setting modern Japan in a comparative and global context, The Modern History of Japan is ideal for undergraduate courses in modern Japanese history, Japanese politics, Japanese society, or Japanese culture.

     The Souls of China tells the story of one of the world's great spiritual revivals. Following a century of violent anti-religious campaigns, China is now filled with new temples, churches, and mosques--as well as cults, sects, and politicians trying to harness religion for their own ends. Driving this explosion of faith is uncertainty--over what it means to be Chinese and how to live an ethical life in a country that discarded traditional morality a century ago and is searching for new guideposts.Ian Johnson first visited China in 1984; in the 1990s he helped run a charity to rebuild Daoist temples, and in 2001 he won a Pulitzer Prize for his coverage of the suppression of the Falun Gong spiritual movement. While researching this book, he lived for extended periods with underground church members, rural Daoists, and Buddhist pilgrims. Along the way, he learned esoteric meditation techniques, visited a nonagenarian Confucian sage, and befriended government propagandists as they fashioned a remarkable embrace of traditional values. He has distilled these experiences into a cycle of festivals, births, deaths, detentions, and struggle--a great awakening of faith that is shaping the soul of the world's newest superpower.