In Wheeler, eleven-year-old Lilah is quickly adopted, but seventeen-year-old Verity is not. Desperate to stay close to her sister, Verity indentures herself as a farmhand. But even charming farm boy Abel Atchley can’t completely distract her from the sense that something is not quite right in this little town. Strange local superstitions abound, especially about the eerie old well at the center of the forest. The woods are play tricks, unleashing heavy fog and bone-chilling cold…and sometimes visions of things that aren’t there. But for Verity, perhaps most unsettling of all is the revelation that her own parents have a scandalous history in this very town. And as she tries to unearth the past, sinister secrets come with it—secrets that someone will go to violent lengths to protect….

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Mystified experts, confounded by the impossible timeline they receive from traditional dating methods, call upon a stubborn twenty-something with a unique talent. Matthew Turner's gift is also his curse: whenever he touches an object, his consciousness is flooded with the thoughts and feelings of those who touched it before him, be it last week or centuries ago. It's a talent that many covet, some fear, and almost no one understands. Despite being exploited as a child and tormented by the unpleasant experiences imprinted on him from the various items he's "read," Matt agrees to travel from New York to the forests of Kenya. There, threatened by unknown enemies, and helped by a beautiful but prickly ally who begins to understand his strange ability, his mind journeys back in geological time to make a discovery so shocking that it forces us to rewrite all human history.

    Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real--and she could prove it.That belief got Becca killed.It's been nearly thirty years, but Heather has never told anyone what really happened that night--that Becca was right and the Red Lady was real. She's done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn't seen since the night Becca died.The night Heather killed her.Now, someone else knows what she did...and they're determined to make Heather pay.

    Elizabeth van den Broek is the only female reporter at the Herald, the city’s most popular newspaper. Then she and her bohemian friend Carlotta Ackerman find a woman’s body wrapped like a mummy in a freshly dug hole in Central Park—the intended site of an obelisk called Cleopatra’s Needle. The macabre discovery takes Elizabeth away from the society pages to follow an investigation into New York City’s darkest shadows.When more bodies turn up, each tied to Egyptian lore, Elizabeth is onto a headline-making scoop more sinister than she could have imagined. Her reporting has readers spellbound, and each new clue implicates New York’s richest and most powerful citizens. And a serial killer is watching every headline.Now a madman with an indecipherable motive is coming after Elizabeth and everyone she loves. She wants a good story? She may have to die to get it.

    Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    But the séance conducted in Ruth's elegant Georgetown home calls something back; something unwelcome ... and palpably evil. Suddenly Sara is speaking in a voice not her own, transformed into a miserable, whimpering creature so unlike her normal, sensible self. No tricks or talismans will dispel the malevolence that now plagues the inhabitants of this haunted place -- until a dark history of treachery, lust, and violence is exposed. But the cost might well be the sanity and the lives of the living.

    But Lillian has wishes and dreams far beyond her years.When her father is transferred to a new station, Lillian is anxious to meet the assistant keepers and their two sons, Heath and Ayden. She had never met children her own age, had playmates, or made a friend.Heath, the handsome teenage boy who desires to become a doctor someday, welcomes Lillian. However, his younger brother, Ayden, doesn't like her and she struggles to win him over. Before long, a secret bond between the three is forged and to Lillian's delight, they become close friends.After so many years, Lillian's childhood is beginning to resemble that of a normal girl. No longer is she lonely and isolated from the rest of the world by over-protective parents. Instead, she experiences new adventures, attends school, and falls in love for the first time.However, her glorious days on Jasper Island are short-lived as her beautiful young mother begins a tragic descent into insanity and passes away. Lillian is left in the care of her sinister grandmother Eugenia Arrington, who, since the end of the Civil War, continues to steadfastly hold onto the once glorious Georgia plantation known as Sutton Hall. It is there that the immoral secrets of Lillian's parents are revealed, and she is left to pick up the pieces of her scandalous past, and somehow, find her long way home.

    Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare.By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.

    Not this one.Brutalized as a young girl by a vile sexual predator, Skye Cree is a survivor. Guided by the visions of her mystical spirit guide to the whereabouts of abducted girls, she uses her unique abilities to turn her horrifying past into a positive force for justice. Fighting the demons that have haunted her for years, she trusts only in herself—until she falls hard for a man for the first time in her life. Now, discovering her abductor is back with a vengeance, she becomes locked in a deadly race against time to stop the horrors of an evil human-trafficking ring that threatens to tear her world, and her newfound love apart.

    Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. Through the counterpoint voices of two women—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.

    Having lost her family, her home, and her sense of purpose, Zoya struggles to belong, a task made more difficult by the malice her peers heap on scholarship students and her new country’s paranoia about Russian spies. When she meets the visiting writer and fellow Russian émigré Leo Orlov—whose books Zoya has privately obsessed over for years—her luck seems to have taken a turn for the better. But she soon discovers that Leo is not the solution to her loneliness: he’s committed to his art and bound by the sinister orchestrations of his brilliant wife, Vera. As the reader unravels the mystery of Zoya, Lev, and Vera’s fate, Zoya is faced with mounting pressure to figure out who she is and what kind of life she wants to build. Grappling with class distinctions, national allegiance, and ethical fidelity—not to mention the powerful magnetism of sex—Invitation to a Bonfire investigates how one’s identity is formed, irrevocably, through a series of momentary decisions, including how to survive, who to love, and whether to pay the complicated price of happiness.

    Equal parts modern-day thriller, historical fiction, and love story, with one foot in present-day Rome and New York City, and the other in Rome some 1600 years ago.Photojournalist Josh Ryder survives a terrorist's bomb, only to be haunted by near-hallucinatory memories of a past life in Rome as a pagan priest whose dangerous congress with Sabina, one of the Vestal Virgins, poses a transgression so serious the lovers will face a certain death if exposed. Scents of jasmine and sandalwood and images of furtive liaisons and violence descend on Josh at will, pulling him to an ancient yet strangely familiar Roman burial chamber harboring the remains of a woman clutching a wooden box.A trail of present-day murders takes the reader deeper into a labyrinth at whose heart lies the enigma of a collection of ancient gems, or memory stones, whose origins trace back to both ancient Egypt and India. The stones' promise to "assist the wearer in reaching his next incarnation" sets the ancient and modern worlds on a collision course.The question of who we are cannot be asked without first asking who we were, according to the author. Rose attempts to answer that question based on her own reincarnation research and on the writings of others, spanning thousands of years.

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?