The opening scene is a hiring hall where a union leader (obviously in the pay of the bosses) is trying to convince a committee of workers (who are waiting for their leader, Lefty, to arrive) not to strike. This is followed by a moving confrontation between a discouraged taxi driver, who cannot earn enough to live on, and his angry wife, who wants him to show some backbone and stand up to his employer; a revealing scene between a scheming boss and the young worker who refuses to spy on his fellow employees; a sad/funny episode centering on a young cabbie and his would-be bride, who lack the wherewithal to get married; a disturbing scene involving a senior doctor and the underpaid young intern (a labor activist) whom the doctor has been ordered to discharge; and, finally, a return to the union hall where the workers, learning that Lefty has been gunned down by the powers-that-be, resolve at last to stand up for their rights and to strike - and to stay off their jobs until their grievances are finally heard and acted upon by those who have so cynically exploited and misused them.

    As Sarah says, It is a silence full of sound.

    Now available in the Arcade definitive edition, the Lehrstucke (or learning plays) lie at the heart of Brechtian theater.

    He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."

    Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.

    Now, stranded between reckless youth and middle age, his travels to far-flung places have acquired a de facto purpose: to aid the contemporary artist's search for universal truth.Following Doyle from Buddhism to the brink of madness, Threshold immerses us in the club-drug communalism of the Berlin underworld, the graves of myth-chasing artists in Paris, and the shattering and world-rebuilding revelations brought on by the psychedelic DMT, the so-called “spirit molecule.”Exulting in the rootlessness of the wanderer, Doyle exists in a lineage of writer-characters-W. G. Sebald, Ben Lerner, Maggie Nelson, and Rachel Cusk-deftly and subversively exploring forms between theory and autobiography. Insightful and provocative, Threshold is a darkly funny, genuinely optimistic, compulsively readable celebration of perception and desire, of what is here and what is beyond our comprehension.

    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

    But after her marriage to Andrew fell apart, she ceded most of the raising of the baby to her mother-in-law, the very opinionated Edith Vale, a woman as formidable and steely as her stiff blond bouffant, the veritable helmet that helps her soldier through life. Now, after letting Henry drift away, Susan is determined to make things right, but just as mother and son seem to make headway after embarking on a cross-country road-trip, things take a darker turn. When the family reconvenes in California, everybody must fight to find humor and courage in the face of a situation that threatens to change them all forever.

    

    It is the second play Maeterlinck wrote.Intruder concerns man's conflict with preternatural forces, against which he is powerless. The same theme was prevalent in Maeterlinck's first written play, Princess Maleine.The first performance of Intruder occurred at Paul Fort's Theatre d'Art in Paris on May 20, 1891. The play was to appear at the end of a program benefiting Paul Verlaine and Paul Gauguin. If the program went on too long, then the play was to be removed.

    Alternating between their New York City apartment and a smoke-filled music club, Clifford narrates the story of his broken family and the decline of jazz as popular entertainment. Clifford recalls the key moments in his life, such as the day when he, fresh out of college, picked up his first unemployment check and was congratulated by Gene and his band mates. Gene's music career on the big band circuit ultimately crumbles with the advent of Elvis and rock-n-roll. Terry begs him to get a nine-to-five job to support the family, but Gene refuses to enter the "straight world" of regular paychecks, mortgages and security. For Gene, who knows jazz better than his own son, music is not just a job; it's his life. Their marriage slowly dissolves and young Clifford is witness to it all. As things worsen, Clifford assumes the role of parent and throws the hopeless Gene out of his mother's apartment. When an adult Clifford visits Gene in a rundown jazz club after years of separation, he requests that the old man play his mother's favorite song, the old standard "Why was I Born?" Clifford then asks, "Dad, why was I born?" It becomes Clifford's last, heart-breaking plea for his father's love.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.