But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line.As the twisted truth emerges, Ariel Lawhon’s wickedly entertaining debut mystery transports us into the smoky jazz clubs, the seedy backstage dressing rooms, and the shadowy streets beneath the Art Deco skyline.

    

    Then one cool October morning he rose early, drove into town, walked into the church, and calmly shot and killed his pastor and friend, the Reverend Dexter Bell. As if the murder weren't shocking enough, it was even more baffling that Pete's only statement about it--to the sheriff, to his lawyers, to the judge, to the jury, and to his family--was: "I have nothing to say." He was not afraid of death and was willing to take his motive to the grave. In a major novel unlike anything he has written before, John Grisham takes us on an incredible journey, from the Jim Crow South to the jungles of the Philippines during World War II; from an insane asylum filled with secrets to the Clanton courtroom where Pete's defense attorney tries desperately to save him. Reminiscent of the finest tradition of Southern Gothic storytelling, The Reckoning would not be complete without Grisham's signature layers of legal suspense, and he delivers on every page.

    The year is 1965, the setting a university town in Connecticut, and serial killers are still referred to as "multiple murderers." Profiling hasn't even begun, so Delmonico has to go it alone on a frantic learning curve that has the killer always two steps ahead of him." "The story begins when parts of the body of a young woman are found in a research center for neurology privately funded by one of the university's greatest benefactors." "It swiftly develops that the killer is very possibly a member of the research facility and that this is not his first murder. With great cunning and daring, he targets a "type" of young woman, following which the women are subjected to unspeakable torture and rape, and finally a horrible death." "The suspects are many and varied, and include a wealthy and ambitious young Indian eager to win a Nobel Prize; the professional head of the institute, who does something peculiar in his basement; an internationally renowned epilepsy clinician; a neurochemist with a taste for fine food, wine, and music; a Japanese with rarefied and strange tastes; and a business manager named Desdemona Dupre, a tough, well-educated woman, full of common sense, for whom Delmonico feels a growing, risky attraction." As the serial murders begin to mount - the killer is getting more and more bloodthirsty and bold - and the media and anguished parents begin to put pressure on the governor, Delmonico and the forceful, enigmatic Miss Dupre are drawn deeper and deeper into the secrets of the suspects and toward an old family scandal as shocking as it is bizarre. But is the scandal something quite separate, or does it lie at the roots of the present killings?

    On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio — a hard-luck cop, a cub reporter, and an eccentric professor — all raced to solve the crime.What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale — a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    But for Scotland Yard Inspector Ian Rutledge, recently returned from the battlefields of France, there is no peace. Suffering from shell shock, Rutledge plunges into his work to save his sanity. But his first assignment is a case certain to spell both personal and professional disaster.A Long Shadow—A story that immerses readers in the sights and sounds of post-war Great Britain, as the damaged policeman pursues answers to a constable’s slaying and the three-year-old mystery of a young girl’s disappearance in a tiny Northamptonshire village.A False Mirror—A love triangle turned deadly sends Scotland Yard Inspector Ian Rutledge to a small town simmering with secrets.A Pale Horse—A body found in the ruins of an ancient abbey sends Scotland Yard Inspector Ian Rutledge off to find a killer, in another superb atmospheric mystery by Charles Todd.

    She is tasked with a mundane missing persons' enquiry. But her first case back on the job is anything but simple. The missing person is the niece of her Assistant Chief Constable Jack Dawlish's - Susannah Reynolds.And when a body is discovered, Alex Brady finds herself embroiled in a murder investigation. When Edith, a gentle, old landlady, turns up at the police station wishing to offer her clairvoyant assistance, Alex isn’t convinced. And with the attractive yet mysterious DCI John Rutland as her new boss, she’s more than a little worried about how he’d react to Edith as a source of information.But when a second disappearance is successfully predicted, this has to be more than just a coincidence? Where is Edith getting her information from? Is she just using psychological tricks? Or is there more to it?Something doesn’t add up. But who is telling the truth?What exactly happened to Susannah that night?And how do these seemingly random women connect to one another? 'My Soul to Keep' is a gripping contemporary crime novel that will keep you guessing until the very end. It is the first in a series featuring Detective Sergeant Alex Brady and the team."A brilliant new detective series that will have crime readers hooked." - Tom Kasey, best-selling author of 'Trade Off'. Endeavour Press is the UK's leading independent publisher of digital books.

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    When Gibbons turns up dead on Navy Pier, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: Diane Lindsay, a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, Nicole Andrews, a forensic DNA expert; Nicole’s boyfriend, Vince Rodriguez, a detective with a special interest in rape cases; and Bennett Davis from the DA’s office, a friend since Kelly’s days on the force. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.Ferociously plotted and crackling with wit, The Chicago Way is first-rate suspense steeped in the glorious, gritty atmosphere of a great city: a marvelous debut.

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    The victim is the Prince of Wales, the egg itself a gift from the Russian Tsar — and if the Tsar takes offence at the Prince's carelessness in losing it, the delicate balance of power in Europe could be destroyed for ever. Yet if Blackstone is investigating a simple robbery, why is there an attempt on his life the moment he sets foot in Russia — an attempt which would have succeeded but for the intervention of mysterious masked figures? Why will no one talk about the closed coach which fled the scene after the theft? And what is the motive behind the murder of a young British officer staying at the house? The more Blackstone learns, the less he knows … Who can he really trust? And is this priceless Golden Egg masking a deeper, darker secret? “Vivid characters, a dazzling plot, authentic period details, and plenty of surprising twists make this latest effort by Sally Spencer an outstanding choice for historical mystery fans” - Booklist “This new series from the author of the Chief Inspector Woodend novels features a nicely captured Victorian ethos, solid prose, and winning subplot diversions. Anne Perry fans and devotees of Victorian-era mysteries will enjoy this new historical. For most collections” - Library Journal Sally Spencer worked as a teacher both in England and Iran - where she witnessed the fall of the Shah. She now writes full time. Endeavour Press is the UK's leading independent publisher of digital books.