Traversing the  universal themes and conflicts between poverty and  prosperity, men and women, and young and old, and  compiling writing that spans almost seventy years,  The Richer, The Poorer not only  affords an unparalleled window into the  African-American middle class, but also delves into the  richness of experience of "one of the finest writers  produced in this country during the Roaring  Twenties"(Book Page).

    Combining hard-edged prose and savage Southern charm, Mary Miller showcases transcendent contemporary talent at its best. With its collection of lusty, lazy, hard-drinking characters forever in their own way, Always Happy Hour confirms Miller as an heir apparent to Mary Gaitskill.Claustrophobic and lonesome, acerbic and magnetic, the women in Always Happy Hour seek understanding in the most unlikely places—a dilapidated foster home where love is a liability, a trailer park laden with a history of bad decisions, and the empty corners of a dream home bought after a bitter divorce. Miller evokes the particular gritty comfort found in bad habits as hope turns to dust, and proves yet again her essential role in American fiction.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Attrib. and other stories celebrates the tricksiness of language just as it confronts its limits. Correspondingly, the stories are littered with the physical ephemera of language: dictionaries, dog-eared pages, bookmarks and old coffee stains on older books. This is writing that centres on the weird, tender intricacies of the everyday where characters vie to 'own' their words, tell tall tales and attempt to define their worlds. With affectionate, irreverent and playful prose, the inability to communicate exactly what we mean dominates this bold debut collection from one of Britain’s most original new writers.

    An inventive, thought-provoking and characteristically bold collection of short fiction and essays from Hanif Kureishi, centered around the vexed relationship between love and hate.In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood.The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

    Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Casey, author of Stygian Doorways

    Borrowing from a well-known improve game, Mochrie takes the first and last lines from familiar classics and reimagines everything in between. With the same engaging humour he exhibits on stage, television, and film, he takes the reader in bizarre and hilarious new directions, using the original writer's words as a launch and landing point. Imagine A Tale of Two Cities in which Wile E. Coyote gets his revenge on the Road Runner, Dr. Seuss's The Cat in the Hat with zombies, or The Night Before Christmas with a time travelling twist. Imagine Sherlock Holmes devising a foolproof method for eliciting laughter and then taking the stage at a Victorian comedy club in Old London.This inspired collection is comical, quirky, and clever classic Mochrie.

    He’s had a bad year. Sarah, his wife of nearly twenty five years, has walked out on him to move in with Colin. Perhaps they simply grew apart, perhaps the magic was no longer there, or perhaps, as his friend Jerry suggests, Rick has become boring. This nagging thought, together with too much beer on New Year’s Eve and shock at the sudden death of his college friend Alex, leads Rick to a New Year’s resolution… To make the most of the time he has left, and show himself and his old friend Jerry that he is not boring, he will undertake a peculiar challenge: for a whole year he will accept every invitation that comes his way. Any invitation. No excuses. No regrets.

    Have you heard the urban myth about Jesus's double-jointed elbows yet? 100% true. Or seen the latest reports on the 'groomgrabbing' trend - the benevolent kidnapping of badly-dressed children by their well-meaning (and more dapper) elders? Heard the one about the Amazon from the Isle of Man? Or perhaps you'd like a job in telesales, offering self-defence classes over the phone? Don't worry, as long as you meet the weekly quota, you won't be sent to the end of the hall...Wonderfully original, fresh and funny, 'Topics About Which I Know Nothing' is stuffed to the gills with dizzyingly inventive writing and warming, puzzling emotions - a fictional guide to how the world might have turned out.

    Even though I do not know you…The correspondence between Carrie Allsop and David Mayer reveals, piece by piece, the painful details of a devastating affair between their spouses. With each commiserating scratch of the pen, they confess their fears and bare their souls. They share the bewilderment over how things went so wrong and come to wonder where to go from here.Told entirely through the letters of two comforting strangers and those of two illicit lovers, Evidence of the Affair explores the complex nature of the heart. And ultimately, for one woman, how liberating it can be when it’s broken.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path."Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." --J. David Osborne

    He writes about his sexual encounters--both strange and intimate--alongside stories from his childhood and his tell-all experiences with -science drugs.- Throughout it all, Jude is critical of himself and his actions, proving himself to be vulnerable, lonely, and extremely relatable. Even more than his first book, Hyena, Hummingbird showcases a remarkable talent.