Thirty lessons provide enough information and practice to enable you, with the aid of a Hebrew-English dictionary, to understand most biblical texts. The goal of the Primer is to teach students to read and understand Biblical Hebrew as quickly as possible; therefore, the lessons emphasize recognition and translation - not memorization. The thirty lessons incorporate: Verb, grammar, and spelling charts Vocabulary lists Oral reviews Exercises Stories Biblical quotes Book of Ruth This revised third edition introduces several new terms and clarifies grammatical points, but will look the same to long-time Primer readers. The key change we have made is the inclusion of new explanatory endnotes. Many readers have expressed a desire to deepen their knowledge of Biblical Hebrew, but have unanimously endorsed the clear, uncomplicated tone of the Primer. We have responded by adding these optional supplementary notes. Students may read the notes to enrich their understanding of Hebrew grammar or concentrate solely on the main text. Either way, the Primer provides a sound foundation for more advanced studies in the Hebrew Bible.

    By carefully introducing the letters and vowels of the Hebrew alphabet, the goal is to develop the reader's ability to decode written Hebrew words as well as to ground the learning of Hebrew in the broader sense of its use in Jewish life, ritual, study, and tradition. Each chapter introduces two or three Hebrew letters; through instructional drills and exercises, the reader progressively becomes familiar with key Hebrew vocabulary and its role in Jewish tradition, text, and prayer.

    There’s Killer of the Cloth, The Baby in the Convent, Mosquito Point Road, Death of a First Baseman, The Blue Gardenia, and Pure/Evil. Three of the killers are female.

    The angels asked God, "Why don't you clean up this mess?"This collection of short, funny stories is one man's interpretation of how God did just that -- with some very unlikely help.There was Adam, who decided to number the animals instead of giving them names -- until he lost count. There was Max, a matchmaking angel disguised as a camel. And who could forget the kindly dolphins of the Red Sea or the builders of the spectacularly chaotic Tower of Babel, whose foundation rests in one small girl's question: "Mommy, does God have a big toe?"Reflecting Mr. Gellman's lifelong love for his subject, this witty collection of "midrashim" provides a wonderful way to learn about and to share the stories of the Bible. Distinguished artist Oscar de Mejo brings the right blend of reverence and humor with his magnificent oil paintings. Notable Books of 1989 (NYT)Best Illustrated Children's Books of 1989 (NYT)Children's Books of 1989 (Library of Congress)

    While on special assignment with the Cuban Special Forces, Malcolm receives a blow from a sniper rifle that almost ends his life. It is in this moment of darkness that Malcolm calls upon this God in faith, thus beginning his miraculous journey in search of truth, and his eventual discovery of and conversion to the gospel of Jesus Christ.

    Becca struggles to make sense of her new relationship with an outcast dad, and the code of the Prophet which promises a superior existence with strict obedience. Blanketed by apocalyptic prophecies of world destruction for unbelievers and looming threats of being declared an apostate, she strives to “Keep Sweet” alongside an enormous new family of three mothers, a new father, and dozens of brothers and sisters. Underneath the beauty of wholesome childhood adventures with family and friends is an aching awareness that something isn’t right as she grows into womanhood and realizes her future is not her own. She must break the code before it is too late.

    As the daughter of an influential rabbi, Leah and her ten siblings were raised to worship two things: God and the men who ruled their world. But the tradition-bound future Leah envisioned for herself was cut short when, at sixteen, she was caught exchanging letters with a male friend, a violation of religious law that forbids contact between members of the opposite sex. Leah's parents were unforgiving. Afraid, in part, that her behavior would affect the marriage prospects of their other children, they put her on a plane and cut off ties. Cast out in New York City, without a father or husband tethering her to the Orthodox community, Leah was unprepared to navigate the freedoms of secular life. She spent the next few years using her sexuality as a way of attracting the male approval she had been conditioned to seek out as a child, while becoming increasingly unfaithful to the religious dogma of her past.

    Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

    Scrolls" Series is a SPECIAL EDITION, DIRECTOR'S CUT of 'JERUSALEM SCROLLS' from the Thoenes' popular "Zion Legacy Series"**The voices inside her whisper, Forgiveness?Yes, for them, but never for you.…The story of Mary Magdalene, in her own wordsAs the harsh Jerusalem winter of 1948 wears on Rachel Sachar, beautiful holocaust survivor, prays for some word from her husband Moshe who vanished in the secret tunnels beneath Jerusalem. Then one night a stranger named Eben Golah arrives with a message from Moshe and the translation of the ancient diary of Mary Magdalene. Like Rachel, Mary was a beautiful child. Everyone said so. Tragedy struck, everything changed in Mary’s family. Her dreams of love and children of her own abruptly ended. No amount of wealth or male companionship can bring Mary what she really longs for, nor can they stop the voices calling, “Finish it! You have no reason to live. No hope…” But might there be a second chance…even for someone like her? Secretly, she wonders…2,000 years separate the tragic stories of Mary Magdalene and Rachel Sachar, and yet their lives lead to Yeshua of Nazareth in Old Jerusalem. Will these women find freedom and forgiveness? Or will Yeshua cast the first stone? This is Mary’s story, from her own diary, as translated by Jewish Haganah fighter and scholar Moshe Sachar in 1948, as he prepares to emerge from his hiding place in the secret library under besieged Jerusalem.DISCOVER THETRUTHTHROUGHFICTION™BODIE & BROCK THOENE(pronounced Tay-nee) have written more than 60 works of historical fiction. Their novels have sold more than 20 million copies and have won eight ECPA Gold Medallion awards. The Thoenes divide their time between London and Nevada.

    Steeped in fact, and meticulously researched, Clouds Across the Sunis the story of just one of these children. From Naples, Florida, New York City, and Washington D.C. to Israel and then the killing grounds of Vilnius, Poland (Lithuania) this story is one of great romance, discovery, redemption, and enlightenment as Jotto Wells unravels the intrigue surrounding a plan to take over the government of the United States."

    

    Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence, the Lagnados, too, must make their escape. With all of their belongings packed into twenty-six suitcases, their jewels and gold coins hidden in sealed tins of marmalade, Leon and his family depart for any land that will take them. The poverty and hardships they encounter in their flight from Cairo to Paris to New York are strikingly juxta-posed against the beauty and comforts of the lives they left behind.An inversion of the American dream set against the stunning portraits of three world cities, Lucette Lagnado's memoir offers a grand and sweeping story of faith, tradition, tragedy, and triumph.Winner of the Sami Rohr Prize for Jewish Literature and hailed by the New York Times Book Review as a "brilliant, crushing book" and the New Yorker as a memoir of ruin "told without melodrama by its youngest survivor," The Man in the White Sharkskin Suit recounts the exile of the author's Jewish Egyptian family from Cairo in 1963 and her father's heroic and tragic struggle to survive his "riches to rags" trajectory.

    This volume constitutes the first collection of original Hasidic tales to be published in a century."An important work of scholarship and a sudden clear window onto the heretofore sealed world of the Hasidic reaction to the Holocaust. Its true stories and fanciful miracle tales are a profound and often poignant insight into the souls of those who suffered terribly at the hands of the Nazis and who managed somehow to use that very suffering as the raw material for their renewed lives." -- Chaim Potok"A beautiful collection." -- Saul Bellow"Yaffa Eliach provides us with stories that are wonderful and terrible -- true myths. We learn how people, when suffering dying, and surviving can call forth their humanity with starkness and clarity. She employs her scholarly gifts only to connect the tellers of the tales, who bear witness, to the reader who is stunned and enriched." -- Robert J. Lifton"In the extensive literature on the Holocaust, this is a unique book. Through it we can attain a glimpse of the victims' inner life and spiritual resources. Yaffa Eliach has done a superb job." -- Jehuda Reinharz

    They planned to be there for a year, during which time Daniel would be a Fellow at the Mandel Institute in Jerusalem. This was a euphoric time in Israel. The economy was booming, and peace seemed virtually guaranteed. A few months into their stay, Gordis and his wife decided to remain in Israel permanently, confident that their children would be among the first generation of Israelis to grow up in peace.Immediately after arriving in Israel, Daniel had started sending out e-mails about his and his family’s life to friends and family abroad. These missives—passionate, thoughtful, beautifully written, and informative—began reaching a much broader readership than he’d ever envisioned, eventually being excerpted in The New York Times Magazine to much acclaim. An edited and finely crafted collection of his original e-mails, If a Place Can Make You Cry is a first-person, immediate account of Israel’s post-Oslo meltdown that cuts through the rhetoric and stridency of most dispatches from that country or from the international media. Above all, Gordis tells the story of a family that must cope with the sudden realization that they took their children from a serene and secure neighborhood in Los Angeles to an Israel not at peace but mired in war. This is the chronicle of a loss of innocence—the innocence of Daniel and his wife, and of their children. Ultimately, through Gordis’s eyes, Israel, with all its beauty, madness, violence, and history, comes to life in a way we’ve never quite seen before.Daniel Gordis captures as no one has the years leading up to what every Israeli dreaded: on April 1, 2002, Prime Minister Ariel Sharon declared that Israel was at war. After an almost endless cycle of suicide bombings and harsh retaliation, any remaining chance for peace had seemingly died.If a Place Can Make You Cry is the story of a time in which peace gave way to war, when childhood innocence evaporated in the heat of hatred, when it became difficult even to hope. Like countless other Israeli parents, Gordis and his wife struggled to make their children’s lives manageable and meaningful, despite it all. This is a book about what their children gained, what they lost, and how, in the midst of everything, a whole family learned time and again what really matters.From the Hardcover edition.

    Dov Indig was killed on October 7, 1973, in a holding action on the Golan Heights in Israel during the Yom Kippur War. Letters to Talia, published in his memory by family and friends, contains excerpts from an extensive correspondence Dov maintained with Talia, a girl from an irreligious kibbutz in northern Israel, in 1972 and 73, the last two years of his life. At the time, Talia was a highschool student, and Dov was a student in the Hesder yeshiva Kerem B Yavneh, which combines Torah study with military service. It was Talia s father who suggested that Talia correspond with Dov, and an intense dialogue developed between them on questions of Judaism and Zionism, values and education. Their correspondence continued right up to Dov s death in the Yom Kippur War."