I'm a cemetery restorer who sees ghosts. In order to protect myself from the parasitic nature of the dead, I've always held fast to the rules passed down from my father. But now a haunted police detective has entered my world and everything is changing, including the rules that have always kept me safe.It started with the discovery of a young woman's brutalized body in an old Charleston graveyard I've been hired to restore. The clues to the killer, and to his other victims, lie in the headstone symbolism that only I can interpret. Devlin needs my help, but his ghosts shadow his every move, feeding off his warmth, sustaining their presence with his energy. To warn him would be to invite them into my life. I've vowed to keep my distance, but the pull of his magnetism grows ever stronger even as the symbols lead me closer to the killer and to the gossamer veil that separates this world from the next.

    Megan possesses psyhic powers that have been dormant for years, hidden deep in the past she's tried so desperately to forget. But now everything has come to a boiling point——someone is trying to kill her, and others are trying to use her, including the deadly and seductive Neal Grady. Shocking secrets about her life and her mother's death bombard her as she fights to take contril of her heritage and save herself and everything she believes in. Grady holds the key to understanding her future, a future in which Megan's life will never be the same. If she survives to have a future ...A fast-paced thrill ride, Pandora's Daughter is Iris Johansen as you've never read her before.

    Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley.When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career.They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration.But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, and sees strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

    Every small town like Fell, New York, has a place like the Sun Down Motel. Some customers are from out of town, passing through on their way to someplace better. Some are locals, trying to hide their secrets. Viv Delaney works as the night clerk to pay for her move to New York City. But something isn't right at the Sun Down, and before long she's determined to uncover all of the secrets hidden…

    A former cop, drummed out of the force because of a scandal, she is an expert at disguise and cool under pressure. But when fellow hitman Jack arrives on the scene, Nadia’s very private existence is seriously challenged.A series of victims are being murdered seemingly at random all over the US — different areas, different walks of life, different MOs. There is nothing to tie them together except a random page torn out of a single book, "Helter Skelter". Does the Helter Skelter killer — as the hysterical media now dub him — have a real connection to Charles Manson? Or is there something even more sinister at work?Is this, in fact — as Jack believes — the carefully planned exit strategy of a fellow professional killer, determined to leave the life, but equally determined to clear up an old mistake or two? And, if so, who is the real victim? Now, the highly suspicious and secretive hitman community will have to break their cover — at least, to each other — and help take down this killer before the cops and the Feds discover his true connection to their own secret, exclusive society.

    A week later, her son -- fifteen-year-old Mark -- vanishes. The boy's uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before Nancy's suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from basement to attic with the echoes of a long hidden true-life horror story, and Tim comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.

    Icy figures danced in the wind and gazed through children's windows with soul-chilling eyes. People wandered into the whiteout and were never seen again. Families were torn apart, and the town would never be the same.Now, as a new storm approaches twelve years later, the folks of Coventry are haunted by the memories of that dreadful blizzard and those who were lost in the snow. Photographer Jake Schapiro mourns his little brother, Isaac, even as-tonight-another little boy is missing. Mechanic and part-time thief Doug Manning's life has been forever scarred by the mysterious death of his wife, Cherie, and now he’s starting over with another woman and more ambitious crimes. Police detective Joe Keenan has never been the same since that night, when he failed to save the life of a young boy . . . and the boy’s father vanished in the storm only feet away. And all the way on the other side of the country, Miri Ristani receives a phone call . . . from a man who died twelve years ago.As old ghosts trickle back, this new storm will prove to be even more terrifying than the last.

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    I know Matthew saw that spider. I know it was na product of my imagination.”In this compelling mix of psychological suspense and historic true crime, two young mothers—130 years apart—are haunted by the same house.1885: From inside a New England mental hospital, Frances Barnett recounts the months that led to her hospitalization. She believes that her pregnancy, the birth of her child, and the first days of motherhood may have impaired her sanity, and she has come to distrust her own memories. She escaped the monotony and isolation of her daughter’s early months by following a local murder trial, and as her story unfolds, Frances must admit that her obsession with the details of the murder was not entirely innocent.Present day: Abby Bernacki has been adjusting to motherhood smoothly—until odd sensations and dreams began to unsettle her while home alone with her baby. When she stumbles onto the timeworn diary of Frances Barnett, Abby is surprised to see how similar their situations are. But as she reaches the diary’s disturbing final pages, she becomes obsessed with the idea that a supernatural influence might be inhabiting her home.With each passing day, Abby feels her own grip on reality slipping—and most troubling of all, she fears for her baby’s safety.

    Now it’s up to ex-court reporter Marilee Jennings to decipher the puzzle of her best friend’s death. But someone has a stake in silencing her suspicion. Someone with secrets worth killing for—and the power to turn this beautiful haven into a . . .  And as Mari digs deeper beneath New Eden’s picture-perfect exterior, finding the truth is suddenly no longer a matter of justice.     It’s her only hope of staying alive.From the Paperback edition.

    Because to every generation are born a select few souls with violet-colored eyes, and the ability to channel the dead. Both rare and precious—and rigidly controlled by a society that craves their services—these Violets perform a number of different duties. The most fortunate increase the world's cultural heritage by channeling the still-creative spirits of famous dead artists and musicians. The least fortunate aid the police and the law courts, catching criminals by interviewing the deceased victims of violent crime.But now the Violets themselves have become the target of a brutal serial murderer—a murderer who had learned how to mask his or her identity even from the victims. Can the FBI, aided by a Violet so scared of death that she is afraid to live, uncover the criminal in time? Or must more of her race be dispatched to the realm that has haunted them all since childhood?

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?