They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    But your memory is deceitful. And possibly deadly...When a skeleton is unearthed in the Martellos' garden, Jane Martello is shocked to learn it's that of her childhood friend, Natalie, who went missing twenty-five years ago. Encouraged by a therapist to recover lost memories, Jane hopes to find out what really took place when she was a child - and what happened to Natalie.But in learning the truth about hers and Natalie's past, is Jane putting her own future at terrible risk?

    For the first time, all five books in the Patrick Melrose series are collected in a single edition: NEVER MIND BAD NEWS SOME HOPE MOTHER'S MILK AT LAST Acclaimed for their searing wit and their deep humanity, this magnificent cycle of novels - in which Patrick Melrose battles to survive the savageries of his childhood and lead a self-determined life - is one of the major achievements in English fiction.

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    Her marriage badly frayed by years of stress, she comes to the island in a trial separation to try and make sense of the tragedy of her Anthony’s short life.Beth, a stay-at-home mother of three, is also recently separated after discovering her husband’s long-term infidelity. In an attempt to recapture a sense of her pre-married life, she rekindles her passion for writing, determined to find her own voice again. But surprisingly, as she does so, Beth also find herself channeling the voice of an unknown boy, exuberant in his perceptions of the world around him if autistic in his expression—a voice she can share with Olivia—(is it Anthony?)—that brings comfort and meaning to them both.

    They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys.Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.

    Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's The Great Gatsby, with its larger-than-life characters, elusive desires, and haunting sorrows.In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- The Double Bind combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. Behind The Double BindWhile Bobbie Crocker, the photographer in The Double Bind, is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for The Double Bind. "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. "We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."

    This is the story of Olav: an extremely talented “fixer” for one of Oslo’s most powerful crime bosses. But Olav is also an unusually complicated fixer. He has a capacity for love that is as far-reaching as is his gift for murder. He is our straightforward, calm-in-the-face-of-crisis narrator with a storyteller’s hypnotic knack for fantasy. He has an “innate talent for subordination” but running through his veins is a “virus” born of the power over life and death. And while his latest job puts him at the pinnacle of his trade, it may be mutating into his greatest mistake. . . .

    After falling into an affair with the married father of a would-be suitor, Jenny has a baby out-of- wedlock and decides to raise the child on her own. Undset’ s portrayal of a woman struggling toward independence and fulfillment is written with an unflinching, clear-eyed honesty that renders her story as compelling today as it was nearly a century ago. This new translation by Tiina Nunnally captures the fresh, vivid style of Undset’s writing and restores passages omitted from the only previous edition to appear in English, which was published in 1921. Most famous for her later, historical fiction set in Catholic, medieval Scandinavia, Undset stands revealed with Jenny, her first major novel, as an unsparing, compassionate, magnificent realist, the creator of works that are at once thoroughly modern and of enduring interest.

    The author of The Deep End of the Ocean delivers a compelling, emotionally charged tale of tragedy, revenge, and redemption, set in a close-knit Mormon community, whose peace is shattered by two brutal murders.

    He brings the baby home, and he and his wife raise the girl in their basement. When a shocking and catastrophic incident occurs, the couple’s son Jerry whisks the girl away to Stockholm to start a new life. There, he enters her in a nationwide singing competition. Another young girl who’s never fit in sees the performance on TV, and a spark is struck that will ignite the most terrifying duo in modern fiction.

    He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic.

    On a warm spring morning, Margot spots one of her clients on a busy train platform. He is looking down at his phone, with his duffel bag in hand as the train approaches. That’s when she slams into his back and he falls in front of the train. Suddenly, one tragedy leads to another leaving her, her family, and her patients in danger. As misfortune unfolds, listeners will soon question Margot’s true role in all of these unfortunate events.Tell Me Lies is a fast-paced, psychological, whodunit mystery that will leave listeners wondering if anyone can actually be trusted.

    The perfect day turns to nightmare however, when they are involved in freak ballooning accident in which a boy is saved but a man is killed. In itself, the accident would change the couple and the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that same night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa. Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in de-familiarisation. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye. --Alex Freeman

    The location is a small town in Northern France, near V., in the dead of the freezing winter. The war is still being fought in the trenches, within sight and sound of the town, but the men of the town have been spared the slaughter because they are needed in the local factory. One morning a beautiful ten year old girl, one of the three daughters of the innkeeper, is found strangled and dumped in the canal. Suspicion falls on two deserters who are picked up near the town. Their interrogation and sentencing is brutal and swift. Twenty years later, the narrator, a local policeman, puts together what actually happened. On the night the deserters were arrested and interrogated, he was sitting by the bedside of his dying wife. He believes that justice was not done and wants to set the record straight. But the death of the child was not the only crime committed in the town during those weeks. More than one record has to be set straight. Beautiful, like a fairy story almost, frozen in time, this novel has an hypnotic quality.