Selecting the best of our literary heritage, Baldwin cast it into a form that delights children of all ages. Beginning with stories of heroes from British history, including King Alfred and the Cakes, King Canute on the Seashore, and Bruce and the Spider, the book moves on to tales of other lands. From Ancient Greece come stories of The Brave Three Hundred, Alexander and Bucepahlus, and Diogenes the Wise Man. Introducing the history of Rome are the Story of Cincinnatus, Horatius at the Bridge, and Julius Caesar. The stories of William Tell, Arnold Winkelried, and Robin Hood impart a bit of the flavor of the Middle Ages. Rounding out the collection are a number of timeless tales that show heroes in action: Damon and Pythias, The Sword of Damocles, Picciola, and The King and His Hawk.Children naturally take a deep interest in such stories. The reading of them will not only give pleasure but will help to lay the foundation for broader literary studies since nearly all are the subjects of frequent allusions in poetry and prose. Young children will enjoy having these stories read to them, while older children will delight in reading them to themselves.Book Details: Format: Paperback Publication Date: 11/1/2005 Pages: 200

    Widely regarded as a masterpiece of 19th century stories for children. Includes four black and white illustrations by Maria L. Kirk. Suitable for ages 8 and up.

    In the present volume, the author's goal of introducing children to the fascinating subject of bird life is brilliantly realized in story fashion. While "interviewing" Slaty the Junco, Redwing the Blackbird, Melody the Wood Thrush, Spooky the Screech Owl, and dozens of other common birds, our guides, Peter Rabbit and saucy Jenny Wren — and, of course, the reader — learn about their physical appearances, eating and nesting habits, and songs and calls. Over eighty years after its first publication, the book remains noteworthy and valuable for its extraordinarily successful blend of information and entertainment.

    When the Natives judge the white man's magic as evil, John Smith is condemned to death— - only the intervention of Pocahontas saves his life and a tentative friendship is established between Pocahontas's tribe and the new colonists. The King of England sends a crown, rich robes and a royal bed to honor Powhatan and he is pleased, but the white man's insistence that the Indians give them corn to sustain them through the long winters threatens their tenuous relationship. Pocahontas's ultimate marriage to John Rolfe, the birth of their son, their voyage to England and presentation to the King and Queen is the stuff of fairy tales except that it is one of the great true stories of America's earliest days. 46pg

    Nesbitt reproduces 20 of the greatest of Shakespeare's plays in charming prose simple enough for children to understand and enjoy them. Delightful period drawings and a classic design make this a must for every family library.

    Beginning with the stories of Albion and Brutus, it relates all the interesting legends and hero tales in which the history of England abounds through the end of the reign of Queen Victoria. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    His moral animal fables have delighted young and old for centuries. This fabulous full-color edition of the classic Aesop features the original illustrations of Milo Winter. This unique collection features 126 of the best-loved fables, including such favorites as "The Town Mouse and the Country Mouse," "The Ants and the Grasshopper," "The Goose and the Golden Egg," "The Wolf in Sheep's Clothing," and "The Hare and the Tortoise" and all their wonderful and amusing animal characters. Now, with THE AESOP FOR CHILDREN, a whole new generation can appreciate and enjoy these whimsical tales. 9 1/2" x 11 3/4". Ages 6-10

    Also Rapunzel, Jack and the Beanstalk, the Ratcatcher (the Pied Piper), Snowdrop (Snow White), The Voice of Death, The Enchanted Pig, The Master Thief, from France, Russia, Denmark, Romania, and Norse Sigurd and Brynhild. 97 illustrations.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    This collection includes all 29 stories from the first, second, third, and fourth series, originally published in separate volumes.