But her spirit quails when she and her family are swept up with fifteen thousand other Hungarian Jews and forcibly transported to one of the world's most infamous concentration camps: Auschwitz-Birkenau. There Klara comes face to face with one of history’s most infamous Nazi doctors, nicknamed The Great Selector and the Murderer in White, Josef Mengele. Klara watches in horror as Mengele sends her parents, her younger brother, and her older sister to the gas chamber, leaving Klara and her two remaining sisters to be housed like animals in the women's barracks. They live in constant fear of Mengele choosing them for one of his cruel scientific experiments.As the Russian allies close in, Mengele steps up his selection process and sentences Klara to the gas chamber. But in a miraculous turn of events, Klara escapes both the chamber and Auschwitz itself and makes her way across war-torn Europe back home to Sighet.The only survivor of record to escape Mengele's notorious death selection process, Klara's is an extraordinary and inspirational story of survival and resilience in the face of deep loss and extreme cruelty.

    Excerpts from 'identity cards' that are part of the Museum's exhibit focus on specific young people whose worlds were turned upside down when they became trapped under Nazi rule. Many of these young people never had the chance to grow up. One and a half million of the victims were children and teenagers--the great majority of them Jewish children but also tens of thousands of Roma (Gypsy) children, disabled children, and Polish Catholic children. Like their parents, they were singled out not for anything they had done, but simply because the Nazis considered them inferior.Those who survived to become adults passed on the stories of relatives and friends who had been killed, with the hope that the terrible crimes of the Holocaust would never be forgotten or repeated. The powerful stories and images in this book are presented with the same hope. Only by learning about the Holocaust will we be able to tell the victims we remember.

    Keneally tells the tale of the unlikely encounter that propelled him to write about Oskar Schindler and of the impact of his extraordinary account on people around the world.  Thomas Keneally met Leopold “Poldek” Pfefferberg, the owner of a Beverly Hills luggage shop, in 1981. Poldek, a Polish Jew and a Holocaust survivor, had a tale he wanted the world to know. Charming, charismatic, and persistent, he convinced Keneally to relate the incredible story of “the all-drinking, all-screwing, all-black-marketeering Nazi, Oskar Schindler. But to me he was Jesus Christ.”  Searching for Schindler is the engrossing chronicle of Keneally’s pursuit of one of history’s most fascinating and paradoxical heroes. Traveling throughout the United States, Germany, Israel, Poland, and Austria, Keneally and Poldek interviewed people who had known Schindler and uncovered their indelible memories of the Holocaust. Keneally’s powerful narrative rose quickly to the top of bestseller lists. Steven Spielberg’s magnificent film adaptation went on to fulfill Poldek’s dream of winning “an Oscar for Oskar.” (Keneally’s anecdotes about Spielberg, Liam Neeson, Ben Kingsley, and other cast members will delight film buffs.)  Written with candor and humor, Seaching for Schindler is an intimate look at Keneally’s growth as a writer and the enormous success of his portrait of Oskar Schindler.

    Descended from a 1,000-year unbroken chain of rabbis, he grew up to become Chief Rabbi of Israel--and like many of the great rabbis, Lau is a master storyteller. Out of the Depths is his harrowing, miraculous, and inspiring account of life in one of the Nazis' deadliest concentration camps, and how he managed to survive against all possible odds.Lau, who lost most of his family in the Holocaust, also chronicles his life after the war, including his emigration to Mandate Palestine during a period that coincides with the development of the State of Israel. The story continues up through today, with that once-lost boy of eight now a brilliant, charismatic, and world-revered figure who has visited with Popes John Paul and Benedict; the Dalai Lama, Nelson Mandela, and countless global leaders including Ronald Reagan, Bill and Hillary Clinton, and Tony Blair.

    Fifty years later, Roma, an artist living in Germany, attended a screening of Steven Spielberg’s Schindler’s List, and instantly knew that “the girl in the red coat”—the only splash of color in the film—was her. Thus began a harrowing journey into the past, as Roma Ligocka sought to reclaim her life and put together the pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle of survival and its aftermath. With brutal honesty, Ligocka recollects a childhood at the heart of evil: the flashing black boots, the sudden executions, her mother weeping, her father vanished…then her own harrowing escape and the strange twists of fate that allowed her to live on into the haunted years after the war. Powerful, lyrical, and unique among Holocaust memoirs, The Girl in the Red Coat eloquently explores the power of evil to twist our lives long after we have survived it. It is a story for anyone who has ever known the darkness of an unbearable past—and searched for the courage to move forward into the light.

    Covering 1907 to 1933, his eyewitness account provides a portrait of a country in constant flux: from the rise of the First Corps, the right-wing voluntary military force set up in 1918 to suppress Communism and precursor to the Nazi storm troopers, to the Hitler Youth movement; from the apocalyptic year of 1923 when inflation crippled the country to Hitler's rise to power. This fascinating personal history elucidates how the average German grappled with a rapidly changing society, while chronicling day-to-day changes in attitudes, beliefs, politics, and prejudices.

    His family was among the few who worked underground to resist Nazi rule. Then came the day he was drafted into Hitler's army and shipped out to fight on the Eastern front as part of the German infantry―in spite of his having confessed his own Jewish ancestry. Thus begins the incredible journey of a nineteen year old thrust unwillingly into an unjust war, who must use his smarts, skills, and bare-knuckled determination to stay alive in the trenches, avoid starvation and exposure during the brutal Russian winter, survive more than one Soviet labor camp, and somehow find his way back home. Unlikely Warrior is Rauch's true account of this extraordinary adventure.

    LIKE BIRDS IN BLACK AND WHITE is the narrative of a young Jewish girl from the village of Wereszczyn, Poland. At the same time, LIKE BIRDS IN BLACK AND WHITE is a very painful human story, about the spark of goodness that exists – even in the depths of evil, and motivates us to be humane. Miriam Raz-Zunszajn-Winograd was born in 1933 on a small farm, in the village of Wereszczyn, located in Western Poland. She spent the duration of the Holocaust in the region where she was born, and she is the sole survivor of her family, as well as from the Jews of Wereszczyn. With her farewell to her readers, at the completion of her journey-story of torment, Miriam asks to tell us the lesson that is so very important to her: “I learned that in every place – even in the case of the most evil – there is always a handful of righteous people ready to endanger their own lives for the good of others. I never forget these righteous people that I encountered in my path to survive. They were my hope and my light in the darkness.” Miriam live today on Kibbutz and can be reached at miryamr@gan.org.il

    Leon Goldensohn–a psychiatrist for the U.S. Army–monitored the mental health of two dozen German leaders charged with carrying out genocide. These recorded conversations have gone largely unexamined for more than fifty years, until Robert Gellately–one of the premier historians of Nazi Germany–made them available to the public in this remarkable collection.Here are interviews with the likes of Hans Frank, Hermann Goering, Ernst Kaltenbrunner, and Joachim von Ribbentrop–the highest ranking Nazi officials in the Nuremberg jails. Here too are interviews with lesser-known officials essential to the inner workings of the Third Reich. Candid and often shockingly truthful, The Nuremberg Interviews is a profound addition to our understanding of the Nazi mind and mission.

    It was a "show" camp, where inmates were forced to use their artistic talents to fool the world about the truth of gas chambers and horrific living conditions for imprisoned Jews. Here is their story, told through the firsthand accounts of those who were there. In this accessible, meticulously researched book, Ruth Thomson allows the inmates to speak for themselves through secret diary entries, artwork, and excerpts from memoirs and recordings narrated after the war. Terezín: Voices from the Holocaust is a moving portrait that shows the strength of the human will to endure, to create, and to survive.

    He decided to keep a diary, where he made notes of everything that was happening. He did not know whether he would survive. When he was liberated, he gathered all the notes and deposited them with the Warsaw Jewish Historical Institute. Unfortunately, few of the survivors kept notes about the horrible events that took place.When the history of the Holocaust will be written, and when future history of the Holocaust will be written, and when future historians gather their materials from the archives, there is no doubt that they will utilize Aaron Starkman's diary with its description of the events that took place and the murders that the Hitlerite hordes committed. These facts will also serve as an example of the fate that befell most Jewish communities in Poland and Eastern Europe.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    On that day 600 prisoners armed with stolen guns and grenades attacked the Nazi guards, burned the camp, and fled into the nearby Polish forests. Of these, forty survived to bear witness to man's courage in the face of the greatest evil human history has produced.

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    Her childhood was filled with friends, both Polish and Ukrainian girls, that played games with her. She attended a Ukrainian school, participated in school celebrations; she lived a normal, everyday life. In her memoire, published after many years of silence, Krystyna Carmi shows the history of her family and her life. The book contains more than 100 pictures, taken by Krystyna’s father, a professional photographer, and sent it to their family in Israel before the war.Krystyna was gifted with an amazing memory and as such was able to recall the atmosphere of those days, describing in details the appearance of a household; and if that wasn’t enough, Krystyna Carmi writes about something very rare, the smells she remembered from childhood. Walking with her on the streets of pre-war Obertyn, we get to know the Jews, the Ukrainians, and the Poles and the social and material conditions of their lives, as well as their names and surnames. Krystyna Carmi paints a psychological portrait of these people; she writes about how they dressed, what they ate, what their attitude towards others was, and above all, towards God. She writes about things seemingly trivial, however when looking back, they are incredibly significant.But the happy childhood did not last long. The first days of war brought overall fear and panic, the entrance of Red Army soldiers to Obertyn, the arrest of Polish patriots, liquidation of Jewish shops, the gradual growth into a more difficult reality of occupation, the Hungarian army in Obertyn, Jews murdered by Ukrainians in the local towns, incredible photos of the members of the Jewish community, drowning in the Dniester by Ukrainians. However, the worst was still ahead of the Jewish community in Obertyn and her family. First, the Germans, then the Kołomyja ghetto. She was with her parents as well as her maternal and paternal grandfathers. The life conditions in which Obertyn Jews had to live are described in the poem Molasa ”" Ghetto Sweets; she shows in a fictile, detailed way, psychophysical suffering caused by hunger.People died in the ghetto because of hunger and physical exhaustion; their bodies were collected on a platform. These deaths do not escape the attention of a sensitive and suffering girl, who years later will write a poem with the title In Remembrance of Innocently Suffering People of Different Ages and Sexes from Kołomyja Ghetto; a picture of the platform will stay in her memory forever. "The open mouth and eyes of these human corpses have been hunting me all my life."Then she returned from the ghetto with her parents, and escaped from Obertyn, following by her sisters’ death, which she described in a very suggestive way in her poems: Black Kamionka Forest. Part I Testimony and Black Kamionka Forest. Part II Curse). Her parents’ death, hiding, hunger, thirst, fear for life, then indifference as time goes by because life is hard. It would be easier to part with the world, but The Strange Ways of Providence in her Life has chosen for her to live, to be. This is how you could present in short, the content of Krystyna Carmi’s memoire. The memoire are interspersed with the cover of Doctor Markus Willbach, a friend of the Sorger family to emphasize the authenticity of Krystyna Carmi’s (maiden name: Sorger) memories as the images, situations, and events witnessed by her as a little girl coincide with Doctor Willbach’s account, an a