Unlike most Cantonese girls, Spring Pearl has learned to read and write, but she must now learn a new skill-how to survive in Master Sung's hostile household. While the Second Opium War rages in the streets and harbor of Canton, Spring Pearl faces battles of her own.

    In the 300 years since its initial publication, Li Yu's book has been widely read in China, where it is recognized as a benchmark of erotic literature and currently enjoys the distinction of being a banned-in-Beijing classic.

    Though the term has been around for half a century, it is only now, Kai-Fu Lee argues, that AI is poised to upend our society, just as the arrival of technologies like electricity and smart phones did before it. In the past five years, AI has shown it can learn games like chess in mere hours--and beat humans every time. AI has surpassed humans in speech and object recognition, even outperforming radiologists in diagnosing lung cancer. AI is at a tipping point. What comes next?Within two decades, aspects of daily life may be unrecognizable. Humankind needs to wake up to AI, both its pathways and perils. In this provocative work that juxtaposes speculative storytelling and science, Lee, one of the world's leading AI experts, has teamed up with celebrated novelist Chen Qiufan to reveal how AI will trickle down into every aspect of our world by 2041. In ten gripping narratives that crisscross the globe, coupled with incisive analysis, Lee and Chen explore AI's challenges and its potential:- Ubiquitous AI that knows you better than you know yourself - Genetic fortune-telling that predicts risk of disease or even IQ - AI sensors that creates a fully contactless society in a future pandemic - Immersive personalized entertainment to challenge our notion of celebrity - Quantum computing and other leaps that both eliminate and increase riskBy gazing toward a not-so-distant horizon, AI 2041 offers powerful insights and compelling storytelling for everyone interested in our collective future.

    Though twelve-year-old Li Jing's name is a different character entirely from the Huli Jing, the sound is close enough to provide constant teasing-but maybe is also a source of greater destiny and power. Jing's life isn't easy. Her father is a poor tea farmer, and her family has come to the conclusion that in order for everyone to survive, Jing must be sacrificed for the common good. She is sold as a bride to the Koh family, where she will be the wife and nursemaid to their three-year-old son, Ju'nan. It's not fair, and Jing feels this bitterly, especially when she is treated poorly by the Koh's, and sold yet again into a worse situation that leads Jing to believe her only option is to run away, and find home again. With the help of a spider who weaves Jing a means to escape, and a nightingale who helps her find her way, Jing embarks on a quest back to Huanan--and to herself.

    Or so Lily was told. Lily grew up in her new family and tried to forget her past. But with the Korean War raging and fear of “commies” everywhere, Lily’s Asian heritage makes her a target. She is sick of the racism she faces, a fact her adoptive parents won’t take seriously. For Lily, war is everywhere—the dinner table, the halls at school, and especially within her own skin.Then her brainy little brother, Ralph, finds a box hidden in the attic. In it are a baffling jumble of broken antiques—clues to her past left by her “Gone Mom.” Lily and Ralph attempt to match these fragments with rare Chinese artifacts at the art museum. She encounters the artistic genius Elliot James, who attracts and infuriates Lily as he tries to draw out the beauty of her golden heritage. Will Lily summon the courage to confront her own remarkable creation story? The real story, and one she can know only by coming face-to-face with the truth long buried within the people she thought she knew best.

    In the 1990s, as the tea's noble lineage and unique process of aging and fermentation were rediscovered, it achieved cult status both in China and internationally. The tea became a favorite among urban connoisseurs who analyzed it in language comparable to that used in wine appreciation and paid skyrocketing prices. In 2007, however, local events and the international economic crisis caused the Puer market to collapse.Puer Tea traces the rise, climax, and crash of this phenomenon. With ethnographic attention to the spaces in which Puer tea is harvested, processed, traded, and consumed, anthropologist Jinghong Zhang constructs a vivid account of the transformation of a cottage handicraft into a major industry--with predictable risks and unexpected consequences.Watch the associated videos at https: //archive.org/details/PUERTEADVD1.

    Inside, scrolls were piled from floor to ceiling, undisturbed for a thousand years. The gem within was the Diamond Sutra of AD 868. This key Buddhist teaching, made 500 years before Gutenberg inked his press, is the world’s oldest printed book. The Silk Road once linked China with the Mediterranean. It conveyed merchants, pilgrims and ideas. But its cultures and oases were swallowed by shifting sands. Central to the Silk Road’s rediscovery was a man named Aurel Stein, a Hungarian-born scholar and archaeologist employed by the British service. Undaunted by the vast Gobi Desert, Stein crossed thousands of desolate miles with his fox terrier Dash. Stein met the Chinese monk and secured the Diamond Sutra and much more. The scroll’s journey—by camel through arid desert, by boat to London’s curious scholars, by train to evade the bombs of World War II—merges an explorer’s adventures, political intrigue, and continued controversy. The Diamond Sutra has inspired Jack Kerouac and the Dalai Lama. Its journey has coincided with the growing appeal of Buddhism in the West. As the Gutenberg Age cedes to the Google Age, the survival of the Silk Road’s greatest treasure is testament to the endurance of the written word.

    Teahouse spans fifty years in modern Chinese history from the collapse of the Qing dynasty and the Republican Revolution to the birth of the People's Republic. The play brings together over sixty characters, representing all walks of life in change. It is noted for its vivid portrayal of characters and lively use of Beijing dialect, but its main thrust lies in Lao She's vision of history, which is prophetic of later political movements and its disastrous effects on the average Chinese people. Teahouse is a rare masterpiece of the contemporary Chinese theatre. It has been performed in Japan, Europe and North America, and translated into major foreign languages.

    When Wen is adopted by an American couple, she struggles to adjust to every part of her new life: having access to all the food and clothes she could want, going to school, being someone's daughter. But the hardest part of all is knowing that Shu Ling remains back at the orphanage, alone. Wen knows that her best friend deserves a family and a future, too. But finding a home for Shu Ling isn't easy, and time is running out . . .

    There, among the archives inherited from his great-aunt Rebecca MacKenzie, was a 1920's journal recounting the thrilling and dangerous adventures of fifteen-year old Rebecca and her younger brother, Doug, in the wake of their parents mysterious disappearance in the deserts of China. Now carefully re-created in a lavish volume complete with cloth binding and a journal-style elastic clasp, the siblings tale begins aboard the Expedient, their uncle's enigmatic research ship, and moves at a breathless pace through the streets of Shanghai and on to a terrifying island fortress. Along the way, Doug and Becca encounter an ancient order of Chinese mercenaries, a brutal pirate warlord, a feisty Texan heiress, and a stolen cache of a volatile explosive called zoridium. By their saga's end, the intrepid duo has exposed a murderous plot involving their parents and uncovered a high-minded secret society hidden from the world for hundreds of years. Interspersed are such archival elements as:elaborate diagram and mapsvintage photos and illustrationsdocuments with stamps, seals, and watermarksfour full-color gatefolds, the largest a six-page foldoutextensive appendices and notes

    Her many friends there provided her with a wealth of information about China's convoluted politics, and the secret life and unique personalities of Shanghai--material she used as the basis of Shanghai '37. The hotel depicted in the novel was the Cathay, which, on August 14, 1937, following the outbreak of the Sino-Japanese War, was attacked by a bomb. This incident, known as "Bloody Saturday," caused considerable damage and the deaths of many people. It forms the climax of Shanghai '37, a story that follows the lives of nine people to Shanghai and the hour of their death. This book, the second of Baum's "hotel" novels, was first published in America in 1939.

    You have permission to copy the book and its pages for your students.

    Encompassing the spiritual, philosophical, political, mystical, and erotic strains that have emerged over millennia, this broadly representative selection also includes a preface on the art of translation, a general introduction to Chinese poetic form, biographical headnotes for each of the poets, and concise essays on the dynasties that structure the book. A landmark anthology, The Anchor Book of Chinese Poetry captures with impressive range and depth the essence of China’s illustrious poetic tradition.

    The respected Greek novelist recounts his travels to the Orient in 1935, and provides vivid impressions of two cultures in a period of transition

    His unique poetry is now recognized as among Poland's finest. Largely self-taught, he left Poland at the age of 21, moving widely around Europe - befriended by Chopin among others - before travelling to America. Persistently dogged by financial crises, he was forced to return to Paris in 1854. There he spent the rest of his life, dying in a hostel for Polish insurrection veterans in Ivry in 1883. Norwid's work is introduced by Bogdan Czaykowski, the eminent Polish poet, who is also a noted scholar and critic. Adam Czerniawski, born in Warsaw in 1934, has translated widely from Polish (including Tadeusz Rózewicz's selected poetry, They Came to See a Poet', also from Anvil) as well as publishing poetry, stories, criticism and a memoir in his first language. He has lived in Palestine, Lebanon, Germany, England and Scotland, working in a variety of academic and literary posts.