Soon she’s bathing in the master bathtub, drinking their expensive wine, and eyeing the beautifully finished garden apartment in their townhouse. It seems she can never get close enough, until she discovers that photos aren’t all she can manipulate.

    But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.

    Still unsolved, the mystery remains a national obsession.For legendary hacker and marine Gibson Vaughn, the case is personal—Suzanne Lombard had been like a sister to him. On the tenth anniversary of her disappearance, the former head of Benjamin Lombard’s security asks for Gibson’s help in a covert investigation of the case, with new evidence in hand.Haunted by tragic memories, he jumps at the chance to uncover what happened all those years ago. Using his military and technical prowess, he soon discovers multiple conspiracies surrounding the Lombard family—and he encounters powerful, ruthless political players who will do anything to silence him and his team. With new information surfacing that could threaten Lombard’s bid for the presidency, Gibson must stay one step ahead as he navigates a dangerous web to get to the truth.

    Coleman is both wrapping up a reunion for childhood friends and battening down the hatches for an approaching hurricane when his life gets a jolt of adrenaline.Francisco Escobar, nephew of Columbian drug kingpin Pablo Escobar, has spent the last two decades maintaining a low profile but now ready to expand his family’s empire. As Escobar plans for new business opportunities, he also wrestles with how to handle old grievances.In this riveting thriller, Seth Coker develops a range of unforgettable characters while providing a nuanced glimpse of a waterman’s life on the North Carolina coast.

    He is driving his family home after his daughter’s lacrosse game when a pickup truck begins tailgating them, on a dark stretch of road. Suddenly two men jump from the pickup and pull guns on Jason, demanding the car. A horrific flash of violence changes his life forever. Later that awful night, Jason and his family receive a visit from the FBI. The agents tell them that the carjackers were members of a dangerous drug-trafficking organization - and now Jason and his family are in their crosshairs. The agents advise the Bennetts to enter the witness protection program right away, and they have no choice but to agree. But WITSEC was designed to protect criminal informants, not law-abiding families. Taken from all they know, trapped in an unfamiliar life, the Bennetts begin to fall apart at the seams. Then Jason learns a shocking truth and realizes that he has to take matters into his own hands.

    Now one is profiling her.Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone.When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus? And does his sudden return have anything to do with the woman on the train?Ziba scrambles to profile the killer in the hope of predicting his next move. But time is running out. And the closer she gets to uncovering his identity, the closer he gets to destroying hers.

    Well, actually, coming back from the dead and having the ability to communicate with ghosts is really what did it. Now, a private investigator in rural Freeport, Illinois, Mary’s trying to learn how to incorporate her experience as a Chicago cop and new-found talent into a real job. Her challenge is to solve the mysteries, get real evidence (a ghost’s word just doesn’t hold up in court), and be sure the folks in town, especially the handsome new police chief, doesn’t think she’s nuts. Twenty-four years ago, a young woman drowned in the swimming pool of a newly elected State Senator. It was ruled an accident. But now, as the Senator prepares to move on to higher positions, the ghost of the woman is appearing to the Senator’s wife.Mary is hired to discover the truth behind the death. She unearths a connection between the murder and the disappearance of five little girls whose cases, twenty-four years later, are still all unsolved. As she digs further, she becomes the next target for the serial killers’ quest to tie up all his loose ends.

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    Emma Walsh has finally worked up the courage to confront her husband James about his drinking—his alcoholic rages, his blackouts, and the fear his behavior has created for her and their two kids. But James never shows up to meet her as planned, and all her righteous words go unsaid. And unsaid they remain, because the next time Emma sees James, his body lies crumpled amidst the wreckage of his flashy car, which has been smashed to its final resting place halfway through the back wall of their suburban house’s roomy garage. In the aftermath of the fatal crash, Emma and her teenage children begin to embrace life without James’s looming, volcanic presence. Buoyed by the support of her two closest friends, she struggles to deal with her grief, complicated by the knowledge that her husband’s legacy as an upstanding business owner and family man shines only because so many people, for so long, were so willing to keep his secrets—secrets that twist into new and unexpected shapes as the mysterious details of his last day of life begin to come to light. A sinister and suspenseful domestic thriller, lauded as “stylish” by Publishers Weekly and “delicious” by Booklist, Wish You Were Gone will keep you guessing “until not just the last page, but the last paragraph” (Chandler Baker, New York Times bestselling author).

    When newly appointed Deputy Marshal Archie Lean is called in to investigate a prostitute's murder in Portland, Maine, he's surprised to find the body laid out like a pentagram and pinned to the earth with a pitchfork.  He's even more surprised to learn that this death by "sticking" is a traditional method of killing a witch.      Baffled by the ritualized murder scene, Lean secretly enlists the help of historian Helen Prescott and brilliant criminalist Perceval Grey.  Distrusted by officials because of his mixed Abenaki Indian ancestry, Grey is even more notorious for combining modern investigative techniques with an almost eerie perceptiveness.  Although skeptical of each other's methods, together the detectives pursue the killer's trail through postmortems and opium dens, into the spiritualist societies and lunatic asylums of gothic New England.      Before the killer closes in on his final victim, Lean and Grey must decipher the secret pattern to these murders--a pattern hidden within the dark history of the Salem witch trials.

    Her daughter is missing – lost for four days – but no one has noticed; no one has complained; no one has been searching.As the victim support officer assigned to her case, Christine Emmett puts aside her own problems as she tries to guide Rena through the maelstrom of her daughter’s disappearance.A task made harder by an ex-husband desperate for control; a paedophile on early-release in the community; and a psychic who knows more than seems possible.And intertwined throughout, the stories of six women; six daughters lost."I thought that not knowing was the worst thing I could ever endure. Not knowing if she was in trouble or needing my help or in pain. I worried that she’d been taken by someone that would hurt her, then I worried that she’d been taken by someone who would love her and care for her and in a year or two she’d have forgotten I ever existed. Not knowing was killing me.The police found her body stuffed into an old recycling bin out the back of a sleep-out. My beautiful girl had been bent to fit as though she was just a piece of rubbish, something to be disposed of.When I went to the hospital to identify my beautiful girl’s broken body - that was worse than not knowing. When I buried her in the cemetery and compared the size of the gravesite to the other freshly buried bodies - that was worse than not knowing. When I drank myself to sleep on the anniversary of her sixth birthday, and realised that I would likely be doing that until my life ended - that was worse than not knowing."

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    One by one, the team falls violently ill, bleeding from their eyes and ears before succumbing to a slow, painful death. Whatever was buried with the Aztec chief is still active, infectious--and now airborne…It Spreads Quickly…In Austin, a young archeologist listens to the dying words of her mentor in Mexico--a warning to quarantine the site before all hell breaks loose. In Atlanta, the CDC's Dr. Mason Williams leads an emergency squad on a life-or-death mission--into the hot zone. At Fort Detrick, an army officer sends a trained team to secure the anthrax--as a biological weapon. But time is running out. The disease is spreading rapidly across the border, into the airports, and across the globe, killing thousands. With no cure, no vaccine, and no way to contain it, there will be no hope for humanity--to survive…

    Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife's death, so he moves to Pale Harbor, Maine, where there is a vacancy for a new minister. Gideon and his late wife had always dreamed of building their own church, and Pale Harbor is the perfect opportunity.But not all is as it seems in the sleepy town of Pale Harbor. Strange, unsettling things have been happening, and the townspeople know that only one person can be responsible: Sophronia Carver, a widow who lives with a spinster maid in the decaying Castle Carver on the edge of town. Sophronia is a recluse, rumored to be a witch who killed her husband.When Gabriel meets her, he knows the charming, beautiful woman cannot be guilty of anything. Together, Gabriel and Sophronia realize that the mysterious events have one thing in common: they all contain an element from the wildly popular stories of Mr. Edgar Allan Poe. And when the events escalate to murder, Gabriel and Sophronia must find the real killer, before it's too late for them both.

    Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife—who was shy and withdrawn, and only left their house twice a week to go to haiku meetings—ended up dead in a small shop in a shady Tokyo neighborhood?When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife’s death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life...