A tumultuous six weeks of confinement in their home follow.

    The laughter continues to flow in Gina Kirkham's brilliant sequel to the hilarious Handcuffs, Truncheon and a Polyester Thong.Our hapless heroine, Constable Mavis Upton, is preparing to walk down the aisle with her fianc� Joe, but has to deal with her temperamental teen daughter, as well as investigate a serial flasher on a push bike.Throw a diva drag queen into the mix and you can expect more marvellous Mavis mishaps...Revel in Gina Kirkham's humorous, poignant, and moving stories of an everyday girl who one day followed a dream.

    A highly entertaining comedy that has never appeared in print or on stage, Is He Dead? is finally available to the wide audience Mark Twain wished it to reach. Written in 1898 in Vienna as Twain emerged from one of the deepest depressions of his life, the play shows its author's superb gift for humor operating at its most energetic. The text of Is He Dead?, based on the manuscript in the Mark Twain Papers, appears here together with an illuminating essay by renowned Mark Twain scholar Shelley Fisher Fishkin and with Barry Moser's original woodcut illustrations in a volume that will surely become a treasured addition to the Mark Twain legacy.Richly intermingling elements of burlesque, farce, and social satire with a wry look at the world market in art, Is He Dead? centers on a group of poor artists in Barbizon, France, who stage the death of a friend to drive up the price of his paintings. In order to make this scheme succeed, the artists hatch some hilarious plots involving cross-dressing, a full-scale fake funeral, lovers' deceptions, and much more.Mark Twain was fascinated by the theater and made many attempts at playwriting, but this play is certainly his best. Is He Dead? may have been too "out there" for the Victorian 1890s, but today's readers will thoroughly enjoy Mark Twain's well-crafted dialogue, intriguing cast of characters, and above all, his characteristic ebullience and humor. In Shelley Fisher Fishkin's estimation, it is "a champagne cocktail of a play--not too dry, not too sweet, with just the right amount of bubbles and buzz."

    Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life, people who need the help Mrs. Savage can provide. In getting to know them, she realizes that she will find happiness with them and plans to spend the rest of her life as one of them. But when the doctor tells her there is no reason why she should remain, she hesitates to go out into a hard world where people seem ready to do anything for money. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase. At last her friends conspire to get rid of her stepchildren, and through their simple belief in the justice of her cause, they enable Mrs. Savage to carry out her plans. The last scene, a farewell party, is a delightful fantasy where each "guest" in the sanatorium realizes at last some hopeless dream for something he was never able to realize. The dominant mood is high comedy, and the audience is left with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times only by greed and dishonesty.

    You’ll read about dumb crooks and criminal masterminds, mafia henchman and low-level goons, ancient warriors and Old West gunslingers, crazed cops and jovial judges, and even a few loony lawyers and crooked Wall Street types. It’s the True Crime book that only Uncle John could make! Here are some of the unusual suspects . . .- New York City’s “Mad Bomber”- The Biddle Brothers and the Queen of the Jail- Law and Order: Special Pants Unit- Dopes who hide their dope in the strangest places- America’s first private eye- NASCAR’s bootlegging beginnings- The real pirates of the Caribbean- Why CSI makes the cops’ job even harder- Billy the Kid and other outlaws who died with their boots on- George Luger, Samuel Colt, and other fathers of guns- The greatest train robberies- Arrested for farting- And much more!

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    

     Fresh from Duck Soup (1933), Julius, Leonard, Arthur and Herbert Marx - or as the world knows them, Groucho, Chico, Harpo and Zeppo - are transported by a freak electrical storm to Nacogdoches, Texas in the year 1826. Landing in the midst of the Fredonian Rebellion (the first attempt by settlers in Texas to secede from Mexico) and into the company of the only other Jewish person in town, they are in deep dreck. Falling in with Stephen F. Austin and inadvertently filling his head with knowledge of what is to come, our heroes risk tampering with the future of Texas, and perhaps the entire U.S.A., in their quest to return to their own time. Will they find their way back? Or will they be doomed to live out their lives without indoor plumbing?

    Carnelle enlists half-blind seamstress Popeye to help her efforts. Meanwhile, Carnelle’s cousins, Elain and Delmont, are forced to come to terms with their late mother’s legacy, against their own desires. Beth Henley’s signature messy characters fit imperfectly into tragi-comic portraits of the American South.

    For as long as anyone can remember, the founder and CEO (known in some circles as "God") has been phoning it in. Lately, he's been spending most of his time on the golf course. And when he does show up at work, it's not to resolve wars or end famines, but to Google himself and read what humans have been blogging about him. When God decides to retire (to pursue his lifelong dream of opening an Asian Fusion restaurant), he also decides to destroy Earth. His employees take the news in stride, except for Craig and Eliza, two underpaid angels in the lowly Department of Miracles. Unlike their boss, Craig and Eliza love their jobs -- uncapping city fire hydrants on hot days, revealing lost keys in snow banks -- and they refuse to accept that earth is going under. The angels manage to strike a deal with their boss. He'll call off his Armageddon, if they can solve their toughest miracle yet: getting the two most socially awkward humans on the planet to fall in love. With doomsday fast approaching, and the humans ignoring every chance for happiness thrown their way, Craig and Eliza must move heaven and earth to rescue them -- and the rest of us, too.

    His grown sons dissaprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.

    We all know one! They like to groan and grumble, offering their own commentary on the shortcomings of modern life. Whether it is queues at the supermarket, the state of the health system, the price of a pint these days, the hairstyles of teenagers, or the number of Maltesers you actually get in a bag, there is always something that will get their goat. 'The Grumpy Old Git's Guide to Life' is a hilarious celebration of all these grumps, how to identify one, what exactly they find so irritating and why we find their rants quite so amusing.

    Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.

    Frank Rich in "The New York Times" wrote about "Prelude," "It is rare to find a play so suffused with sorrow that sends one home so high." Also included are "Missing Persons," "a truly intelligent play, one that is literary and heartfelt, beautifully written...a well-crafted, moving story, a dramatic rarity in these or any times "("New York Post"), and "Three Postcards," an offbeat and uniquely imaginative free form musical play. Craig Lucas is also the author of "Reckless and Blue Window" and "What I Mean Was." He lives in Putnam Valley, New York.

    Evelyn’s getting to the bottom of her daughter’s mysterious diet before the dessert course, no matter how far it stretches her parenting skills or dents her reputation as the perfect hostess. Join Evelyn, her daughter Mallory, and their close friends for this heartwarming Christmas story set in the Vegan Vamp world. This story was previously published as a part of the Spells and Jinglebells Christmas anthology.