The thief then leaves, and the patrons all survive, but strange things soon begin to happen to them: One survivor’s tattoo jumps off her ankle and chases her around; another wakes up to find that she’s made of candy; and Stacey Hinterland discovers that she’s shrinking, incrementally, a little every day, and nothing that her husband or son do can reverse the process. The Tiny Wife is a fable about losing yourself in circumstances and finding yourself in the the love of another.

    Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams...and maybe even change the world.

    As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood—is a great accomplishment. Readers, I think, will find this book irresistible."

    Named a CBC Books Spring Reading List Title, a Shelf Life Books Book of the Month, a Toronto Life and Nikkei Voice summer read recommendation, and one of Daily Hive's 10 Essential Reads to Celebrate Asian Canadian Writers. On the eve of the new millennium, in a city in southern Japan that progress has forgotten, sixteen-year-old Anna Obata looks to the stars for solace. An outcast at school, and left to fend for herself and care for her increasingly senile grandfather at home, Anna copes with her loneliness by searching the night sky for answers. But everything changes the evening the Low Earth Orbit satellite (LEO for short) returns her gaze and sees her as no one else has before. After Leo is called down to Earth, he embarks on an extraordinary journey to understand his own humanity as well as the fragile mind of the young woman who called him into being. As Anna withdraws further into her own mysterious plans, he will be forced to question the limits of his devotion and the lengths he will go to protect her. Full of surprising imaginative leaps and yet grounded by a profound understanding of the human heart, Satellite Love is a brilliant and deeply moving meditation on loneliness, faith, and the yearning for meaning and connection. It is an unforgettable story about the indomitable power of the imagination and the mind's ability to heal itself, no matter the cost, no matter the odds.

    Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools.At school Margaret soon encounters the Raven, a black-cloaked nun with a hooked nose and bony fingers that resemble claws. She immediately dislikes the strong-willed young Margaret. Intending to humiliate her, the heartless Raven gives gray stockings to all the girls -- all except Margaret, who gets red ones. In an instant Margaret is the laughingstock of the entire school.In the face of such cruelty, Margaret refuses to be intimidated and bravely gets rid of the stockings. Although a sympathetic nun stands up for Margaret, in the end it is this brave young girl who gives the Raven a lesson in the power of human dignity.Complemented by archival photos from Margaret Pokiak-Fenton's collection and striking artwork from Liz Amini-Holmes, this inspiring first-person account of a plucky girl's determination to confront her tormentor will linger with young readers.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    Mitchell died in 1998, he was described as "Canada's best-loved writer." Every commentator agreed that his best—and his best-loved—book was Who Has Seen the Wind. Since it was first published in 1947, this book has sold almost a million copies in Canada.As we enter the world of four-year-old Brian O'Connal, his father the druggist, his Uncle Sean, his mother, and his formidable Scotch grandmother ("she belshes … a lot"), it soon becomes clear that this is no ordinary book. As we watch Brian grow up, the prairie and its surprising inhabitants like the Ben and Saint Sammy—and the rich variety of small-town characters—become unforgettable. This book will be a delightful surprise for all those who are aware of it, but have never quite got around to reading it, till now.

    All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present-day, more than twenty-five years later, but spirals back again and again to the "February" that persists in Helen's mind and heart.Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile, before we truly come home. This is a profound, gorgeous, heart-stopping work from one of our best writers.

    Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good. And as the months go on, plagued by romantic temptations new and old, the emotional distance between the once blissful Aidan and Martha only widens.Between his accordion lessons and reading up on Big Running’s local flora and fauna, eleven-year-old Finn Connor develops an obsession with solving the mystery of the missing fish. Aided by his reclusive music instructor Mrs. Callaghan, Finn thinks he may have discovered a way to find the fish, and in turn, save the only home he’s ever known. While Finn schemes, his sister Cora spends her days decorating the abandoned houses in Big Running with global flair—the baker’s home becomes Italy; the mailman’s, Britain. But it’s clear she’s desperate for a bigger life beyond the shores of her small town. As the streets of Big Running continue to empty Cora takes matters—and her family’s shared destinies—into her own hands.In Our Homesick Songs, Emma Hooper paints a gorgeous portrait of the Connor family, brilliantly weaving together four different stories and two generations of Connors, full of wonder and hope. Told in Hooper’s signature ethereal style, each page of this incandescent novel glows with mythical, musical wonder.

    At least that is the way Wren StrongEagle sees it.Wren is devastated when her twin sister, Raven, mysteriously disappears after the two spend an evening visiting at a local pub. When Wren files a missing persons report with the local police, she is dismissed and becomes convinced the case will not be properly investigated. As she follows media reports, Wren realizes that the same heartbreak she’s feeling is the same for too many families, indeed for whole Nations. Something within Wren snaps and she decides to take justice into her own hands. She soon disappears into a darkness, struggling to come to terms with the type of justice she delivers. Throughout her choices, and every step along the way, Wren feels as though she is being guided. But, by what?

    Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormentors.These raw and realistic portrayals of bullying are counterbalanced by textured exposition of the philosophical and religious debates concerning violence to which the weak are subjected.Kawakami's simple yet profound new work stands as a dazzling testament to her literary talent. There can be little doubt that it has cemented her reputation as one of the most important young authors working to expand the boundaries of contemporary Japanese literature.

    Orphaned as teenagers, they have grown up under the exasperated watch of their Sikh uncle, who runs a bagel shop in Montreal's Hasidic community of Mile End. Together, they try to make sense of the rich, confusing brew of values, rituals, and beliefs that form their inheritance. Yet as they grow towards adulthood, their paths begin to diverge. Beena catches the attention of one of the "bagel boys" and finds herself pregnant at sixteen, while Sadhana drives herself to perfectionism and anorexia.When we first meet the adult Beena, she is grappling with a fresh grief: Sadhana has died suddenly and strangely, her body lying undiscovered for a week before anyone realizes what has happened. Beena is left with a burden of guilt and an unsettled feeling about the circumstances of her sister's death, which she sets about to uncover. Her search stirs memories and opens wounds, threatening to undo the safe, orderly existence she has painstakingly created for herself and her son.Heralded across Canada for the power and promise of her debut collection, Mother Superior, Nawaz proves with Bone and Bread that she is one of our most talented and unique storytellers.

    In the first half of the book, we learn of Termen’s early days as a scientist in Leningrad during the Bolshevik Revolution, the acclaim he receives as the inventor of the theremin, and his arrival in 1930s New York under the aegis of the Russian state. In the United States he makes a name for himself teaching the theremin to eager music students and marketing his inventions to American companies. In the second half, the novel builds to a crescendo as Termen returns to Russia, where he is imprisoned in a Siberian gulag and later brought to Moscow, tasked with eavesdropping on Stalin himself. Throughout all this, his love for Clara remains constant and unflagging, traveling through the ether much like a theremin’s notes. Us Conductors is steeped in beauty, wonder, and looping heartbreak, a sublime debut that inhabits the idea of invention on every level.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.