No inhibitions. No obligations. Just one night to indulge in Forbidden Fantasies. Unzipped is a 10,000 short story, book 1 in the Forbidden Fantasies short story series.

    It is the prettiest umbrella in the whole village and she carries it everywhere she goes. The Blue Umbrella is a short and humorous novella set in the hills of Garhwal. Written in simple yet witty language, it captures life in a village - where ordinary characters become heroic, and others find opportunities to redeem themselves.

    In his Introduction, Memon traces the evolution of the Urdu short story from its origins in the work of writers like Munshi Premchand the first professional short story writer in Urdu through the emergence of the Progressives in the late 1930s, whose writings were unabashedly political and underpinned their Marxist ideologies, to the post-Independence Modernist era, and today s generation of avant-garde, experimental writers of Urdu fiction. Every story in the anthology illustrates one or the other facet of the form in the Urdu literary tradition. But even more than for their formal technique and inventiveness, these stories have been included because of their power and impact on the reader. Death and poverty face off in Premchand's masterpiece The Shroud. In Khalida Asghar's The Wagon, a mysterious redness begins to cloak the sunset in a village by the Ravi. Behind closed doors and cracks in the windows lies desire but also a sense of queer foreboding in Naiyer Masud's Obscure Domains of Fear and Desire. The tragedy and horror of Partition are brought to life by Saadat Hasan Manto's lunatic (in Toba Tek Singh ) and the eponymous heroine of Rajinder Singh Bedi's Laajwanti. Despairing, violent, passionate, humorous, ironic and profound the fiction in The Greatest Urdu Stories Ever Told will imprint itself indelibly on your mind. M. U. Memon is a translator without parallel and this book, which brings together the best of short fiction in the literary Urdu tradition, is sure to be classic. This collection spans the entire spectrum of the Urdu literary tradition from Premchand, who is considered the first Urdu short-story writer, to contemporary writers like S. M. Ashraf and Tassaduq Sohail. In The Greatest Urdu Stories Ever Told, you will find much-loved gems like Premchand's Kafan , Rajinder Singh Bedi's Laajwanti , Saadat Hasan Manto's Toba Tek Singh as well as new classics like Sajid Rashid's Fable of a Severed Head and Anwer Khan's The Pose . This book is part of a continuing series that gave us the highly popular The Greatest Bengali Stories Ever Told.

    She had always been a source of support--until Maya became a mother herself. Then, the parent who had once been so capable and attentive turned unavailable and distant. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimer'sWhen Maya steps in to care for her, she comes to realize that despite their closeness, she never really knew her mother. Were her cherished stories--about life in India, about what it means to be an immigrant, about motherhood itself--even true? Affecting, raw, and poetic, What We Carry is the story of a daughter and her mother, of lies and truths, of receiving and giving care--and how we cannot grow up until we fully understand the people who raised us.Advance praise for What We Carry"A dazzling, courageous memoir about the weight we carry as women, daughters, and mothers--and what happens when we let go. Lang takes us deep into the heart of her relationship with her mother, a brilliant psychiatrist and Indian immigrant with long-buried secrets. After a health crisis brings mother and daughter under the same roof for the first time since childhood, Lang grapples with new information about the parent she'd idolized, and realizes it's time to tell the story of her own life. What We Carry is a love letter to everyone who has swum through turbulent water before reaching the shores of selfhood."--Chloe Benjamin, New York Times bestselling author of The Immortalists

    He isn’t the boy next door, or the kind you trust with your heart. He’s the devil in designer jeans, with all the charm of a bona fide psycho.Trust me.He swears I did something to cross him before I even stepped foot inside Cypress Prep, but it’s a lie. No one knows better than me that I’m all out of chances. One more misstep and I can kiss my future goodbye, which means I can’t possibly be guilty of whatever he thinks I’ve done. West marks me with a target anyway, and as this town’s football star, no one dares to go against him. His money, status, and the loyalty of his equally entitled brothers makes him seem untouchable. Only, I know better than that.This false god isn’t infallible like he wants the world to believe. Whenever I stare into those devilish green eyes, I see it plain as day. The chink in his armor. His one and only weakness.Me.The King of Cypress Prep has finally met his match and taking him down just became an inside job.*Final cover coming soon!*

       In 2016, Pakistan’s first social media celebrity, Qandeel Baloch, was murdered in a suspected honor killing. Her death quickly became a media sensation. It was both devastatingly routine and breathtakingly brutal, and in a new media landscape, it couldn’t be ignored.   Qandeel had courted attention and outrage with a talent for self-promotion that earned her comparisons to Kim Kardashian—and made her the constant victim of harassment and death threats. Social media and reality television exist uneasily alongside honor killings and forced marriages in a rapidly, if unevenly, modernizing Pakistan, and Qandeel Baloch’s story became emblematic of the cultural divide.   In this deftly reported and artfully told account, Sanam Maher reconstructs the story of Qandeel’s life and explores the depth and range of her legacy from her impoverished hometown rankled by her infamy, to the aspiring fashion models who follow her footsteps, to the Internet activists resisting the same vicious online misogyny she faced. Maher depicts a society at a crossroads, where women serve as an easy scapegoat for its anxieties and dislocations, and teases apart the intrigue and myth-making of the Qandeel Baloch story to restore the humanity of the woman at its center.

    There's no room in his life for another person. He can barely keep a handle on things as it is. A shadow of the man he used to be, Reece spends his days tattooing, the artist inside of him longing for the chance to do something different. Avery Moore is all dance, all the time. Ballet is all she's ever known, and she's damn good at it. Her body is her art, a living canvas that captivates Reece the first time he lays his eyes on her. He yearns to leave his mark on her body... in more ways than one. The tattooed degenerate with a shady past. The beautiful ballerina with a bright future. They live in different worlds, yet somehow, they fit. But just because they fit doesn't mean they belong together. Cracks sometimes form. Two pieces don't always make a whole. The course of love never did run smoothly. Things get messy. And Reece doesn't do messy. Not anymore.

    Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    But the entry fee to this big top show is far more than Cora bargained for.A deal struck.A soul...stuck.As Harrow Faire shines a spotlight on Cora, she discovers there are far more secrets in that three-ring nightmare than she could possibly imagine. Trapped in the world of the fiendish and alluring man known as the Puppeteer, Cora finds herself caught in a war between him and the reclusive Mr. Harrow. Both parties will stop at nothing—even murder—to get what they want.And what they want…is her.

    "Why what?" He asks. "Why you're being so nice to me," I say quietly, vulnerability seeping into my words. "How we even became friends." He sighs, "I want to know how."I scrunch my brow. "How what?"His response is soft, the opposite of his burly personality. "How you don't see it."*******Reagan Holt was about as average as a high school student could be. She didn't play any sports, didn't participate in the popular activities, and wasn't the girl all the boys chased after. All except one boy. He wrote her a letter every week. Each letter described something new for him to love about her. Whether it was how beautiful her laugh was or how his heart swelled with every smile she gave, he never failed to write how he felt. So the two should be together, right? That's the way Reagan wants it, but there's just one problem. He signs his letters"Love, Anonymous." Now add an obnoxious, conceited, sex god into the equation and you get a teenage girl confused on who really loves her. The sweet, tender written anonymous lover, or the cocky, ignorant asshole?

    Taking from their own experiences as a gender-nonconforming artist, they show us that gender is a malleable and creative form of expression. The only limit is your imagination.

    With a fantastic pair of shoes on the line for the woman who makes it to the end without breaking any rules, the competition gets fierce. Sparks fly a few days into the bet when Grace and her friends cross paths with a sexy bartender named Michael Andris who happens to have a little bet of his own going with his friends.... In this hilarious debut novel, Victoria Michaels brings us a colorful and relatable cast of characters. She sends them on a sweet and sexy escapade as they sidestep one booby trap after another, manage the best of misguided intentions, and exert a whole lot of willpower and self control as they race down the path to true love. Winning isn't everything...or is it?

    Well, actually, that’s not entirely true. She does take horse crap. Piles of it. The real kind that is––not the metaphorical one. It kind of goes with the job description when you run a large animal rescue. What she does not take, however, is crap from an entitled movie star who needs to reform his rotten image. Unfortunately, the farm she manages is in trouble and if she doesn’t raise the cash to save it she’ll be homeless along with the precious animals who depend on her. So she’ll grin and bear the King of Hollywood Screw Ups, and the assistant, and the overprotective brother he brings along. I mean, she takes care of large animals for a living. Isn’t that basically the same thing?

    Conflicted and unable to maintain the charade, he separates from his wife and takes a job as caretaker at a former mental hospital. Jelley’s Valley State Insane Asylum was the largest mental hospital in California for well over a century, but it now stands empty. William thinks the decrepit institution is the perfect place to finish his dissertation and wait for his divorce to become final. In town, William meets Colby Anderson, who minds the local store and post office. Unlike William, Colby is cute, upbeat, and flamboyantly out. Although initially put off by Colby’s mannerisms, William comes to value their new friendship, and even accepts Colby's offer to ease him into the world of gay sex.William’s self-image begins to change when he discovers a tin box, hidden in an asylum wall since the 1940s. It contains letters secretly written by Bill, a patient who was sent to the asylum for being homosexual. The letters hit close to home, and William comes to care about Bill and his fate. With Colby’s help, he hopes the words written seventy years ago will give him courage to be his true self.

    They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys.Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.