Through her poetry, essays, stories, and performances, Ryka Aoki has challenged, informed, and shared with queer audiences across the United States. Available on Amazon, as well as directly from the press at Trans-Genre.net.

    From the age of two-and-a-half, Jacob, born “Em,” adamantly told his family he was a boy. While his mother Mimi struggled to understand and come to terms with the fact that her child may be transgender, she experienced a sense of déjà vu—the journey to uncover the source of her child’s inner turmoil unearthed ghosts from Mimi’s past and her own struggle to live an authentic life.       Mimi was raised in an ultra-Orthodox Jewish family, every aspect of her life dictated by ancient rules and her role as a woman largely preordained from cradle to grave. As a young woman, Mimi wrestled with the demands of her faith and eventually made the painful decision to leave her religious community and the strict gender roles it upheld.   Having risen from the ashes of her former life, Mimi was prepared to help her son forge a new one — at a time when there was little consensus on how best to help young transgender children. Dual narratives of faith and motherhood weave together to form a heartfelt portrait of an unforgettable family. Brimming with love and courage, What We Will Become is a powerful testament to how painful events from the past can be redeemed to give us hope for the future.

    Among those included are the woman who had blood tests done because she was convinced that "not wanting sex" was a sign of serious illness, and the man who grew up in an evangelical household and did everything "right," only to realize after marriage that his experience of sexuality had never been the same as that of others. Also represented are disabled aces, aces of color, non-gender-conforming aces questioning whether their asexuality is a reaction against stereotypes, and aces who don't want romantic relationships asking how our society can make room for them.

    Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.

    At age six she was a Chilean refugee adjusting to life as a Latina in North America. At eighteen she was a revolutionary dissident married to a generous-hearted man she couldn't fully love. In her early twenties she fought to find her voice as an actress and to break away from the stereotypical roles thrust upon her--Housekeeper, Hotel Maid, Mexican Hooker #1--all the while navigating the complex paths of lust and heartbreak. As she grew in her career, Aguirre became a writer, a director, an actress, and then a mother, but alongside her many multi-faceted identities was another that was unbearable to embrace yet impossible to escape; that of the thirteen-year-old girl attacked by one of Canada's most feared rapists. Thirty-three years after the assault, Aguirre decided it was time to meet the man who changed her life.Fierce, funny and enlightening, Aguirre interweaves her account of overcoming the attack that shook her world with a host of stories of life and love. From her passionate but explosive relationship with a gorgeous Argentinian basketball player to the all-consuming days at drama school in Vancouver; from the end of the Chilean revolutionary dream to life among the Chicano theatre scene of Los Angeles; from the child who was made the victim of a terrible crime to the artist who found the courage to confront her assailant, Aguirre tells a story of strength and survival that will leave you speechless.

    Stein was born as the first son in a dynastic rabbinical family, poised to become a leader of the next generation of Hasidic Jews. But Abby felt certain at a young age that she was a girl. She suppressed her desire for a new body while looking for answers wherever she could find them, from forbidden religious texts to smuggled secular examinations of faith. Finally, she orchestrated a personal exodus from ultra-Orthodox manhood to mainstream femininity-a radical choice that forced her to leave her home, her family, her way of life. Powerful in the truths it reveals about biology, culture, faith, and identity, Becoming Eve poses the enduring question: How far will you go to become the person you were meant to be?

    Self-taught, introspective, and from a stiflingly boring farm town, he couldn’t relate to his neighbors. While other boys played outside, he stayed indoors reading Greek mythology. And being gay and overweight, he got used to diminishing himself. But little by little, he started learning from all the sad, strange, lonely outcasts in history who had come before him, and he started to feel hope. In this collection of personal essays, Guy talks about finding a sense of belonging at Berkeley—and stirring up controversy in a newspaper column that led to a run‑in with the Secret Service. He recounts the pitfalls of being typecast as the “Sassy Gay Friend,” and how, after taking a wrong turn in life (i.e. law school), he found stand‑up comedy and artistic freedom. He analyzes society’s calculated deprivation of personhood from fat people, and how, though it’s taken him a while to accept who he is, he has learned that with a little patience and a lot of humor, self-acceptance is possible. Written with Guy’s characteristic blend of wit, guile, and rumination, My Life as a Goddess is an unforgettable and deeply moving book by one of today’s most endearing and galvanizing voices in comedy.

    His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written.--back cover

    E. Patrick Johnson challenges stereotypes of the South as backward or repressive and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.

    Instead she found herself drawn deeply into the pained and powerful group of transgirls she discovered. In Transparent she intro­duces four of them—Christina, Domineque, Foxxjazell, and Ariel—and shows us their world, a dizzying mix of familiar teenage cliques and crushes with far less familiar challenges like how to morph your body on a few dollars a day. Funny, heartbreaking, defiant, and sometimes defeated, the girls form a singular community. But they struggle valiantly to resolve the gap between the way they feel inside and the way the world sees them—a struggle we can all identify with. Beam’s careful reporting, sensitive writing, and intimate relationship with her characters place Transparent in the ranks of the best narrative nonfiction.

    Kiss & Tell is her funny and frank memoir in graphic form: a fresh and offbeat coming-of-age story unfolding against the colorful backdrop of San Francisco in the '80s and '90s. Through deft storytelling and charming illustration, MariNaomi carries us through first love and worst love, through heartbreak and bedroom experimentation, as she grows from misfit teen to young woman.

    It is the story of how one woman learned that a responsible mother is not one who slowly dies for her children, but one who shows them how to fully live. It is the story of navigating divorce, forming a new blended family, and discovering that the brokenness or wholeness of a family depends not on its structure but on each member’s ability to bring her full self to the table. And it is the story of how each of us can begin to trust ourselves enough to set boundaries, make peace with our bodies, honor our anger and heartbreak, and unleash our truest, wildest instincts so that we become women who can finally look at ourselves and say: There She Is.

    In the first section, "Customs," Alvarez relates how she and her family fled the Dominican Republic and its oppressive dictator, Rafael Trujillo, settling in New York City in the 1960s. Here Julia begins a love affair with the English language under the tutelage of the aptly named Sister Maria Generosa. Part Two--"Declarations"--celebrates Alvarez's enduring passion for the writing life. From the valentine to mythic storyteller Scheherazade that is "First Muse," to a description of Alvarez's itinerant life as a struggling poet, teacher, and writer in "Have Typewriter, Will Travel," to the sage and witty advice of "Ten of My Writing Commandments," Alvarez generously shares her influences and inspirations with aspiring writers everywhere.

    Monster (Beyond: A queer comics anthology), Michael Walsh (Secret Avengers), and many more.