The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery, the uprising successfully transformed Haiti from a European colony to the world’s first Black republic. From the center of this horrific maelstrom, the heroic figure of Toussaint Louverture–a loyal, literate slave and both a devout Catholic and Vodouisant–emerges as the man who will take the merciless fires of violence and vengeance and forge a revolutionary war fueled by liberty and equality. Bell assembles a kaleidoscopic portrait of this seminal movement through a tableau of characters that encompass black, white, male, female, rich, poor, free and enslaved. Pulsing with brilliant detail, All Soul’s Rising provides a visceral sense of the pain, terror, confusion, and triumph of revolution.

    It is a protest at institutions that isolate, and a way of life that denies respect and responsibility for the weak.

    It begins in a year of failing crops and desperate foolishness, which forces a father to sell his three children into slavery. Employing a brilliant range of voices and narrative techniques, Caryl Phillips folows these exiles across the river that separates continents and centuries.Phillips's characters include a freed slave who journeys to Liberia as a missionary in the 1830s; a pioneer woman seeking refuge from the white man's justice on the Colorado frontier; and an African-American G.I. who falls in love with a white Englishwoman during World War II. Together these voices make up a "many-tongued chorus" of common memory—and one of the most stunning works of fiction ever to address the lives of black people severed from their homeland.

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.

    Alternating between the perspectives of the woman and the boy, the story engages with issues of race and class, examines the complexities of relationships between people of very different backgrounds, and explores the difficulties faced by individuals seeking to bring about social change through their own actions. The dramatic climax and tragic choices made grow from the gulf of incomprehension between middle-class and poor Jamaicans and provide penetrating insights into the roots of violence in impoverished communities.

    The stories provide glimpses into the life of Don Henrik, a good man struck time and again by misfortune, as he confronts the crude realities of farming life. Over the course of these episodes we meet merciless entrepreneurs, hitmen, drug dealers and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, in a style that recalls Hemingway, Trout, Belly Up is a unique ensemble of beguiling, disturbing stories set in the heart of the rural landscape in a country where violence is never far from the surface.

    In The Tale of Genji Mr. Amano brings his considerable talent to retelling one of the most famous of Japanese myths: written by Murasaki Shikibu shortly after 1000 AD and considered by most scholars to be the first novel ever written, The Tale of Genji is the story of the romantic adventures of Genji, the amazingly handsome prince and his many romantic conquests. Told through stunning paintings, Mr. Amano brings this classic story to life for a new generation.As one of the most respected stories of all time, The Tale of Genji holds a worldwide place of honor among lovers of myth and legend.Will appeal to the legions of Vampire Hunter D fans worldwide, as well as fans of his work on Sandman (written by New York Times-bestselling author Neil Gaiman) and Wolverine (with award-winning author Greg Rucka).

    And fate brought them together once again. That's where their whirlwind romance started.

    "Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    Stories were to be about 250 words long; first prize was a check and a crate of oranges.Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page.Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements.How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.Includes:Poet's husband by M. GilesCough by Harry HumesDaydream by R. AllenWrong channel by R. FernandezHarmony by J. Williams20by20 by L. BrewerYour fears are justified by R. DeMarinisAt the point by B. McCaddonHalo by M. McFeeMockingbird by L. BerryChanging the channel by E.E. MillerWanting to fly by S. DunningEclipsed by R. ShusterNew Year by P. PainterSurvivors by K. AddonizioAnti-Cain by V. SuarezPainted devils by F. ChappellHoneycomb by N.R. SingerBaby, baby, baby by F. CamoinAn old story by J. KelmanConception by T. FlemingAll this by J. AvallonStone belly girl by J. Granger Worry by R. WallaceYou can't see dogs on the radio by L. WendlingTrue story of Mr. and Mrs. Wong by M. ChinFlu by S. DybekThe bridge by R. EdsonKennedy in the barrio by J.O. CoferGrief by R. CarlsonMount Olive by M.A. LoveHurray for Hollywood by G. GarrettThis is how I remember it by Betsy KemperNovember by U. HegiCarpathia by J.L. KerchevalChickens by E. MagarrellMayor of the sister city speaks to the chamber of commerce in Klamath Falls, Oregon, on a night in December in 1976 by M. MartoneConfirmation names by M. LippoHostess ; Housewife by A. HempelLand's end by A. NelsonLast supper in the Cabinet Mountains by D. BottomsStrongman by W. White-RingDiverging paths and all that by M. O'HaraA gentleman's C by P. PowellOf exposure by J. HolmanTea leaves by J. BurrowayWe eat our peas for the souls in Purgatory by A. McPetersWaiting by P. McNallyBut what was her name? by D. RaffelGuadalupe in the Promised Land by Sam ShepardMorning news by J. SternMolibi by L. HancockWallet by A. Woodman

    These "seven Cs" guide student-readers to choose the content and style that best fits the purpose and recipient of any given message. Pedagogically rich, most chapters in this paperback text include checklists, mini-cases and problems, "Communication Probe" boxes which summarize related research, and sidenotes that isolate significant points that should not be missed. Two new chapters are devoted to ethics and technology respectively.

    The book is intended to be used in a one-semester course covering modern physics for students who have already had basic physics and calculus courses. The balance of the book leans more toward ideas than toward experimental methods and practical applications because the beginning student is better served by a conceptual framework than by a mass of details. The sequence of topics follows a logical, rather than strictly historical, order. Relativity and quantum ideas are considered first to provide a framework for understanding the physics of atoms and nuclei. The theory of the atom is then developed, and followed by a discussion of the properties of aggregates of atoms, which includes a look at statistical mechanics. Finally atomic nuclei and elementary particles are examined.

    Stories of Ourselves is a set text for the Cambridge Literature in English courses at IGCSE, O Level, AS and A Level. The anthology contains stories by writers from many different countries and cultures.

    

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.