While outrageously false, these hilarious “facts” unearth deep truths about Canadians and their culture. For the over 200,000 people already following on Twitter, @stats_canada is a daily source of the funniest Canadian parody. Now, in their first book, Stats Canada satirizes everything from history, culture, and language to sports, entertainment, politics, weather, and much more. With all-new features, graphs, maps, and other illustrations, Stats Canada has all the laughter you’ve come to expect, with only 10% recycled content! 35% of advice given in any Home Hardware does not come from an actual employee 67% of Canadians own summer snow pants 32% of Canadians can’t spell “tuque” but own at least four 56% of Manitobans are convinced they’ve travelled to the future when visiting other provinces 79% of Canadian teens don’t want to wear their winter coat, it’s not even that cold out 100% of Canadian hockey players give it 110% every game 65% of Canadian Instagram accounts include an artsy photo of a Tim Hortons cup Disclaimer: The official Statistics Canada has taken no issue with the content of this book. They were too polite to object.

    We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

    Oh, and did we mention her sense of humour? Jann's natural comedic talents translate seamlessly into her writing, and her dedicated fans will delight in the details of this memoir--where there is no such thing as too much information. Readers will learn about how her brother used to steal her maxi pads to repurpose as GI Joe bunk beds and how she once got gum stuck in her hair so badly that when she woke up her head was glued to the pillow. But with the good times come the bad, and Jann opens up about the darker side of her so-called prairie-perfect nuclear family and the first signs that her brother was a uniquely troubled young man. Jann's readable prose keeps the reader tuned in as she reminds us of the inestimable value of having a teacher who believes in you, wide-open spaces to play and be a child, and a good mother.

    As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.

    Urquhart’s selection includes stories by major literary figures such as Mavis Gallant, Carol Shields, Alistair MacLeod, and Margaret Atwood, and wonderful stories by younger writers, including Dennis Bock, Joseph Boyden, and Madeleine Thien. This collection is uniquely organized into five parts: the immigrant experience, urban life, family drama, fantasy and metaphor, and celebrating the past.

     Juiced on the ecstasy of self-belief: I have to live. A burgeoning erotics of psychic boldness: I have to live. In which sensitivity is recognized as wealth: I have to live. Trumpeting the forensic authority of the heart: I have to live. This is original ancient poetry. It fashions a universe from its mouth.

    He brings to life a multi-generational cast of characters who are as colourful as only Newfoundlanders can be. With humour, insight, and genuine love for those heroes and charlatans, pirates and dreamers, he explores the meaning of family and the consequences of forgotten history.

    Her father said it was the home of Uncle Joe Spondoolak, an elf who’d moved in after the cottage had burned down long ago. Susan, a fanciful child, decided to become keeper of the hearth, tidying it up and leaving little gifts for the elves: handfuls of wild strawberries, daisy chains, a tiny birchbark canoe. Overnight the gifts would disappear. One morning, there was a tiny piece of carefully folded pink paper wedged in between the mossy stones.To Helen Susan Cameron Coyne: GreetingsHer Majesty, Queen Mab, has instructed me to thank you for making a home for all her people.Thus began Susan’s correspondence with a precocious young fairy princess, Nootsie Tah, and her indoctrination into the world of the great and little people.Susan took the letter next door to Mr. Moir, because he knew all sorts of interesting things. Sure enough, he had an entire library filled with books about characters such as Puck, Ariel and Oberon. The letters from Nootsie Tah continued, and that summer Susan developed two unique relationships: one with a proud princess from a mystical land, and the other with a gentle gardener with infinite wisdom and patience. These would sustain her throughout her life.

    Cast of two men.

    A bold new story that bridges Native and white cultures across a bend in a river where the salmon run.On one side of the river is a ranch once owned by Eugene Robertson, who came in the gold rush around 1860, and stayed on as a homesteader. On the other side is a Shuswap community that has its own tangled history with the river--and the whites. At the heart of the novel are Hannah and Brandon Robertson, teenagers who have been raised by their grandfather after they lost their mother. As the novel opens, the river is dying, its flow reduced to a trickle, and Hannah is carrying salmon past the choke point to the spawning grounds while her childhood best friend, Alex, leads a Native protest against the development further threatening the river. When drowning nearly claims the lives of both Hannah's grandfather and her little brother, their world is thrown into chaos. Hannah, Alex, and most especially Brandon come to doubt their own reality as they are pulled deep into Brandon's numinous visions, which summon the myths of Shuswap culture and tragic family stories of the past. The novel hovers beautifully in the fluid boundary between past and present, between the ordinary world and the world of the spirit, all disordered by the human and environmental crises that have knit the white and Native worlds together in love, and hate, and tragedy for 150 years. Can Hannah and her brother, and Alex, find a way forward that will neither destroy the river nor themselves?

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    He spent the first year of his sobriety close to home, tending his garden, where he cast his mind back over his life, searching for the memories he'd tried to drown in vodka. Lane has gardened for as long as he can remember, and his garden's life has become inseparable from his own. A new bloom on a plant, a skirmish among the birds, the way a tree bends in the wind, and the slow, measured change of seasons invariably bring to his mind an episode from his eventful past. What the Stones Remember is the emerging chronicle of Lane's attempt to face those memories, as well as his new self--to rediscover his life. In this powerful and beautifully written book, Lane offers readers an unflinching and unsentimental account of coming to one's senses in the presence of nature.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    Priscila was two years old. Five years later, her mother, Theresa, drained the family's bank accounts and disappeared to Brazil. After two attempts to abduct her children, Theresa had no further contact with the family. In 2002, Priscila happened on her mother's website, which featured a childhood photograph of Priscila and her brother. A few weeks later, Priscila summoned the nerve to contact the woman who'd abandoned her. The emotional reunion was alternately shocking, hopeful, humorous, and devastating, as Priscila came to realize that not only did she not love her mother, she didn't even like her. Projection is a visceral, precisely written, brutally honest memoir that takes a probing look at a very unusual mother-daughter relationship, yet offers genuine comfort to all facing their own turbulent and unresolved familial relationships.

    A mother of twelve, Mary endured much tragedy and heartbreak?the pangs of racism, poverty, and the deaths of six children?but lived her life with extraordinary grace and courage. Years after her death, she continues to be a positive role model for Aboriginals across Canada. In 1997 she received the Order of Canada. This edition of "Stoney Creek Woman," one of Arsenal's all-time bestsellers, includes a new preface by author Bridget Moran, and new photographs. Shortlisted for the Roderick Haig-Brown Regional Prize Now in its 14th printing.