A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

    One act play, Drama. Two wanna-be rock stars await their takeout delivery--or is it their rock-n-roll messiah? An early work by "True West" playwright and actor Sam Shepard. Librarian's Note: No separate publication found at this time. Generally published in collections of Shepard works.

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    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    Having being separated from her mother at such a young age, Orabella knew nothing about the business her mother participated in with her new husband.After the death of her father, she is thrown into the world of her mother where she meets her mother's husband, and her husband's son - Vincenzo. Vincenzo is not like any man she's ever met, he's mean, and demanding. He's cruel and he's scary. Vincenzo was known to leave people in fear by just simply looking at them. What Orabella doesn't know about him is that he is the world's most feared Mafia Don.The moment Vincenzo's eyes land on Orabella, he claims her as his. Her stepbrother is the womanizer who stunned everyone when he makes Orabella the woman to be by his side. With Orabella being scared and hopeless, will she learn to let her stepbrother into her heart?- ❧﹘"Y-You can't do that," she cried out, "you're my brother."He laughed at her as his fingers latched onto her thin lace panties. "I'm not your brother, neonata." His lips were on her neck as he nibbled her skin, trailing lower to her breast."Why are you doing this?" She asked him, biting down on her lip the moment his tongue grazed her bud."Because you are mine."

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.

    Trust me, I too would have wanted the same as Ms. Stupid, but I can't toss away my hard-work of years for a girl. We would have had a beautiful love story had she not been my boss's daughter.Sahana: I know he’s ambitious and doesn't know his heart well. But I'm sure one day Mr. Logical will come to my way of thinking, and we'll have a beautiful life together thereafter.He flirted with her for five days; she waited for him for five years, only to be shattered irrecoverably one day. Logic seems to be winning the battle, until destiny refuses to move on and adamantly brings them face to face again.In life’s moments of struggle and comfort, the heart and mind must join hands to combat.A love story dedicated to the generation that never values what comes easy. Wish a few logics were a little less stupid. But nevertheless… Logically Stupid, That’s Love.

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Menaka succeeds in bewitching Vishwamitra, but her actions are destined to have dire consequences for both.Eons later, their story is set to repeat itself.Poorva has always played by society’s rules and ideas of decorum. But what happens when her own loved ones betray her in the worst way imaginable? Does she still have to remain bound by their rules?Rudra plays with power and people like they are pieces on a chessboard. He has no qualms about indulging his desires, be it money or women, but is determined not to be bound by either.What happens when these two diametrically opposite souls are brought together by fate?In the game of power, lust, greed and betrayal, some win and some lose. But are there any winners or losers in the game of love?Like Menaka and Vishwamitra, are Poorva and Rudra too destined to see their story end in tragedy? Or will the divine power prevail?

    Her world is turned upside down when she finds out the worst news imaginable. Kristen decides to take a break from life and accompany her friend to a working dude ranch. While there, she reconnects with an old flame that has reinvented himself into a sexy cowboy. Follow Kristen’s journey as she decides if old love should be left in the past or given a chance to rekindle in the future.