This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

    First published in 1993, this acclaimed translation, which follows the verse form of the original exactly, filled that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep back- ground knowledge.The translation is accompanied by Stewart Spencer’s introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee, and Warren Darcy that discuss the cycle’s musical structure, philosophical implications, medieval sources, and Wagner’s own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, this book is an essential complement to Wagner’s great epic.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    The Curse of The House on Cypress LaneThere sits a large house on Cypress Lane in the small town of Ocoee, Louisiana, and its history is intertwined with the town itself. A feud was born within its walls, and it is there where it will die. The Cooley family finds themselves in the middle of a fight that started long before they arrived. Will they make it out alive, or will they become another casualty in the fight between the living and the dead?The Haunting of Bechdel Mansion: A Haunted House MysteryOne couple must unearth the secrets of a small-town murder before it's too late.A young couple from the city move to a small town, looking for a fresh start. They soon find their dream house in an old Victorian mansion and everything seems perfect, that is, until they experience strange supernatural occurrences linked to an unsolved mass murder from forty years ago. Unearthing the secrets buried within the mansion won't be easy. Can they solve the mystery in time, or will they face the same doomed fate as the tenants who came before them?The Haunting of Winchester MansionIn the small town of Black Bay, a vacant, forgotten house sits atop an overlooking bluff. When Bailey and Bodhi Taylor move in and begin renovations, the house seems perfect. But things move on their own, screams echo from the basement, and Bailey sees a shadowy figure out of the corner of her eye. Is the house haunted? And if it is, what does the ghost want with Bailey?

    Few people's lives were unaffected in some way by that fateful day and these stories reflect this.Some of them are set at Pearl Harbor itself, in other parts of the United States and in Singapore. Other stories take place in Europe: occupied France, Germany and Northern Ireland. They explore the experiences of U.S. servicemen and women, a German Jew, Japanese Americans, a French countess, an Ulster Home Guard, and many others.The authors invite you to step into December 1941 with them.THE STORIES:Deadly Liberty by R.V. Doon: Connie Collins, a navy nurse on the hospital ship, USS Solace, takes liberty the day before Pearl Harbor. Her budding romance wilts, an AWOL nurse insists she find a missing baby, and she's in the harbor when WWII erupts. Under fire, she boards the ship--and witnesses a murder during the red alert chaos. When liberty turns deadly, shipmates become suspects.The List by Vanessa Couchman: A high-ranking German officer is assassinated in Western France and 50 hostages are shot. Fifty more will be executed if the killers are not handed over. Jewish communist Joseph Mazelier is on the list. Will Countess Ida agree to help him escape?Christmas Eve in the City of Dreams by Alexa Kang: On his last night in New York, a young grifter sets out to turn the table on those who shorted him before he leaves for the draft. Will he win or lose?Allies After All by Dianne Ascroft: Although their nations are allies, from their first meeting American civilian contractor Art Miller and Local Defence Volunteer, Robbie Hetherington loathe each other. But Northern Ireland is too small a place for such animosity. What will it take to make the two men put aside their enmity and work together?Time to Go by Margaret Tanner: A young sailor, who died at Pearl Harbor, finally meets his soulmate on the 75th Anniversary of the battle. Will she be prepared to leave the 21st century with him? Or will they forever remain apart?Turning Point by Marion Kummerow: Eighteen-year-old German Jew Margarete Rosenbaum is about to be sent to a labor camp, when a bomb hits the building she lives in. Emerging from the rubble she's presented with an unexpected opportunity. But how far is she willing to go to save her life? I am an American by Robyn Hobusch Echols: Ellen Okita and Flo Kaufmann are high school seniors in Livingston, California. Ellen is a first generation American who lives in the Yamato Colony, composed of about 100 families of Japanese descent. Flo's father is a first generation American. After Pearl Harbor, the war hits home fast and brings unforeseen changes to them and their families.A Rude Awakening by Robert A. Kingsley: Singapore, December 1941; the fortress sleeps, believing its own tales of strength and invulnerability. A rigidly class based society throws garden parties and dines sedately, disregarding the slowly growing number of warning signals. Suddenly, the underestimated enemy ferociously attacks and the myth of invincibility is shattered forever.

    To do so, they enslave the peaceable indigenous population, until the Athsheans rise up in a desperate act of defiance that will leave them and their planet forever changed.Of the seven stories gathered here, three concern the invention of a new technology for instantaneous interstellar travel—an advance that brings with it unforeseen dangers—and three explore the complex matrimonial arrangements on the planet O, where unions consist of four individuals in both same and opposite sex pairings.Five Ways to Forgiveness presents for the first time the complete story suite previously published as Four Ways to Forgiveness (1995). These five linked stories tell the history of the planet Werel and its slave planet Yeowe as their peoples, long known as “owners” and “assets,” together face an uncertain revolutionary future.In The Telling (2000), Sutty, an observer of the interplanetary confederation known as the Ekumen, has been sent to Aka to investigate why the planet has almost entirely lost its vital oral traditions and spiritual beliefs in the span of a single generation. Sutty’s quest for traces of Aka’s original religion causes her to reexamine her own childhood growing up amidst a repressive religious regime on Earth.Also included are Le Guin’s 1977 introduction to The Word for World Is Forest and her provocative 1994 essay “On Not Reading Science Fiction.” The volume’s endpaper features a planetary chart of the known worlds of the Hainish descent.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.

    His sense of isolation lies at the heart of these later works. "Billy Budd, Sailor," a classic confrontation between good and evil, is the story of an innocent young man unable to defend himself against a wrongful accusation. The other selections here--"Bartleby," "The Encantadas," "Benito Cereno," and "The Piazza"--also illuminate, in varying guises, the way fictions are created and shared with a wider society.In his introduction Frederick Busch discusses Melville's preoccupation with his "correspondence with the world," his quarrel with silence, and why fiction was, for Melville,"a matter of life and death."Bartleby --The piazza --The Encantadas --The bell-tower --Benito Cereno --The paradise of bachelors and the tartarus of maids --Billy Budd, sailor.

    The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    Passion, steamy nights, excitement, and suspense. Something to suit every reader's taste. Grab a cool drink (you'll need it!), find a hammock, and curl up for an unforgettable escape.1: Caridad Pineiro, Under the Boardwalk - A passionate night under the boardwalk brought them together, but can Chase and Natalie rekindle that lost love in just one night?2: Nina Bruhns, Fast and Flirty - The top-secret package STORM Corps transporter Kade Maddox is hired to deliver turns out to be way more trouble—and a whole lot sexier—than he ever anticipated.3: Rebecca York, Outlaw Justice - Will a surprise reunion with her old lover save her life when she flees from a homicidal husband?4: Jennifer Lowery, The Fall (Book #2 ATCOM series) - The last thing ATCOM agent Brendan Devayne wants is to settle down, but Mia Lawrence makes him think twice…5: Taylor Lee, Jared: (Book 1, The Justice Brothers Series) - The rookie cop learned the hard way that when tangling with the Justice Brothers, Justice—like Love-- isn’t always fair or easy.6: Traci Hall, Festival by the Sea - Al Cooper’s too bad to be a cop and too good to be a crook; Darcy Smith can’t get enough.7: Stephanie Queen, Beachcomber Heat - This summer’s heat wave on Martha’s Vineyard is breaking records, but so is the crime wave. The combination is causing a wave of red-hot dangerous desire between Dane and Shana.8: Kathy Ivan, Sex, Lies and Apple Pies - A televised baking competition brings them together. But deceit, intrigue and revenge are on this menu. Can their love survive? 9: Jackie Ivie, The Hunted - LeeAnn’s got business in Miami. Bring on the sun. Sand. Sexy men to look at. The last thing she expects is to be someone’s target.10: Michele Hauf, The Geek Gets The Girl - Mistaken for the IT geek? This sexy CEO is about to learn the intimate operations of his company—up close, and personal.11: Rachelle Ayala, Bad Boys for Hire: Ken (Bad Boys for Hire Series, #2) - After Jolie Becker is left at the altar, her friends secretly hire a hunky beach bum to cheer her up.12: Katy Walters, Sands of Seduction - Clary escaped to a place of sea and sand, a place of passion and seduction. 13: Melissa Keir, Protecting Her Pigg - Arson and fire bring them together, but what will cause the most damage…the arsonist bent on revenge or their own stubborn ways?14: Dani Haviland, Pool Boy Wanted (No Experience Preferred) - He’d never known a woman before, and that’s just how she wanted him.15: Jacquie Biggar, Summer Lovin’ - Can two mismatched lovers find a way past their mistakes, or will they keep their lonely hearts forever guarded?16: Angelique Armae, Dark Wolf - When Highland wolf Callen MacHendrie catches intern Miranda Kendrick stealing his prized sword, the term wild romp takes on a whole new meaning.

    Born a god but banished from Mouth Olympus and hated by all who inhabit it, he lives in a hell built of fire and darkness, demons, and his own nightmares. His only hope for happiness is found in young Persephone, the innocent and beautiful goddess of springtime, who brings beauty and love wherever she goes. But when it seems as though the only chance for him to confess his love for her will be taken by Persephone's overbearing mother Demeter, he's forced to take desperate measures. But will Life love Death? The fate of the world hangs in the balance.

    Some are appeased with food. But not all ghosts are successfully mollified. In this chilling collection of stories, Ying Chang Compestine takes readers on a journey through time and across different parts of China. From the building of the Great Wall in 200 BCE to the modern day of iPods, hungry ghosts continue to torment those who wronged them.At once a window into the history and culture of China and an ode to Chinese cuisine, this assortment of frightening tales—complete with historical notes and delectable recipes—will both scare and satiate!

    Phaedra's Love is a bold and provocative revisioning of the story of Phaedra's obsessive and destructive love of her son Hippolytus and his violent punishment by Theseus.