The ups and downs of writing life—including self-doubt and writer's block—are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your "teacher," while groups, in or out of the classroom, can profit from sharing weekly assignments.

    Each was used by a Harvard student on his or her application and is followed with analysis by the staff of the Harvard Crimson, who help give perspective on what works well, what is a necessary evil, and what detracts from an otherwise compelling essay. With pointers on avoiding common essay pitfalls and stepping back to evaluate strengths applicants never realized they had, Fifty Successful Harvard Application Essays is an inspiration for every student trying to find the one thing that sets him or her apart from the crowd.

    Teaching Music with Passion is a one-of-a-kind, collective masterpiece of thoughts, ideas and suggestions about the noble profession of music education. Both inspirational and instructional, it will surely change the way you teach (and think) about music. Filled with personal experiences, anecdotes and wonderful quotations, this book is an easy-to-read, essential treasure! "One of the most 'real' writings I have read during my 35 years in music education." Mel Clayton, President, MENC: The National Association for Music Education Click here for a YouTube video on Teaching Music with Passion

    How she faces her joy, grief, anxiety, impending motherhood, and conflicted truce with the world results in a moving meditation on the nature, rapture, and perils of crying―from the history of tear-catching gadgets (including the woman who designed a gun that shoots tears) to the science behind animal tears (including moths who drink them) to the fraught role of white women's tears in racist violence.Told in short, poetic snippets, The Crying Book delights and surprises, as well as rigorously examines how mental illness can affect a family across generations and how crying can express women’s agency―or lack of agency―in everyday life. Christle’s gift is the freshness of her voice and honesty of her approach, both of which create an intimacy with readers as she explores a human behavior broadly experienced but rarely questioned. A beautiful tribute to the power of crying, and to working through despair to tears of joy.

    Twenty of America’s bestselling memoirists share their innermost thoughts and hard-earned tips with veteran author Meredith Maran, revealing what drives them to tell their personal stories, and the nuts and bolts of how they do it. Speaking frankly about issues ranging from turning oneself into an authentic, compelling character to exposing hard truths, these successful authors disclose what keeps them going, what gets in their way, and what they love most—and least—about writing about themselves.

    With Unless It Moves the Human Heart, the revered novelist, essayist, playwright, and respected writing teacher offers a guidebook for aspiring authors, a memoir, and an impassioned argument for the necessity of writing in our world. In the tradition of Anne Lamott’s Bird by Bird, Rosenblatt’s Unless It Moves the Human Heart provides practical insights and advice on the craft, exquisitely presented by one of contemporary literature’s living treasures.

    Lewis's classic analysis springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.

    They're right. Tony Earley is a writer so good at his craft that you don't read his words so much as inhale them. His first book of nonfiction is one of those unexpected classics, like Ann Lamott's Traveling Mercies, in which a great writer rips open his/her heart and takes the reader inside for a no-holds-barred tour.In a prose style that is deceptively simple, Earley confronts the big things-God, death, civilization, family, his own clinical depression-with wit and grace, without looking away or smirking.

    -Lucy Calkins, Writing Pathways Lucy Calkins' groundbreaking performance assessments offer instructional tools to support continuous assessment, timely feedback, and clear goals tied to learning progressions that have been aligned with world-class standards. Originally published as part of the bestselling Units of Study in Opinion/Argument, Information, and Narrative Writing, grades K-8, Writing Pathways is ideal for writing workshop, but suitable for any writing instruction context or curriculum.This practical guide includes:Learning progressions for opinion/argument, information, and narrative writing, which map the specific benchmarks students will master for every grade levelOn-demand writing prompts that support schoolwide performance assessmentStudent checklists to help students set goals and integrate crucial self-assessment into their workRubrics to support individual teachers and professional learning communities as they evaluate mastery and plan instruction within and across grade levelsStudent writing samples that illustrate different ways students have exemplified standards and highlight essential features of each writing genreAnnotated exemplar pieces of writing on the same topic for every grade level that highlight the traits you can expect to see at each level of the learning progressions. Who needs Writing Pathways?Educators who are not yet ready to implement the full Units of Study curriculum can use Writing Pathways to get started with Lucy Calkins' proven approach to writing assessment and instruction. Coaches and administrators who are supporting implementation of Lucy Calkins' Units of Study will find Writing Pathways to be an ideal resource to guide their work. Who doesn't need Writing Pathways?The content in this stand-alone edition is the same as in the previous editions found in Lucy Calkins' Units of Study (K-5 and 6-8 are combined in this new edition). Teachers who have the Units of Study do not need this new edition. For more information, visit UnitsofStudy.com.

    You want to write great poems. You want to write poems that challenge, inspire and awe. You want to write poems that forever alter your audience, that forever alter yourself. Those poems take guts. Glitter in the Blood: A Poet's Manifesto to Better, Braver Writing will put you in constant contact with your guts. Pushcart prize nominated and highly accomplished performance poet Mindy Nettifee is not going to lead you step-by-step up a how-to staircase. With this collection of essays, prompts and exercises, Mindy is giving you the wrench you need to open up the blood and let it flow into your writing.

    [It] was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother's shoulder, and said. 'Bird by bird, buddy. Just take it bird by bird.'"With this basic instruction always in mind, Anne Lamott returns to offer us a new gift: a step-by-step guide on how to write and on how to manage the writer's life. From "Getting Started,' with "Short Assignments," through "Shitty First Drafts," "Character," "Plot," "Dialogue." all the way from "False Starts" to "How Do You Know When You're Done?" Lamott encourages, instructs, and inspires. She discusses "Writers Block," "Writing Groups," and "Publication." Bracingly honest, she is also one of the funniest people alive.If you have ever wondered what it takes to be a writer, what it means to be a writer, what the contents of your school lunches said about what your parents were really like, this book is for you. From faith, love, and grace to pain, jealousy, and fear, Lamott insists that you keep your eyes open, and then shows you how to survive. And always, from the life of the artist she turns to the art of life.

    A combination of memoir, criticism, and journalism, Make It Scream, Make It Burn is Leslie Jamison's profound exploration of the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie specter of reincarnated children; devotees of an online existence called Second Life, to the exclusion of their real lives; Civil War photography; and an entire museum dedicated to relationship breakups. Through these essays and through forays into her own obsessions and longings, Jamison delves into the nature of storytelling itself. We wonder alongside her whether it is ever really possible to hear someone else's story without somehow making it our own, without seeing it through the cracked windows of our private selves.Throughout these essays, Jamison, who has frequently been compared to Joan Didion and Susan Sontag, shines the spotlight every bit as uncomfortably on herself as she does on others. Unlike the standard journalistic practice, Jamison acknowledges her emotional investment in her subjects, always with utmost clarity and unwavering empathy. In her view, true art cannot be made any other way. Indeed, this refusal to hide—this emotional frankness—is precisely the quality that makes Jamison's questing and irrepressible voice impossible not to fall in love with.

     Jammed with sage advice, genuine encouragement, and surprising examples of how to write and how not to write, this book gives beginning writers and confident students alike an easy-to-follow roadmap for improving one of the most important skills for success. En route to Sin Boldly!-induced, A+ paper bliss, readers encounter such topics as:Choosing a Topic and Telling Your Story ("K.I.S.S.-Keep It Simple, Stupid")Literary Games (featuring "Francobabble for Freshman")Choosing a Voice ("Dissing the Prof")Grammatical Horrors ("A does not equal they")Common Mistakes ("Hopefully and Other Controversies") Fully revised and updated with new examples, quizzes, and tips, Sin Boldly! is not only a comprehensive guide, but also a fantastic, fun read for anyone who wants to write clearly and effectively.

    His name was Norman "Angus" Zahrt, a married World War II flight surgeon with whom she'd engaged in a secret love affair, just before he deployed to the Pacific and disappeared. Intrigued by his mother's hidden longing, Dobbs embarked on a reporter's quest to uncover Zahrt's fate, and that of his family. The story he returned with is an extraordinary tale of love, war, and how we confront the lost chances in our lives.David Dobbs writes features and essays for publications including the Atlantic, the New York Times Magazine, National Geographic, Wired, the Guardian. Several of his stories have been chosen for leading science anthologies; most recently, his much-discussed feature for the Atlantic, "The Orchid Children," for Ecco/HarperPerennial's Best American Science Writing 2010. He is now writing his fourth book, The Orchid and the Dandelion (Houghton Mifflin Harcourt), which explores the genetics of temperament—and the idea that the genes underlying some of our most troublesome traits and behaviors also generate some of our greatest strengths and accomplishments.

    Literally meaning what lies beneath the text, it is an undercurrent, a hidden agenda, a vibe, a reinforcement of theme—and it exists in what is implied but not explicitly spelled out. It has impact because what you don’t say is often more powerful than what you do say. Elizabeth Lyon, editor and author, demystifies the techniques involved in writing subtext, and offers examples and excerpts from multiple genres. Lyon uses the same incisive and clear instruction that she is so well known for in Manuscript Makeover. For many writers, adding subtext is the missing link to writing powerful prose.