Under her deceptively revealing title, Alecia McKenzie recreates Jamaica’s enduring traditions in fresh and illuminating ways that make this one of the most avant-garde fictions I have read in a long time."--Curdella Forbes, author of A Tall History of SugarAfter a personal tragedy upends his world, American-born artist Chris travels to his mother’s homeland in the Caribbean hoping to find some peace and tranquility. He plans to spend his time painting in solitude and coming to terms with his recent loss and his fractured relationship with his father. Instead, he discovers a new extended and complicated “family,” with their own startling stories, including a love triangle. The people he meets help him to heal, even as he supports them in unexpected ways, through his art.Told from different points of view, this is a compelling novel about unlikely love, friendship, and community, with several surprises along the way. The story takes place against the backdrop of rural Jamaica, New York City, and Paris, France.

    “There is a way to be cruel that seems Jamaican to me.” Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a mother and father leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered international student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. The winner of The Paris Review’s Plimpton Prize for “Bad Behavior,” Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential young authors.

    Phaedra explores Bird Hill, where her family has lived for generations, accompanies her grandmother in her role as a midwife, and investigates their mother's mysterious life.When the father they barely know comes to Bird Hill to reclaim his daughters, and both Phaedra and Dionne must choose between the Brooklyn they once knew and loved or the Barbados of their family.

    Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston’s ghettoesto London, from Haile Selaisse’s Ethiopian palace and back to Jamaica, Marcia Douglas’s mythical reworking of three hundred years of violence is a ticket to the deep world of Rasta history. This amazing novel—in bass riddim—carries the reader on a voyage all the way to the gates of Zion.

    Bingham Prize“Written by the hand of a poet, the prose in this collection is consistently beautiful.”—Elizabeth Nunez, author of Prospero’s Daughter and Boundaries“I love the tender beautiful writing; I love the characters, and in many ways it felt as if I had met them before….I just love this book.”—Uwem Akpan, author of Say You’re One of Them, an Oprah Book Club selectionInternationally renowned and award-winning poet Lorna Goodison brings us By Love Possessed, her long-anticipated collection of short fiction. Making dazzling use of the Creole patois of Jamaica, Goodison limns the beauty and despair of the human condition and explores the unique power of love to both uplift and destroy. Goodison’s powerfully moving stories explore the pain, the struggle, and the triumph of Jamaicans—particularly women—those still living on their Caribbean island and those who have emigrated elsewhere. By Love Possessed is a rare and beautiful gift from an extraordinary writer who was mentored by the legendary Derek Walcott and who stands with Edwidge Danticat as a brave and breathtaking voice in contemporary literature.

    Discerning but non-judgmental, she eases us deep into the fascinating lives of her characters and creates a juicy, sexy, beautiful book, full of the vigorous stuff of life.

    When Michael (Digger) Digson is recruited into DS Chilman’s new plain clothes squad in the small Caribbean island of Camaho he brings his own mission to discover who amongst a renegade police squad killed his mother in a political demonstration. Sent to London to train in forensics, Digger becomes enmeshed in Chilman’s obsession with a cold case – the disappearance of a young man whose mother is sure has been murdered. But along with his new skill in forensics, Digger makes rich use of the cultural knowledge he has gained from the Fire Baptist grandmother who brought him up, another kind of reader of bones. And when the enigmatic Miss K. Stanislaus, another of Chilman’s recruits, joins him on the case, Digger finds that his science is more than outmatched by her observational skills. Together, they find themselves dragged into a world of secrets, disappearances and danger that demands every ounce of their brains, persistence and courage to survive. Jacob Ross brings the best traditions of crime fiction to the Caribbean novel with a fast-moving narrative, richly observed characters, a powerful evocation of place and a denouement that will leave readers breathless. Along the way, 'The Bone Readers' has much to say about power, wilful amnesia and the need for truth. In Digger and Miss Stanislaus, 'The Bone Readers' introduces characters to rival Leonardo Padura's Cuban detective, Mario Conde, and Timothy Williams' Anne Marie Laveaud.

    Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

    Carnival. Rum and coke. To many outsiders, these idyllic images represent the supposed easy life in Caribbean nations such as Trinidad and Tobago. However, the reality is far different for those who live there—a society where poverty and patriarchy savagely rule, and where love and revenge often go hand in hand.Written in a combination of English and Trinidad Creole, Pleasantview reveals the dark side of the Caribbean dream. In this novel-in-stories about a fictional town in Trinidad, we meet a political candidate who sets out to slaughter endangered turtles for fun, while his rival candidate beats his “outside-woman,” so badly she ends up losing their baby. On the night of a political rally, the abused woman exacts a very public revenge, the trajectory of which echoes through Pleasantview, ending with one boy introducing another boy to a gun and to an ideology which will help him aim the weapon.Merging the beauty and brutality of Trinidadian culture evoked by writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James’s A Brief History of Seven Killings, Pleasantview is a landmark work from an important new voice in international literary fiction.

    Margaret - a second generation West Indian immigrant - and Zulma - fresh from Tobago - become friends in this novel that challenges stereotypical notions of strong, matriarchal black mothers and poor, abused, powerless white women.

    A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events—the tribal losses of the American Indian, the tragedy of African enslavement—and the interior, unwritten epic fashioned from the suffering of the individual in exile.

    One day they watch the arrival of a couple and their child at a luxurious house overlooking the ocean. The couple invites Cliff into their home and lives, and in that cool'flim-style' house, the harsh, brittle life of urban Plymouth is kept briefly at bay, desires obscuring differences in class and race. But then things begin to go wrong-money vanishes, the couple's car disappears-and those differences are brought suddenly to light, raising unsettling questions about relationships, wealth, and responsibility.

    A seventy-year-old West Indian woman looks back over the course of her life and examines the relationships that have given meaning to her existence.

    James that it is not possible to have full comprehension of Caribbean literary art in English without first reading Minty Alley. Although frequently reprinted in the United Kingdom, Minty Alley at last reaches the United States. In this ground-breaking novel, James discerns new forms of society rooted in the oldest of desires and aspirations through the interactions of the characters of Maisie, Haynes, Mrs. Rouse, and Benoit. In the everyday language and unforgettable dialogue James reveals new modes of human relationships. Haynes, a young middle-class lodger at No. 2 Minty Alley, becomes both confidant and judge as he examines the other inhabitants at this address. From his experiences he is made aware of the educated West Indian's impoverishing alienation from society's mainstream. Through Haynes's vivid narration James reveals the rich cultural life on Minty Alley. Haynes, an outsider among people of lower class, knows his fellow lodgers only as they have revealed themselves to him through their speech and actions, yet each has a mysterious inner life.

    Haunted by scandal and secrets, Lillian left Dominica when she was fourteen after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival: "Matilda Swinging" and "Bottle of Coke"; songs about the village on a mountaintop and bones and bodies: songs about flying masquerades and a man who dropped dead. Lillian knew the songs well. And now she knows these songs---and thus the history---belong to her. After twenty years away, Lillian returns to face the demons of her past, and with the help of Teddy, the man she refused to love, she will find a way to heal.Set partly in contemporary Washington, D.C., and partly in post-World War II Dominica, Unburnable weaves together West Indian history, African culture, and American sensibilities. Richly textured and lushly rendered, Unburnable showcases a welcome and assured new voice.