It is the 1990s and Kashmir's long war has begun to claim its first victims. Among them are Ghulam Rasool Joo, Haleema's father and her teenage son Imran, who is picked up by the authorities only to disappear into the void of Kashmir's missing people. The Half Mother is the story of Haleema-a mother and a daughter yesterday, a 'half mother' and an orphan today, tormented by not knowing whether Imran is dead or alive, torn apart by her own lonely existence. While she battles for answers and seeks out torture camps, jails and morgues for any signs of Imran, Kashmir burns in a war that will haunt it for years to come. Heart-wrenching, deeply troubling and lyrical, The Half Mother marks the debut of a bold new voice from Kashmir.

    She describes her community before the Nazi occupation and the events that unfolded afterwards. When the Nazis conducted house searches for Jewish children, Gabi successfully hid in the dining-room dresser. The only thing retrieved from the home after the war was the dresser that saved Gabi's life. It now sits in author Kathy Kacer's home in Toronto. Kacer is Gabi's daughter and has based the story on her mother's experiences.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    Returning to the women and men of small New England towns for the accompanying collection of short fiction, this remarkable volume weaves a colorful and moving tapestry of the grand complexities, joys, and beauties of life.

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.

    Darcy's younger sister searches for her own happily-ever-after.The year is 1814, and it's springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love.Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she secretly cares for will never love her in return. Georgiana's domineering aunt, Lady Catherine de Bourgh, has determined that Georgiana shall marry, and has a list of eligible bachelors in mind. But which of the suitors are sincere, and which are merely interested in Georgiana's fortune? Georgiana must learn to trust her heart and rely on her courage, for she also faces the return of the man who could ruin her reputation and spoil a happy ending, just when it finally lies within her grasp.

    Left to her own devices, Grady turns up the heat on the secret affair she's been having with a Brooklyn-born Jewish war veteran who works as a parking lot attendant. As the season passes, the romance turns more serious and morally ambiguous, and Grady must eventually make a series of decisions that will forever affect her life and the lives of everyone around her.

    Fly is a reader, too, and when he’s not in his taxi he is at home in the equally dizzying labyrinth of books that fills his tiny apartment. His best friend is Otto, a political activist who’s in and out of jails and asylums, mourning his dead wife and lost foster son. On one otherwise tawdry night Fly meets Mary, a book-loving passenger with a domineering husband. So begins a romance that is, for Fly, a brief glimmer of light amid the shadows and grit of the Carnival city.Along with Otto and Mary, Fly introduces us to madmen and revolutionaries, magicians and prostitutes as he picks them up and drops them off, traveling through a nightmarish town that is—we can’t help but notice—a parable for our own debauched, unjust world.Wildly imaginative and darkly ironic, Carnival is a magnificent achievement.

    It begins with Sally’s visionary crack-up on the streets of Greenwich Village, and continues, among other places, in the out-of-time world of a Manhattan psychiatric ward during the city’s most sweltering months. “I feel like I’m traveling and traveling with nowhere to go back to,” Sally says in a burst of lucidity while hurtling away toward some place her father could not dream of or imagine. Hurry Down Sunshine is the chronicle of that journey, and its effect on Sally and those closest to her–her brother and grandmother, her mother and stepmother, and, not least of all, the author himself. Among Greenberg’s unforgettable gallery of characters are an unconventional psychiatrist, an Orthodox Jewish patient, a manic Classics professor, a movie producer, and a landlord with literary dreams. Unsentimental, nuanced, and deeply humane, Hurry Down Sunshine holds the reader in a mesmerizing state of suspension between the mundane and the transcendent.

    The rectory is home to an array of residents: his daughter, Muriel; his beautiful invalid ward, Elizabeth; their West Indian servant, Pattie; Eugene, a Russian emigre, and his delinquent son, Leo. Carel's brother, Marcus, is co-guardian of Elizabeth, but his attempts to get closer to the rector are constantly rebuffed.These seven characters maintain a constant dance of attraction and repulsion, misunderstanding and revelation, the centre of which is the enigmatic Carel himself - a priest who believes that, God being dead, His angels have been released.

    In this time of change, Emeline Evans dreamed of becoming a nurse. But when her father dies unexpectedly, Emeline sacrifices her ambitions and rescues her family from destitution by marrying John Dorr, a reserved lawyer who can provide for her family. John moves Emeline to the remote Missouri town of Labellum and into an unusual house where her sorrow and uneasiness edge toward madness. Furniture twists and turns before her eyes, people stare out at her from empty rooms, and the house itself conspires against her. The doctor diagnoses hysteria, but the treatment merely reinforces the house’s grip on her mind. Emeline only finds solace after pursuing an opportunity to serve the poor as an unlicensed nurse. Yet in order to bring comfort to the needy she must secretly defy her husband, whose employer viciously hunts down and prosecutes unlicensed practitioners. Although women are no longer burned at the stake in 1900, disobedience is a symptom of psychological defect, and hysterical women must be controlled. A novel of madness and secrets, A White Room presents a fantastical glimpse into the forgotten cult of domesticity, where one’s own home could become a prison and a woman has to be willing to risk everything to be free.Based on historical trends of the era and inspired by the classic Victorian novels The Yellow Wallpaper, The Secret Garden, and Wuthering Heights, author Stephanie Carroll has taken women's empowerment in fiction to an all new level in this inspiring debut. -A White Room was featured as a Notable Page Turner in Shelf Unbound Magazine and named 2013's Best Cross-Genre Title by USA Book News.To read behind the scenes material about "A White Room" and learn about future books by Stephanie Carroll in addition to giveaways, freebees, and how to become a test reader, visit http://www.stephaniecarroll.net and sign up for the VIP Reader newsletter.

    That is, until Lady Emily, a widow, returns to society and finds herself in a position to help these ladies find love and happiness.Book 1 – A New BeginningEmily, a widow, returns to society with a new attitude. Admired by some “almost on the shelf” ladies, they ask for her help in finding husbands. Then an old beau is begging her to consider his courtship. Can Emily help others find love, and have a chance at love herself?Book 2 – The Disgraced BrideMiss Emma Bavidge can barely make her way through society without someone whispering about her. Her father’s disgrace has ruined her reputation and left her struggling in society. Her one hope is Lady Emily Smithton, who leads ‘The Spinsters Guild' and has promised to help. Book 3 – A Gentleman’s RevengeMiss Sarah Crosby is considered to be a spinster. Helping her cousin, Sophia, with her debut, she is attracted to Sophia’s suitor, Lord Ruddington. Lord Ruddington has a secret and a desire for revenge. Will he able to enact his revenge? Or will Sarah stop him?Book 4 – A Foolish WagerLady Amelia is forever burdened with an injured leg, a consequence of a fall from a tree. Lord Montague is blackmailed into a wager and is forced to court Lady Amelia to win the bet of making Lady Amelia fall in love with him. He soon realizes his mistake. But what can he do when so much is at stake?Book 5 – A Lord UndoneLady Beatrice's father said her mother played him false, and now she can barely lift her head in society. While hiding from society in a bookshop, she discovers a mysterious note in a book. She takes it home and becomes entwined in a mystery that changes her life!The Spinsters Guild series features Lady Emily Smithton as something of a matchmaker for a group of unusual ladies who are almost “on the shelf.” Can Lady Emily help them find their perfect match? Get your copy today!

    Sights Unseen shows the author at her most passionate and heartfelt best -- an unforgettable tale of unconditional love, and of a family's desperate search for normalcy in the midst of mental illness. It is a novel of rare poignancy, wit, and evocative power -- the story of the relationship between Hattie Barnes and her emotionally elusive mother, Maggie, known by their neighbors as "that Barnes woman with all the problems."This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    She thinks Johnny and his little sister, Audrey, have been replaced by aliens; she's sure of it, and she's pretty certain that she herself is already dead, or she wouldn't need to cover the stink of her rotting flesh with Jean Nate apres le bain. Dad, truck driver and pathological liar, is down South somewhere living his secret life. And Audrey, when she's not walking her cat Deluxe in a baby stroller, spends her time locked in a closet telling herself stories. Johnny, meanwhile, is hell-bent on saving the family from itself, but he'll need Miss Teaspoon's help, and Regina Caeli's. And, if he must, he'll call on the made-up Sandilands because the nuns at St. Simeon Stylites School are sure not going to help.

    Refusing to repent and name the partner in her sin, Rachel feels the wrath of the religious sect as she is shunned by those she loves most. She is eventually coerced into leaving by her brother-in-law, the bishop.But secrets run deep in this cloistered community, and the bishop is hiding some of his own, threatening his conscience and his very soul. When the life of Rachel’s baby is at stake, however, choices must be made that will bring the darkness to light, forever changing the lives of those who call Copper Creek home.