I’ve published many novels, short story collections, books of essays and so on with publishers, and it’s all been very good and satisfying and educational and so on, but it seems like it’s time to try something new.You see, I’ve always released my work under open licenses from the Creative Commons project, so that my readers could share and remix my works. A good number of these readers wanted to know why I didn’t distribute the physical book as well, and see what a writer working on his own could do.So here you have it. With a Little Help, consists of 12 stories, all reprints except for “Epoch,” which was commissioned by the Ubuntu project‘s Mark Shuttleworth for $10,000 (this being the most expensive option for buying the book — don’t worry, there are cheaper editions). The book is available in many forms"

    *** These stories were selected (and edited) by his wife Leigh Brackett, an author and a screenwriter. Her screen-writing credits include works on such films as The Big Sleep, Rio Bravo, The Long Goodbye and Star Wars: The Empire Strikes Back. I*** This collection spans nearly half a century of Edmond Hamilton's work and was selected from a repository of hundreds of stories that he had written over that period.Contents:The Monster-God of Mamurth (1926)The Man Who Evolved (1931)A Conquest of Two Worlds (1932)The Island of Unreason (1933)Thundering Worlds (1934)The Man Who Returned (1934)The Accursed Galaxy (1935)In the World's Dusk (1936)Child of the Winds (1936)The Seeds from Outside (1937)Fessenden's Worlds (1937)Easy Money (1938)He That Hath Wings (1938)Exile (1943)Day of Judgment (1946)Alien Earth (1949)What's It Like Out There? (1952)Requiem (1962)After a Judgement Day (1963)The Pro (1964)Castaway (1969)

    Heated from below by the planet's seething core, it is the widest, deepest, most fearsome ocean in the solar system.Idealistic young American scientist Grant Archer joins a clandestine expedition to this awesome new world. But Grant does not share the ideals of the scientists he accompanies: he has been planted on their expedition by the New Morality, a religious group that wants to ferret out what the 'godless humanists' have discovered. His mission: to reassure the new religious leaders of Earth that Jupiter holds no intelligent life.But unknown to the New Morality, Grant, though the son of a minister, is both a believer and a man who sees no reason why science and faith can not co-exist. He has come to the vast, planet-girdling ocean of Jupiter with an open mind, and he is about to tell his masters something that may shatter their conviction.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    Forty stories. On May 25, 1977, the world was introduced to Han, Luke, Leia, a pair of droids, a Wookiee, an old wizard, a villain in black, and a galaxy full of possibilities. Forty years on, Star Wars remains an unparalleled cultural phenomenon, having inspired and influenced generations of fans and creators. Decades of rich storytelling were sparked by one film, in part because the Star Wars galaxy feels alive. Strange and wonderful characters fill the edges of the screen and make us wonder:What are their stories?This unique anthology celebrates that legacy, as more than forty contributors lend their vision to this retelling of the original Star Wars film. Each of the forty stories reimagines a moment from the film through the eyes of a supporting character. From A Certain Point of View features contributions by bestselling authors, trendsetting artists, and treasured voices from the literary history of Star Wars:- Gary Whitta bridges the gap from Rogue One to A New Hope through the eyes of Captain Antilles.- Aunt Beru finds her voice in an intimate character study by Meg Cabot.- Nnedi Okorafor brings dignity and depth to a most unlikely character: the monster in the trash compactor.- Pablo Hidalgo provides a chilling glimpse inside the mind of Grand Moff Tarkin.- Wil Wheaton spins a poignant tale of the rebels left behind on Yavin.- Plus thirty-five more hilarious, heartbreaking, and astonishing tales.Experience the story of Star Wars from a whole new point of view.

    A VINTAGE BOOKS ORIGINAL.In "All Kinds of Proof," a down-and-out drunk makes the unlikeliest of friends when he is hired to train a mail-carrying robot; in "Blood Memory," a mother confronts the dangerous reality that her daughter will never assimilate in this world after she was the first child born through a teleportation device; in "The Blue Afternoon That Lasted Forever," a physicist rushes home to be with his daughter after he hears reports of an atmospheric anomaly which he knows to be a sign of the end of the earth; in "Miss Gloria," a robot comes back to life in many different forms in a quest to save a young girl. Guardian Angels and Other Monsters displays the depth and breadth of Daniel H. Wilson's vision and examines how artificial intelligence both saves and destroys humanity.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    The results are individual glimpses of a shared vision, and a reading experience unlike any you've had before.A strange man comes to an even stranger encampment...a bouncer becomes the linchpin of an unexpected urban movement...a courier on the run has to decide who to trust in a dangerous city...a slacker in a "zero-footprint" town gets a most unusual new job...and a weapons investigator uses his skills to discover a metropolis hidden right in front of his eyes.Welcome to the future of cities. Welcome to Metatropolis.Contents:Introduction (METAtropolis) - essay by John ScalziIn the Forests of the Night - novella by Jay LakeStochasti-city - novella by Tobias S. BuckellThe Red in the Sky Is Our Blood - novelette by Elizabeth BearUtere Nihil Non Extra Quiritationem Suis - novella by John ScalziTo Hie from Far Cilenia - novella by Karl Schroeder

    The editor selected by SFWA's anthology committee (chaired by Mike Resnick) is two-time Nebula winner, Catherine Asaro. This year's volume includes stories and excerpts by Connie Willis, Jo Walton, Kij Johnson, Geoff Ryman, John Clute, Carolyn Ives Gilman, Ferrett Steinmetz, Ken Liu, Nancy Fulda, Delia Sherman, Amal El-Mohtar, C. S. E. Cooney, David Goldman, Katherine Sparrow, E. Lily Yu, and Brad R. Torgersen.Contents11 • A Harmony of Thoughts • (2013) • essay by Catherine Asaro29 • The Paper Menagerie • (2011) • shortstory by Ken Liu43 • The Ice Owl • [The Twenty Planets] • (2011) • novella by Carolyn Ives Gilman91 • Ado • (1988) • shortstory by Connie Willis100 • The Migratory Pattern of Dancers • (2011) • novelette by Katherine Sparrow121 • Peach-Creamed Honey • (2010) • poem by Amal El-Mohtar (variant of Peach Creamed Honey)123 • The Axiom of Choice • (2011) • shortstory by David W. Goldman149 • Club Story • (2011) • essay by John Clute157 • What We Found • (2011) • novelette by Geoff Ryman188 • Among Others (excerpt) • (2011) • shortfiction by Jo Walton206 • Movement • (2011) • shortstory by Nancy Fulda217 • Sauerkraut Station • (2011) • novelette by Ferrett Steinmetz267 • The Cartographer Wasps and the Anarchist Bees • (2011) • shortstory by E. Lily Yu277 • Ray of Light • (2011) • novelette by Brad R. Torgersen299 • The Freedom Maze (excerpt) • (2011) • shortfiction by Delia Sherman327 • The Sea King's Second Bride • (2010) • poem by C. S. E. Cooney334 • The Man Who Bridged the Mist • (2011) • novella by Kij Johnson405 • 2012 Nebula Awards Winners, Nominees, and Honorees • essay by uncredited409 • Past Nebula Awards Winners • essay by uncredited

    A remarkable anthology uniting twenty of today's leading thinkers, writers, and visionaries, among them Cory Doctorow, Gregory Benford, Elizabeth Bear, Bruce Sterling, and Neal Stephenson, to contribute works of "techno-optimism" that challenge us to dream boldly and do Big Stuff. Engaging, mind-bending, provocative, and imaginative, Hieroglyph offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.Contents: Foreword (Hieroglyph: Stories and Visions for a Better Future) • essay by Lawrence M. Krauss Preface: Innovation Starvation (Hieroglyph: Stories and Visions for a Better Future) • essay by Neal Stephenson Introduction: A Blueprint for Better Dreams • essay by Kathryn Cramer and Ed Finn Atmosphaera Incognita (2013) / novelette by Neal Stephenson Girl in Wave: Wave in Girl (2014) / novelette by Kathleen Ann Goonan By the Time We Get to Arizona (2014) / novelette by Madeline Ashby The Man Who Sold the Moon (2014) / novella by Cory Doctorow Johnny Appledrone vs. the FAA (2014) / novelette by Lee Konstantinou Degrees of Freedom (2014) / novelette by Karl Schroeder Two Scenarios for the Future of Solar Energy (2014) / short story by Annalee Newitz A Hotel in Antarctica (2014) / novelette by Geoffrey A. Landis Periapsis (2014) / novelette by James L. Cambias The Man Who Sold the Stars (2013) / novelette by Gregory Benford Entanglement (2014) / novella by Vandana Singh Elephant Angels (2014) / novelette by Brenda Cooper Covenant (2014) / short story by Elizabeth Bear Quantum Telepathy (2014) / novelette by Rudy Rucker Transition Generation (2014) / short story by David Brin The Day It All Ended (2014) / short story by Charlie Jane Anders Tall Tower (2014) / novelette by Bruce Sterling Science and Science Fiction: An Interview with Paul Davies • interview of Paul Davies (1946-) • interview by uncredited.

    Contents:The Infinite Assassin (1991)The Hundred Light-Year Diary (1992)Eugene (1990)The Caress (1990)Blood Sisters (1991)Axiomatic (1990)The Safe-Deposit Box (1990)Seeing (1995)A Kidnapping (1995)Learning to Be Me (1990)The Moat (1991)The Walk (1992)The Cutie (1989)Into Darkness (1992)Appropriate Love (1991)The Moral Virologist (1990)Closer (1992)Unstable Orbits in the Space of Lies (1992)

    Technological intrigue-international and intersteller- a hard edged conflict with alien races.Contents:• Ernie • (1979) • Raison D'Etre • (1981) • The Price of Survival • (1981) • Between a Rock and a High Place • (1982) • Houseguest • (1982) • Time Bomb • (1988) • The President's Doll • (1987) • Banshee • (1987)

    Here are fantasy stunners as THE SHIPS OF DARKNESS, here are the unclassifiable "specials" such as THE ULTRA MAN, THE REPLICATORS, and THE CATAAAAA. And more!THE FAR-OUT WORLDS OF A.E. VAN VOGT is a far-out event in science-fiction writing.Contents7 • The Replicators • (1965) • novelette by A. E. van Vogt28 • The First Martian • (1951) • shortstory by A. E. van Vogt42 • The Purpose • (1945) • novelette by A. E. van Vogt82 • The Earth Killers • (1949) • novelette by A. E. van Vogt110 • The Cataaaaa • (1947) • shortstory by A. E. van Vogt124 • Automaton • (1950) • shortstory by A. E. van Vogt135 • Itself! • (1963) • shortstory by A. E. van Vogt138 • Process • (1950) • shortstory by A. E. van Vogt143 • Not the First • (1941) • shortstory by A. E. van Vogt157 • Fulfilment • (1964) • novelette by A. E. van Vogt (variant of Fulfillment 1951)182 • Ship of Darkness • (1948) • shortstory by A. E. van Vogt198 • The Ultra Man • (1966) • novelette by A. E. van Vogt

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..