It causes people to forget—small things at first, like where they left their keys…then the not-so-small things like how to drive, or the letters of the alphabet. Then their bodies forget how to function involuntarily…and there is no cure. But now, far below the surface of the Pacific Ocean, deep in the Marianas Trench, an heretofore unknown substance hailed as “ambrosia” has been discovered—a universal healer, from initial reports. It may just be the key to a universal cure. In order to study this phenomenon, a special research lab, the Trieste, has been built eight miles under the sea’s surface. But now the station is incommunicado, and it’s up to a brave few to descend through the lightless fathoms in hopes of unraveling the mysteries lurking at those crushing depths…and perhaps to encounter an evil blacker than anything one could possibly imagine.

    A crabbing voyage that descends into chaos. Malevolent snowmen. The debut of a mysterious indie wrestler. A sacrifice in need of an hourglass. A paranormal cremator in search of a friend...and other choice cuts from the mind of Donnie Goodman. The razorblades have emerged. It is time to dig.

    But whilst Jude suffers to a degree, Kyle is the one who takes the brunt of their attention, submitting himself to preserve his younger brother’s innocence.As a grown man, Jude’s mind turns to vengeance for what they have endured. He has waited a long time, but now he is strong enough, and cold-hearted enough, to do the deed. Enacting one harrowing revenge after another, Jude’s dark quest to punish the wrongs of the past will show that after all is said and done, only the stains of the past will remain.

    When he arrives, the predecessor he is meant to replace is missing and a deeply disturbed stranger is barricaded in a heavily fortified lighthouse. At first adversaries, the two find that their tenuous partnership may be the only way they survive the unspeakably horrific reptilian creatures that ravage the island at night, attacking the lighthouse in their organized effort to find warm-blooded food. Armed with a battery of ammunition and explosives, the weather official and his new ally must confront their increasingly murderous mentality, and, when the possibility of a kind of truce presents itself, decide what kind of island they will inhabit. Equal parts Stephen King, a phantasmagorical Robinson Crusoe, and Lord of the Flies, Cold Skin is literary horror that deals with the basest forms of human behavior imaginable, while exploring why we so vehemently fear the Other.

    ft., 2BR 2BA, eat-in kitchen, one block to parks and playgrounds. No broker’s fee.Susan and Alex Wendt have found their dream apartment.Sure, the landlady is a little eccentric. And the elderly handyman drops some cryptic remarks about the basement. But the rent is so low, it’s too good to pass up.Big mistake. Susan soon discovers that her new home is crawling with bedbugs... or is it? She awakens every morning with fresh bites, but neither Alex nor their daughter Emma has a single welt. An exterminator searches the property and turns up nothing. The landlady insists her building is clean. Susan fears she’s going mad—until a more sinister explanation presents itself: she may literally be confronting the bedbug problem from Hell.

    Only a handful of years after the end of British rule, Hawley finds himself drawn into a new war unlike anything he has ever seen.New York City is on the cusp of a new revolution as the science of medicine advances, but procuring bodies for study is still illegal. Bands of resurrectionists are stealing corpses from New York cemeteries, and women of the night are disappearing from the streets, only to meet grisly ends elsewhere.After a friend’s family is robbed from their graves, Hawley is compelled to fight back against the wave of exhumations plaguing the Black cemetery. Little does he know, the theft of bodies is key to far darker arts being performed by the resurrectionists. If successful, the work of these occultists could spell the end of the fledgling American Experiment… and the world itself.The Resurrectionists, the first book in the Salem Hawley series, is a novella of historical cosmic horror from the author of Broken Shells and Mass Hysteria.

    But something sinister lurks beneath the soil of the old estate.After heiress and current owner Caitlin Chaisson is witness to her husband’s stunning betrayal at her birthday party, she tries to take her own life in the mansion’s cherished gazebo. Instead, the blood she spills awakens dark forces in the ground below. Chaos ensues and by morning her husband has vanished without a trace and his mistress has gone mad.Nova, daughter to Spring House’s groundskeeper, has always suspected that something malevolent haunts the old place, and in the aftermath of the birthday party she enlists Caitlin’s estranged best friend, Blake, to help her get to the bottom of it. The pair soon realizes that the vengeance enacted by this sinister and otherworldly force comes at a terrible price.

    Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals—or “Cures”—by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson. When they strike up an affair, to the displeasure of her father and Samson’s widowed, pregnant sister, Ada is torn between her old way of life and new possibilities with her lover—and eventually comes to a decision that will forever change Samson, the town, and the Ground itself.Follow Me to Ground is fascinating and frightening, urgent and propulsive. In Ada, award-winning author Sue Rainsford has created an utterly bewitching heroine, one who challenges conventional ideas of womanhood and the secrets of the body. Slim but authoritative, Follow Me to Ground lingers long after its final page, pulling the reader into a dream between fairytale and nightmare, desire and delusion, folktale and warning.

    Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.You’re easier to catch when you’re tired.It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you knew who you were. Only the shadow with too many teeth knew you better. It still does. And it won’t stop. Not until you come home.Back to where it all began.Part cosmic horror, part coming-of-age monster story, DIRTY HEADS is a terrifying read from the author of HOUSE OF SIGHS, THE FALLEN BOYS, and A PLACE FOR SINNERS

    Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.Now those parallel universes are unlocked—and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself…to himself?

    The author deftly puts you inside the mind of a serial killer--succeeding not in writing about madness, but in writing with the logic of madness.

    With this anthology, we wanted to give women the chance to take something back to show their skills and storytelling abilities, but to also create striking stories that resonate profoundly with readers: Protagonists who take no shit; women who save themselves; women who slay the beast; women who become the monster.

    Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die. His frail master sends him out on errands, twisting him with magic, crafting a plan too cruel to name, while the monster’s heart grows fonder and colder and more cunning.These monsters of Elendhaven will have their revenge on everyone who wronged the city, even if they have to burn the world to do it.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement. Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.