In this compelling study of true crime, Liverpool's most popular author Tom Slemen recounts some of the most intriguing and baffling murders of Merseyside such as:• The baffling case of the Victorian canned corpse• The magistrate's beautiful granddaughter who was killed by a crazed admirer• The condemned man who was hanged twice• Frederick Deeming - the Rainhill psychopath who wiped out his own family and danced on their grave with his next victim• The bizarre link between a South Seas cult and the housewife who was stabbed fourteen times in her Knotty Ash home by a killer who struck under the cover of a fog• The unsolved case of the superintendent and his son who died of gunshot wounds under mysterious circumstances - in a police station• The enigmatic murder of Julia Wallace - and a very credible solution• The only assassination of a British prime minister - by a Liverpool businessman Plus many more fascinating murder cases.This fascinating book is a must for all readers of true crime in general and Liverpudlians and Merseysiders in particular.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.

    blu, steeped in poetic realism and contemporary politics, challenges us to try to imagine a time before war.Selected as the winner of the 2010 Yale Drama competition from more than 950 submissions, Virginia Grise's play blu takes place in the present but looks back on the not too distant past through a series of prayers, rituals, and dreams. Contest judge David Hare commented, "Virginia Grise is a blazingly talented writer, and her play blu stays with you a long time after you've read it." Noting that 2010 was a banner year for women playwrights, he added, "Women's writing for the theatre is stronger and more eloquent than it has ever been."

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    

     A quintessentially British comedy from author Alastair Pack. "I loved reading this book and had a smile on my face from the first page." - 4 out of 4 stars - onlinebookclub.org From the Back Cover Quentin, through no fault of his own, loses his home, his business and the only woman in his life... actually, it's entirely his own fault. He's a slacker. But no more! After briefly turning to crime, Quentin sets out to reverse his fortunes and becomes entangled in a Web of Machinations that includes a tramp suffering from Morgellons (those itchy, itchy Morgellons), a sinister group of computer hackers, a Tibetan boy claiming to be the Chosen One, a mysterious blonde woman and a duck called Stalin. Quentin may have set out to save his home, but now finds himself tasked with saving the world.

    Nothing and no one keeps us lot down.'A life of poverty in a cramped pit cottage is all that seventeen-year-old Ruby Dinsdale has known. Even with her father and younger brother working at the coal mine, money is tight. Her mother Mary is skilled at stretching what little they have, but the small contribution Ruby makes from her job at the local pub makes all the difference. So when Ruby is sacked, and Mary becomes pregnant again, the family's challenges are greater than ever.When charming miner Gordon begins to court Ruby it seems as though happiness is on the horizon, until she uncovers a deeper betrayal than she could ever have imagined.But although the Dinsdales are materially poor, they are rich in love, friendship and determination - all qualities that they will draw on to get them through whatever lies ahead.

    

    She’ll steal your pen or touch your hair, when you’re sure there’s no one there. The nuns are meant to keep her safe, but she gets out of her own grave. So pull your covers over your head, Little Frances isn’t dead … On a bright spring day in London, Ria Driver sees a face she never thought she’d see again. Coincidence? Or her past coming back to haunt her? Suddenly, Ria is plunged back almost thirty years, to the time she spent as Supervisor at the Convent of Maria Goretti, a rural Irish boarding school. And although she has tried her best to forget, the memories come flooding back. Cold, darkness, isolation, loss … fear. Fear of the sadistic Mother Benedicta and her cruel punishments. And fear of the noises … the humming, the footsteps, the knocking …What was the cause of the sounds from the attic? And who was the child who should not have been there? As events unfold, Ria realises that she can leave the past behind no longer, that her story needs an ending. And to find it, she must go back to where she swore she’d never go again.

    Also known as "Jet of Blood".

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.

    Unable to understand each other, they embarked on one of the most unusual experiments in British art as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine.The Pitmen Painters premiered at Live Theatre, Newcastle-upon-Tyne, in September 2007, before transferring to the National Theatre in 2008.

    . .Janie and her husband James have a strong, loving marriage. A move from an inner-city slum to a peaceful new estate outside of Bolton should have been a fresh start for them and their three children. But when war is declared and James announces he has signed up, Janie fears it's the beginning of the end.Waving goodbye to their menfolk is a sacrifice that families are making all over the country and Janie does her best to make do, forging friendships in her new community.But when James comes home on leave a traumatised and desperate man, then goes AWOL, Janie's heart goes out to him. Determined to keep him safe, she plans to hide him in their new house. But how long can they keep the secret, and what threats lie ahead if they're found out?A page-turning new wartime saga about love, friendship and secrets, for fans of Katie Flynn and Rosie Goodwin.